@ferreteriaetcheverry:

ferreteria_Etcheverry
ferreteria_Etcheverry
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Region: AR
Tuesday 27 February 2024 18:45:51 GMT
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carinavindel
carinavindel :
Muchas gracias Señor por el dato es muy útil.
2024-02-28 15:47:56
5
gustavoplanells
gustavoplanells :
excelente
2024-03-19 14:09:27
0
joseontivero512
Jose Ontivero512 :
Excelente consejo👏
2024-02-27 22:02:47
0
veronica_julio_1959
veronica_julio_1959 :
que buena tu explicación, me ha pasado y siempre he tenido que pedir que me la arreglen. GRACIAS por enseñar!
2024-05-24 02:21:37
0
veroog4
VerooG :
Cómo se regula, para que no haga el golpe brusco al abrir y cerrar ? Compré las bisagras, pero nunca pude poner las puertas por ese tema.
2025-06-22 16:08:09
0
estelasol22
estelasol :
me sirvió la info!!! ahora a ponerlo en práctica!!!
2024-03-26 11:34:10
0
locommou
locomou2 Hector Abdala :
regule las puertas salio todo vien grasia
2024-02-29 15:31:58
1
ana.de.santis
Ana De Santis :
muchas gracias por los consejos .son una gran solución
2024-04-15 14:42:03
0
user7580507372409
user7580507372409 :
k buenos consejos gracias 😏
2024-03-22 11:41:57
0
sam853041
SAM :
GRACIAS MAESTRO POR TODO💐
2024-03-21 04:17:28
0
rubenvicente90
desime.como.comprar..omar. :
vien.sigui..nos.salvas.
2024-03-18 18:07:31
0
fabianascilabra34
Fabiana Scilabra :
Gracias me sirve el consejo 👌
2024-02-28 16:46:40
1
mimi55754
Mimi :
Excelente, muchas gracias me sirve éste consejo!!!!
2024-03-25 17:09:48
0
mariabelenherna78
mariabelenherna78 :
genio
2026-01-05 21:47:24
0
roxanavillacrespo
Roxana Villacrespo :
🌹 Gracias
2024-04-17 00:14:20
0
olgasegovia05
Olgui371🇦🇷🇦🇷🇦🇷 :
muchas gracias por la información 👌
2024-02-28 04:49:08
1
user1227242888437
teresa vilte 27 :
Buena Data👍
2024-03-22 11:55:57
0
veroog4
VerooG :
A mi se me pudrió el mueble, se me cayeron las bisagras, lo cubrí con masilla y con cola quedó bien, pero no puedo colocar las bisagras ya que quedan como trabadas y no sé cómo regularlas
2025-06-22 16:07:44
0
normaflores73701
normasu9202838928 :
marcos sos un genio gracias !!!!🤗🤗
2024-03-15 05:06:06
0
eugimoro
Megtoons :
Pero que genio! Gracias!
2024-03-16 20:14:08
0
eugeniasanchez462
EUGENIA :
Gracias
2024-03-18 04:09:52
0
patricia.moreno1054
Patricia Moreno :
👍 gracias
2026-03-09 23:01:39
0
martajuliafernand
martajuliafernand :
gracias señor
2024-03-17 21:09:00
0
paly5440
paly :
y cuando esa bisagrase desarma?
2024-03-17 19:58:19
0
ms.gabrielaaltamira
Gabriela Altamira609 :
genial 👏👏👏
2024-02-28 00:37:07
0
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Other Videos

THE FILM From the outset, Brand X were exquisitely misaligned with the world. A fiercely British assembly of serious musicians playing jazz-fusion — instrumental, intricate, gloriously unbiddable — they signed major record deals with the optimism of the 1970s and broke them with equal speed. They charged onto Europe’s largest stages — Hammersmith Odeon, Knebworth, Montreux — powered by combustible chemistry: a guitarist flirting with oblivion, a drummer already too in demand for one band, and enough musical intelligence to light a small city. For a moment, it worked. The jet-set. The headlines. The sense that complexity might actually win. Then the laws of gravity returned. When drummer Phil Collins pivoted toward pop superstardom, Brand X became a footnote in someone else’s biography. The industry shifted. Fashion shifted. Management closed the door. Royalties went missing. The phone rang less often. What does remain when brilliance outlasts applause? This film lives in that question. Not quite a documentary — something stranger, more porous. Memory slips into re-creation. Fact dissolves into dream. The past is not simply recalled; it is staged, animated, re-imagined. Lives are not explained. They are inhabited. At its centre are John Goodsall, Percy Jones and Robin Lumley: wry, unsentimental, still in pursuit of sound. Men who chose the long road over the loud one. No tragic myths, no redemption arcs — just artists who kept going. Brand X: The Desert Years considers the stretch of life after the spotlight — the space that follows — the quieter years, the recalibration and the devotion that persists without spectacle. The desert not as wasteland, but as testing ground. A place where only conviction survives and only what matters remains. For anyone who has ever made something without guarantee of return, this story will resonate. There is a particular beauty in endurance. You just have to look closely enough to see it. Brand X: The desert years (2026) 110 minutes. more info on Instagram @brandxthemovie
THE FILM From the outset, Brand X were exquisitely misaligned with the world. A fiercely British assembly of serious musicians playing jazz-fusion — instrumental, intricate, gloriously unbiddable — they signed major record deals with the optimism of the 1970s and broke them with equal speed. They charged onto Europe’s largest stages — Hammersmith Odeon, Knebworth, Montreux — powered by combustible chemistry: a guitarist flirting with oblivion, a drummer already too in demand for one band, and enough musical intelligence to light a small city. For a moment, it worked. The jet-set. The headlines. The sense that complexity might actually win. Then the laws of gravity returned. When drummer Phil Collins pivoted toward pop superstardom, Brand X became a footnote in someone else’s biography. The industry shifted. Fashion shifted. Management closed the door. Royalties went missing. The phone rang less often. What does remain when brilliance outlasts applause? This film lives in that question. Not quite a documentary — something stranger, more porous. Memory slips into re-creation. Fact dissolves into dream. The past is not simply recalled; it is staged, animated, re-imagined. Lives are not explained. They are inhabited. At its centre are John Goodsall, Percy Jones and Robin Lumley: wry, unsentimental, still in pursuit of sound. Men who chose the long road over the loud one. No tragic myths, no redemption arcs — just artists who kept going. Brand X: The Desert Years considers the stretch of life after the spotlight — the space that follows — the quieter years, the recalibration and the devotion that persists without spectacle. The desert not as wasteland, but as testing ground. A place where only conviction survives and only what matters remains. For anyone who has ever made something without guarantee of return, this story will resonate. There is a particular beauty in endurance. You just have to look closely enough to see it. Brand X: The desert years (2026) 110 minutes. more info on Instagram @brandxthemovie

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