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@joseg1131: Athenas Digno de Alabar #musicacatolica #alabasacatolica #digno #parati #comparte

Jose
Jose
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Region: US
Monday 05 October 2020 11:09:50 GMT
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blessedcatholic
Catolica Bendecida :
Tu eres poderoso amado SEÑOR
2021-01-07 14:41:52
2
texas20207
user9933116331700 :
🙏Amén!
2020-10-06 02:49:21
2
user6546020293229
user6546020293229 :
Hace unos cuantos sños los catolicos vonenzaron a aplaudir decirse hnos diferentes cantos etc igualando a Cristianos eso es marketing
2020-10-06 03:21:19
2
salucio6
salucio :
bendito sea Señor
2020-10-06 02:02:50
2
espy760
Esperanza Salvador :
gloria ati mi senor bendito y alavado seas aleluya, aleluya
2020-10-06 03:31:07
2
blessedcatholic
Catolica Bendecida :
linda ALABANZA Bendiciones
2021-01-07 14:43:15
2
user058554797
Marisol Remuzgo Pait :
🥰🥰🥰🥰🥰
2022-01-12 15:48:34
2
missymiangel77
Atardecer :
🙏👏👏❤️
2020-10-09 20:56:28
2
mayra.silva721
Mayra Silva :
🙏
2025-10-30 20:35:26
0
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Every picture you’ve ever seen of a dodo is probably wrong. The chunky, goofy bird from Alice in Wonderland, cartoons, memes, and museum gift shops mostly come from a single painting that helped shape the world’s image of the dodo for centuries. And it wasn’t very accurate. But while Europe was falling in love with this famously inaccurate version of the bird, painted by a man who had only ever seen a very overstuffed dodo, other artists, working under different constraints, were painting something very different. In this film, we follow art historian Marine Saussier as she traces the dodo through centuries of paintings, royal collections, Mughal courts, and forgotten artworks to uncover what the most famous depictions of the dodo got wrong, and which paintings may offer the best clues to what the bird truly looked like. That information is invaluable to the scientists at Colossal Biosciences working to bring the dodo back. Alongside ancient DNA, genomics, computational biology, and a whole suite of other sciences, de-extinction requires something surprisingly simple: knowing what the animal actually looked like. That’s why Marine is sharing her research with Colossal’s scientists, helping answer questions about the bird’s true morphology and more. Because bringing back the dodo isn’t just about ancient DNA. This is the story of the art that created the myth of the dodo, the art helping uncover the truth, and the science working to bring the bird back from extinction.
Every picture you’ve ever seen of a dodo is probably wrong. The chunky, goofy bird from Alice in Wonderland, cartoons, memes, and museum gift shops mostly come from a single painting that helped shape the world’s image of the dodo for centuries. And it wasn’t very accurate. But while Europe was falling in love with this famously inaccurate version of the bird, painted by a man who had only ever seen a very overstuffed dodo, other artists, working under different constraints, were painting something very different. In this film, we follow art historian Marine Saussier as she traces the dodo through centuries of paintings, royal collections, Mughal courts, and forgotten artworks to uncover what the most famous depictions of the dodo got wrong, and which paintings may offer the best clues to what the bird truly looked like. That information is invaluable to the scientists at Colossal Biosciences working to bring the dodo back. Alongside ancient DNA, genomics, computational biology, and a whole suite of other sciences, de-extinction requires something surprisingly simple: knowing what the animal actually looked like. That’s why Marine is sharing her research with Colossal’s scientists, helping answer questions about the bird’s true morphology and more. Because bringing back the dodo isn’t just about ancient DNA. This is the story of the art that created the myth of the dodo, the art helping uncover the truth, and the science working to bring the bird back from extinction.
هر جا قدم زدم فقط دیدم صورت تو !.#sara4aa #foryou
هر جا قدم زدم فقط دیدم صورت تو !.#sara4aa #foryou
ÚLTIMA HORA | Colombia captura a alias El Coti y El Patón, cabecillas del Tren de Aragua, y buscados por Estados Unidos. Las autoridades colombianas capturaron este jueves a Richard José Espinal Quintero, alias El Coti, y Henderzon Adrián Villarroel Luque, alias El Patón, presuntos cabecillas del Tren de Aragua y buscados por Estados Unidos, según informó el presidente de Colombia, Abelardo de la Espriella.
ÚLTIMA HORA | Colombia captura a alias El Coti y El Patón, cabecillas del Tren de Aragua, y buscados por Estados Unidos. Las autoridades colombianas capturaron este jueves a Richard José Espinal Quintero, alias El Coti, y Henderzon Adrián Villarroel Luque, alias El Patón, presuntos cabecillas del Tren de Aragua y buscados por Estados Unidos, según informó el presidente de Colombia, Abelardo de la Espriella. "Hoy, en Manizales (Caldas), nuestra Policía Nacional, a través de la Dipol y el Gaula-Élite, capturó en la Operación Titán a dos importantes cabecillas de esta organización terrorista transnacional", escribió el mandatario en su cuenta de X. Según detalló De la Espriella, Espinal Quintero era el cuarto cabecilla del Tren de Aragua en Colombia, cuya estructura criminal opera entre la costa del Caribe y el Eje Cafetero, una de las regiones más turísticas del país. "Este bandido mantenía alianzas criminales para el tráfico de cocaína y material bélico y era prófugo desde 2023 con notificación roja de Interpol", agregó el mandatario. Por su parte, Villarroel Luque es acusado de traficar armas y coordinar la logística para el envío de cocaína a Centroamérica, Estados Unidos y Europa. Ambos detenidos están incluidos en la Lista de Nacionales Especialmente Designados y Personas Bloqueadas (Lista SDN) de la Oficina de Control de Activos Extranjeros (OFAC) del Departamento del Tesoro de los Estados Unidos. La semana pasada las autoridades colombianas capturaron a Luis Saúl Pérez Nieto, acusado de ser un cabecilla del Tren de Aragua en Perú y hombre de confianza del fundador de esa banda criminal, alias Niño Guerrero, muerto en junio pasado en una operación en Venezuela. EFE

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