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Fania's Spotlight Tuesday: Ray Barretto Today we honor one of Latin music’s most noted figures, Ray Barretto. He was a master percussionist, composer, bandleader, and producer, from Brooklyn, New York, of Puerto Rican descent. Throughout the early sixties, Barretto enjoyed his status as one of the foremost names in Latin jazz and Afro-Cuban rhythms. He was a house musician for legendary jazz labels Prestige, Blue Note and Riverside. Never straying from his roots, he was a great admirer of swing, jam, jazz, and the genres’ most noted figures, such as Dizzy Gillespie. He made these genres his own with his unique style of playing conga and was sought by jazz band leaders. His career took on a new dimension in 1967, when he replaced Mongo Santamaría in the Tito Puente Orchestra, with whom he recorded his first album, Dance Mania. The album’s success would set the stage for his future professional career. In 1967, he also joined the Fania Record label. Between 1968 and 1975, Barretto recorded a total of nine albums on the label. He was a sensitive artist, open to all musical currents and manifestations, which allowed him to experiment with the many different rhythms he infused with his unique style. The musical legacy of Ray Barretto included a Best Latin Album Grammy in 1989 for the album Ritmo en el Corazón, which he recorded with Celia Cruz. In 1990, he took a seat of honor in the Salon de Fama for International Latin Music. He was also honored with the National Endowment for the Arts Jazz Masters award. These were the most prestigious of the many awards he won over the course of his career. Find Ray Barretto featured in our upcoming anniversary compilation, Fania Records: The Latin Sound of New York (1964-1978), coming January 10! #RayBarretto #Fania #FaniaRecords #HispanicHertitage #HispanicHeritageMonth #LatinxHeritageMonth #LatinHeritageMonth #Latinx #Salsa #MusicaLatina
Fania's Spotlight Tuesday: Ray Barretto Today we honor one of Latin music’s most noted figures, Ray Barretto. He was a master percussionist, composer, bandleader, and producer, from Brooklyn, New York, of Puerto Rican descent. Throughout the early sixties, Barretto enjoyed his status as one of the foremost names in Latin jazz and Afro-Cuban rhythms. He was a house musician for legendary jazz labels Prestige, Blue Note and Riverside. Never straying from his roots, he was a great admirer of swing, jam, jazz, and the genres’ most noted figures, such as Dizzy Gillespie. He made these genres his own with his unique style of playing conga and was sought by jazz band leaders. His career took on a new dimension in 1967, when he replaced Mongo Santamaría in the Tito Puente Orchestra, with whom he recorded his first album, Dance Mania. The album’s success would set the stage for his future professional career. In 1967, he also joined the Fania Record label. Between 1968 and 1975, Barretto recorded a total of nine albums on the label. He was a sensitive artist, open to all musical currents and manifestations, which allowed him to experiment with the many different rhythms he infused with his unique style. The musical legacy of Ray Barretto included a Best Latin Album Grammy in 1989 for the album Ritmo en el Corazón, which he recorded with Celia Cruz. In 1990, he took a seat of honor in the Salon de Fama for International Latin Music. He was also honored with the National Endowment for the Arts Jazz Masters award. These were the most prestigious of the many awards he won over the course of his career. Find Ray Barretto featured in our upcoming anniversary compilation, Fania Records: The Latin Sound of New York (1964-1978), coming January 10! #RayBarretto #Fania #FaniaRecords #HispanicHertitage #HispanicHeritageMonth #LatinxHeritageMonth #LatinHeritageMonth #Latinx #Salsa #MusicaLatina

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