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@kasssydi: BVJ 🤠🤠🤠🤠 #bvj #bigvalleyjamboree #2023 #augustlongweekend #camrose #alberta

kassydi
kassydi
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Region: CA
Tuesday 08 August 2023 23:41:15 GMT
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oh my god I'm bringing the leaf blower next year that'd genius
2023-08-11 13:25:12
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La muerte | audio y idea: Yazzta . . . #parati #fyp #foryou #famoso #edits
La muerte | audio y idea: Yazzta . . . #parati #fyp #foryou #famoso #edits
#كردفان_الغرة_السودان💛💛💛🌹🌹🌹🌹 #مشاهده_ممتعه🥀🖤مرا
#كردفان_الغرة_السودان💛💛💛🌹🌹🌹🌹 #مشاهده_ممتعه🥀🖤مرا
Vì Người Không Xứng Đáng - Thazh x Đông Remix - Ntp Vinahouse #vinguoikhongxungdang #thazhremix #dongremix #xuhuong #ntpvinahouse #nhachottrendtiktok2025
Vì Người Không Xứng Đáng - Thazh x Đông Remix - Ntp Vinahouse #vinguoikhongxungdang #thazhremix #dongremix #xuhuong #ntpvinahouse #nhachottrendtiktok2025
This scene is the film’s gut-wrenching pivot. Mārama begins as the picture of composure, but the moment she shatters the glass, we witness a sacred rage—manifesting as a visceral haka that channels generations of her people's pain and trauma. Yet, her truth is refracted through the eyes of those watching. For Nathaniel Cole, her outrage is not a cry of anguish but the epitome of his fetishized fantasy—he is thrilled because she is finally performing the
This scene is the film’s gut-wrenching pivot. Mārama begins as the picture of composure, but the moment she shatters the glass, we witness a sacred rage—manifesting as a visceral haka that channels generations of her people's pain and trauma. Yet, her truth is refracted through the eyes of those watching. For Nathaniel Cole, her outrage is not a cry of anguish but the epitome of his fetishized fantasy—he is thrilled because she is finally performing the "savage" exoticism he projected onto her culture. He does not see her grief; he consumes it. Her pain becomes his pleasure, a performance staged for his gaze. This is fetishization at its ugliest—reducing sacred grief to exotic entertainment. For Jack Frenton, the obvious desecrator, the scene exposes his fraud; he stands silently, bearing a moko that does not belong to him, a "pretendian" whose stolen mana is dwarfed by the authenticity of Mārama’s grief. The crowd, however, misses the point entirely. Initially shocked, they blindly erupt into applause—because they do not understand culture; they only recognize a spectacle. But watch the maid. She is the only one who remains quiet, not out of confusion, but out of reverence. She may not fully understand the ritual, but she recognizes a powerful, sacred truth unfolding before her. This dynamic is not confined to the screen. It plays out every day in not only Māori and Kānaka spaces but is not limited to them—it reverberates across Indigenous communities everywhere. We see "pretendians" planting themselves as cultural gatekeepers, while there are those who entertain them, amused by the performance rather than alarmed by the fraud. This fetishization does not stay on the screen. It bleeds into reality, where Indigenous spirituality is repackaged as wellness trends, sacred symbols become fashion statements, and wāhine are reduced to exotic archetypes rather than respected as leaders. Amplifying these imposters is deeply harmful, and so are the spaces that harbor misogyny and ego-driven tactics. These environments silence authentic voices—especially wāhine—in favor of those who merely look or sound the part. This reality persists. And though the demand for change is urgent, I fear it's not coming. It's already overdue. vc film: Mārama #aotearoa #hawaii #indegenous #film
trying to post here again just outta the blue lmao. This was, in a way, inspired by Anatomy of a Fall. #mcr #mychemicalromance #fanart #gerardway #frankiero
trying to post here again just outta the blue lmao. This was, in a way, inspired by Anatomy of a Fall. #mcr #mychemicalromance #fanart #gerardway #frankiero
“站在自己选择的路前，说错是教训，说对才是未来……”
“站在自己选择的路前，说错是教训，说对才是未来……” " đứng trước con đường mình chọn, nếu sai là bài học nếu đúng là tương lai ...."

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