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@maddytaylor: #pov you’re in a world where the words you write on yourself appear on your soulmate, and this is when you realize who it is 🖤

maddy
maddy
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Region: US
Wednesday 22 April 2020 02:03:56 GMT
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Comments

samanthaaa.rose15
Samantha Polaski :
You look like Sarah Cameron off outer banks
2020-04-22 02:16:15
386
maddytaylor
maddy :
@_amysophia inspired me
2020-04-22 02:06:50
306
katelinsalley
Katelin Salley Jones :
plz put the text at the top of the screen :( we can never see it
2020-04-22 02:42:13
95
isabellalewis_c
Isa🫶🏻 :
If you answer me I will adopt a puppy💝💝😻😻😻
2020-04-22 02:06:12
94
graham61017381
user1026382812626 :
Who else is watching this in 2023?
2020-04-22 02:06:43
58
_amysophia
amy sophia :
you killed this!! ☺️
2020-04-22 06:30:03
34
sanna_ali
Sanna Ali :
Everyone check out my videos pls
2020-04-22 02:05:28
24
christine72727
Christine :
still waiting on real voice pov
2020-04-22 02:13:56
23
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@ceramicvideo @omelettrees.studio Very honestly, slab building is one of the more tedious processes in our studio, which means we don’t indulge it in very often. First, it takes quite a bit of planning to get proportions and measurements right. We usually make a paper template, stick it together, re-adjust the measurements to account for clay shrinkage, before committing to the form. Then comes cutting out all the tiny little slabs, beveling the edges, score, slip, join, and reinforce... (I missed out on videoing that part) So here’s our learning, this time round: While everything dried up beautifully and survived the bisque well, glaze firing was pretty unpredictable. We’d be very honest to say that hairline cracks did emerge, and yes- warping (our nemesis 🥲) We studied our huts and realised that we had to be more selective with the quality of clay we used. Grittier, sandier slabs made with bottom of the barrel clay didn’t hold up well compared to the finer, smoother clay sieved out in the beginning. I’m glad we gave them a go, nonetheless. So while we won’t be selling these Kiln Huts, they still speak of the story behind the roaring brick trade of our past. And we’re happy, of course, that they get to hang out at @reroutefest with works from our potter friends @studioasobi and @minjuandjeff !
@ceramicvideo @omelettrees.studio Very honestly, slab building is one of the more tedious processes in our studio, which means we don’t indulge it in very often. First, it takes quite a bit of planning to get proportions and measurements right. We usually make a paper template, stick it together, re-adjust the measurements to account for clay shrinkage, before committing to the form. Then comes cutting out all the tiny little slabs, beveling the edges, score, slip, join, and reinforce... (I missed out on videoing that part) So here’s our learning, this time round: While everything dried up beautifully and survived the bisque well, glaze firing was pretty unpredictable. We’d be very honest to say that hairline cracks did emerge, and yes- warping (our nemesis 🥲) We studied our huts and realised that we had to be more selective with the quality of clay we used. Grittier, sandier slabs made with bottom of the barrel clay didn’t hold up well compared to the finer, smoother clay sieved out in the beginning. I’m glad we gave them a go, nonetheless. So while we won’t be selling these Kiln Huts, they still speak of the story behind the roaring brick trade of our past. And we’re happy, of course, that they get to hang out at @reroutefest with works from our potter friends @studioasobi and @minjuandjeff !

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