@quran_verse: قال رب بما أغويتني 🖤🎧#ماهرالمعيقلي #ماهر_المعيقلي #سورة_الحجر #قران_كريم #القران_الكريم #القرأن #القرأن_الكريم #تلاوات #تلاوة #عبدالرحمن_السديس #عبدالرحمن_مسعد #اسلام_صبحي #quran_alkarim #foryoupage #islam #fyp

Quran verse
Quran verse
Open In TikTok:
Region: EG
Friday 07 April 2023 15:42:33 GMT
131914
6536
44
395

Music

Download

Comments

user67658834598
user27895738876 :
يارب
2023-04-09 03:23:18
2
cayuushcaqiil2024
Cayuushcaqiil 2023 :
الله اكبر الله اكبر الله اكبر 🤲❤️
2023-04-07 16:14:55
2
mohammedkareem149
mohammedkareem149 :
ياالله
2023-04-07 17:25:30
1
hishammustafa25
بو حتيته المعبدي :
سبحان الله
2023-06-07 12:46:37
1
user017457
محمد أحمد كامل :
يآرب
2023-06-10 11:05:03
1
user6661213098118
بسام الحديدي :
🥰🥰🥰🥰
2023-04-28 07:26:01
1
batm682
I’m Batman :
يارب اجعلني من عبادك المخلصين😞
2023-04-24 01:33:09
1
saiahi19
بًرآهّيَمً تٌيَآرتٌيَ :
استغفر آلَلَهّالذي لااله الاهو الحي القيوم واتوب اليه
2023-04-10 21:51:13
1
aminah8181
Aminah ✨ :
اللهم ارحم امي وابي واغفر لهم وارحمني واغفر لي 🥰🥰
2023-04-10 03:02:12
1
sajamansur
sajamansur :
يارب
2023-07-05 14:47:40
0
sajamansur
sajamansur :
سبحان الله
2023-07-05 14:47:34
0
sajamansur
sajamansur :
🥰🥺
2023-07-05 14:47:23
0
1hussain97
حسين →_→ :
الله أكبر لا اله الا الله
2023-06-22 17:36:43
0
xx._.mohamed._.32._.xx
xx._.mohamed😍❤ :
الله
2023-06-22 08:43:49
0
user584328512
SID-ALI_OFFICIEL 🇮🇹🦓 :
ما شاء الله
2023-06-21 15:01:12
0
g.x.71
الغرور العاصف :
@دموع الراحلين.
2023-06-20 21:48:16
0
user270866411
بنغازي :
سبحان الله وبحمده سبحان الله العظيم
2023-06-19 18:10:21
0
fatahjozif
Abdel Abdel 😘 :
🥰
2023-06-16 16:08:57
0
ajsiajsii61
⭐️ :
ALLAH 🤲🤲🤲🤲🤲🤲🤲☝️🕋🕋🕋🕋🕋🕋🕋🥺
2023-06-15 13:04:19
1
sajamansur
sajamansur :
لا اله الا الله محمد رسول الله
2023-07-05 14:48:17
0
touatimokhtar
Sidou 💍🤎Sidou 💚🥰 :
🥰
2023-06-07 02:56:36
0
lolou490
loubnachakir149 :
سبحان الله القران راحة نفسية
2023-06-03 20:34:42
0
ab.dou_12
NADA :
يآرب
2023-05-25 16:00:11
0
user05523633116
امير الظلام :
🥺🥺🥺🥺🥺🥺🥺
2023-05-23 05:17:34
0
dykewl9lildb
سوري /511( :
الله محمد رسول الله واتوب اليه😻😻
2023-05-22 20:47:42
0
b7opw8
المهندس بلال كريم :
يالله يالله يالله
2023-05-22 07:20:20
0
ousamaaousama729
Ousamaa Ousama729 :
الله اكبر
2023-05-21 22:37:14
0
mohamedsaidmmm
أبو غريب :
الله اكبر
2023-05-12 11:12:51
0
user9852248168337
عم مجالو :
يااااااااااااااأااااارب
2023-05-08 20:10:42
0
user2065153426628
باسل الدير :
🥰🥰🥰🥰
2023-05-08 01:14:35
0
etoilist2021
etoilist best 🇦🇱🌹🇦🇱 :
ما شاء الله
2023-05-03 06:39:01
1
user4159879048177
اب عامر :
لا اله الا الله محمد رسول الله
2023-04-28 12:36:09
0
user4159879048177
اب عامر :
استغفر الله العظيم و اتوب اليه
2023-04-28 12:35:59
0
aminah8181
Aminah ✨ :
اللهم صلي وسلم على سيدنا محمد 🥰🥰
2023-04-10 03:02:03
0
To see more videos from user @quran_verse, please go to the Tikwm homepage.

