@dxddy._.desi: Leaving✨👌🏽

Desiree Montoya

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Saturday 03 September 2016 12:57:01 GMT

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genesis🥴💕 :

anyone else is here in November 2020?😳

2020-11-14 17:59:23

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Uyumları mükemmel yaa #aşkvetaht #alaaddinkeykubat #destina #turkishseries #edit

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#creatorsearchinsights #fypシ゚viral__ “Nabali Misère” — “I married misery” — is a woman’s deeply personal lament about a marriage that has brought her loneliness, anxiety and heartbreak. From the beginning, she cries out in distress. She is alone in her home, without her husband, and her mind is filled with worry. She describes herself as having been left with nothing but sadness and asks why she has been subjected to such suffering. As the story develops, she explains that her husband has deserted her because he has believed rumours about her. She cannot understand why he accepted what people in Kinshasa were saying instead of investigating the matter himself. Her frustration is captured in her direct appeal to him: why did you believe those stories instead of verifying the truth? This is where the song becomes more than a simple complaint about an absent husband. She believes that gossip and outside interference have destroyed their love. She feels that people have come between them and that her husband has allowed their words to outweigh the relationship they had built together. She remembers the beginning of their love and wonders how something that once brought happiness could have ended with her sitting alone in the house, overwhelmed by worry. Her repeated cry of “Nabali misère” becomes the painful conclusion: she feels that instead of marrying into happiness and companionship, she has married into misery. The emotional weight of the song comes from the fact that she still wants her husband back. This isn't a woman who has simply moved on; she is hurt, confused and desperately hoping that he will understand what really happened and return home. Mayaula Mayoni composed the song, while Djo Mpoyi Kaninda delivers the lead vocal, with Lukoki Diatho, Lola Chécain and Wuta Mayi featured in the chorus. The song was released in 1979 and became one of Mayaula's signature compositions, earning him the Zairean Composer of the Year honour that year. What makes “Nabali Misère” so timeless is its warning about the destructive power of rumours: a marriage can be damaged not only by what happens between two people, but also by what one person chooses to believe about the other. And if these stories behind the classics are your kind of music history, September 12 is another date to remember. Congo Sounds Radio and House of Rumba will host Scottsdale Rumba Royale — Karen Edition at One Stop Arcade, Karen. Come celebrate the music, culture and memories that keep Congolese rumba alive. 🇨🇩🇰🇪🎶 #CongoSoundsRadio #RumbaWithoutBorders #NabaliMisere

#creatorsearchinsights #fypシ゚viral__ “Nabali Misère” — “I married misery” — is a woman’s deeply personal lament about a marriage that has brought her loneliness, anxiety and heartbreak. From the beginning, she cries out in distress. She is alone in her home, without her husband, and her mind is filled with worry. She describes herself as having been left with nothing but sadness and asks why she has been subjected to such suffering. As the story develops, she explains that her husband has deserted her because he has believed rumours about her. She cannot understand why he accepted what people in Kinshasa were saying instead of investigating the matter himself. Her frustration is captured in her direct appeal to him: why did you believe those stories instead of verifying the truth? This is where the song becomes more than a simple complaint about an absent husband. She believes that gossip and outside interference have destroyed their love. She feels that people have come between them and that her husband has allowed their words to outweigh the relationship they had built together. She remembers the beginning of their love and wonders how something that once brought happiness could have ended with her sitting alone in the house, overwhelmed by worry. Her repeated cry of “Nabali misère” becomes the painful conclusion: she feels that instead of marrying into happiness and companionship, she has married into misery. The emotional weight of the song comes from the fact that she still wants her husband back. This isn't a woman who has simply moved on; she is hurt, confused and desperately hoping that he will understand what really happened and return home. Mayaula Mayoni composed the song, while Djo Mpoyi Kaninda delivers the lead vocal, with Lukoki Diatho, Lola Chécain and Wuta Mayi featured in the chorus. The song was released in 1979 and became one of Mayaula's signature compositions, earning him the Zairean Composer of the Year honour that year. What makes “Nabali Misère” so timeless is its warning about the destructive power of rumours: a marriage can be damaged not only by what happens between two people, but also by what one person chooses to believe about the other. And if these stories behind the classics are your kind of music history, September 12 is another date to remember. Congo Sounds Radio and House of Rumba will host Scottsdale Rumba Royale — Karen Edition at One Stop Arcade, Karen. Come celebrate the music, culture and memories that keep Congolese rumba alive. 🇨🇩🇰🇪🎶 #CongoSoundsRadio #RumbaWithoutBorders #NabaliMisere

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وانت مديرك اي نوع فيهم؟😂😂🙄

وانت مديرك اي نوع فيهم؟😂😂🙄

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