Other Videos

Sandro Botticelli — The Birth of Venus (c. 1484–1486) Medium: Tempera on canvas
Collection: Galleria degli Uffizi, Florence The Birth of Venus is not a mythological illustration.
It is a visual manifesto of Renaissance humanism. A painting that uses myth as a language to speak about beauty, virtue, and the elevation of the human spirit. The painting portraits Venus, roman goddess of beauty and love, in the center of the composition, arriving at the shore after her birth. But she doesn’t emerge as a physical body alone, but as an idea.  Botticelli chooses, a noble woman of the time whose beauty became legendary as inspiration to represent the role of Venus as the archetype of beauty, harmony, spiritual love: Simonetta Vespucci. Her nudity is not erotic; it is philosophical. Botticelli draws on Neoplatonic thought, in which physical beauty is a reflection of divine beauty, a path toward moral and intellectual elevation. Unlike later naturalistic painters, Botticelli rejects anatomical realism. Venus’s elongated neck, sloping shoulders, and impossible contrapposto are intentional distortions. They signal that this is not a body governed by nature, but by symbolic proportion. Zephyrus, god of the wind, propels Venus toward the shore. He carries a female figure with him, that Vasari identified as Aura (but other art historians identify as the nymph Chloris), entwined with him. At the right side of the composition, slightly elevated over the land, the Hora of Spring, is ready to offer Venus a cloak to cover her modesty, to welcome her into civilisation. Venus’s arrival marks the passage from chaos to culture. Nature gives birth to beauty, society clothes it with meaning. Botticelli’s line is the true protagonist of the painting. Flowing, continuous, rhythmic, it acts like calligraphy, guiding the eye and unifying myth, body, and idea into a single visual discourse The painting, an unquestionable icon of Italian Renaissance, remains as a celebration of love and beauty.   #Botticelli #renaissance #FineArts #UffiziGallery #ArtHistory
Sandro Botticelli — The Birth of Venus (c. 1484–1486) Medium: Tempera on canvas
Collection: Galleria degli Uffizi, Florence The Birth of Venus is not a mythological illustration.
It is a visual manifesto of Renaissance humanism. A painting that uses myth as a language to speak about beauty, virtue, and the elevation of the human spirit. The painting portraits Venus, roman goddess of beauty and love, in the center of the composition, arriving at the shore after her birth. But she doesn’t emerge as a physical body alone, but as an idea. Botticelli chooses, a noble woman of the time whose beauty became legendary as inspiration to represent the role of Venus as the archetype of beauty, harmony, spiritual love: Simonetta Vespucci. Her nudity is not erotic; it is philosophical. Botticelli draws on Neoplatonic thought, in which physical beauty is a reflection of divine beauty, a path toward moral and intellectual elevation. Unlike later naturalistic painters, Botticelli rejects anatomical realism. Venus’s elongated neck, sloping shoulders, and impossible contrapposto are intentional distortions. They signal that this is not a body governed by nature, but by symbolic proportion. Zephyrus, god of the wind, propels Venus toward the shore. He carries a female figure with him, that Vasari identified as Aura (but other art historians identify as the nymph Chloris), entwined with him. At the right side of the composition, slightly elevated over the land, the Hora of Spring, is ready to offer Venus a cloak to cover her modesty, to welcome her into civilisation. Venus’s arrival marks the passage from chaos to culture. Nature gives birth to beauty, society clothes it with meaning. Botticelli’s line is the true protagonist of the painting. Flowing, continuous, rhythmic, it acts like calligraphy, guiding the eye and unifying myth, body, and idea into a single visual discourse The painting, an unquestionable icon of Italian Renaissance, remains as a celebration of love and beauty. #Botticelli #renaissance #FineArts #UffiziGallery #ArtHistory

About