@screenwritinginla: What are your thoughts? I’ve heard Tarantino delve into violence in Cinema before, but this is the best interview I’ve seen where he fully explains his philosophy of it. I agree with him. I’m not into it as much as he is, but I do believe in the cathartic experience of Cinema. In general. But what he says at the end is what I really resonate with. The idea that there are no boundaries. And that’s not even something that simply pertains to Cinema. That’s art. All art. That’s a substantial reason why art exists. The boundary-pushing, exploration aspect of it. It allows us to discover new things about ourselves, and humanity in totality, that can, hopefully, help us in the long term. I think OUATIH is such a great example of it. Seeing the hippies get demolished at the end was such a cathartic experience, knowing what they did in real life. It felt like retribution in a way. It is retribution - if you think about. That version of those deplorable human beings will live on forever now - for the rest of our society to see. That’s why OUATIH was a kind of fairytale. If only that’s what would’ve really happened in real life… ⁉️But what do you think of violence in Cinema? Video: MTV | YouTube #quentintarantino #pulpfiction #onceuponatimeinhollywood #cinema #cinephile #film #filmmaking #indiefilm #filmisnotdead #screenwriter #screenwriting #art #creativity #motivation #philosophy

Kole Lyndon Lee

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Friday 19 April 2024 05:50:53 GMT

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Comments

DoomWatch :

Couldn't agree with this more. This is articulated insanely well here.

2024-04-21 08:00:02

21

Aaron Brrrrr :

I get it. But his violence is too violent for me sometimes.

2024-04-21 22:35:03

2

Jimmi :

What anime do we think Tarantino watches ? haha

2024-04-26 11:08:50

3

Dan da man :

How are we to become a peaceful people with all this violence shown ...?? ....🤐

2024-07-17 16:46:37

0

geo | idle film club :

heavy yes

2024-04-21 18:35:41

0

Franky Sus :

the departed reminded me of a QT film

2024-04-29 17:42:06

1

Andrew Nelson :

🐐

2024-04-21 01:53:00

2

BartHarleyJarvis_ :

Human nature is violent. Sanitizing media by pretending otherwise is delusional and doesn’t prevent real world violence anyway. Tarantino is right

2024-04-19 08:48:38

18

Netscape97 :

His violent movies keep us connected to paganism, the Dionysian, the dark abyss of the earth, as Camille Paglia may note. They keep us connected to the earth.

2024-04-19 16:54:18

1

Chat Jeepeetee :

The real world is heartbreakingly violent.

2024-05-12 11:48:18

1

merovingian :

I so.... dislike this guy

2024-07-13 08:49:15

0

78jjj :

This is why ozu clears you little bro

2024-07-10 17:07:39

0

Brice Poutine :

Gore and violence is the type of thing that gets you hungry until there's nothing else left on the menu. We can't keep pushing the same limits and keep winning. Broken grounds require new grounds.

2024-05-27 01:24:25

0

BallPtPenTheif :

The foundational rule of cinema, is to show not tell.

2024-04-29 23:24:34

0

acidromulanism :

I think Tarantino is deeply vapid, he thinks violence is profound but has literally nothing to say about it. I remember JG Ballard absolutely destroying Kill Bill and he was spot on.

2024-04-27 10:31:51

0

mia30200000 :

Same

2024-04-21 01:00:40

0

Which_King :

True love is the sound of Dad's belt before contact!

2024-04-21 00:45:53

0

Kole Lyndon Lee :

Thoughts?

2024-04-19 05:51:09

0

To see more videos from user @screenwritinginla, please go to the Tikwm homepage.

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The Mursi tribe of Ethiopia and the Turkana tribe of Kenya are both renowned for their distinctive and culturally significant adornments—lip plates for the Mursi and necklaces for the Turkana—each serving as powerful symbols of identity, status, and tradition. The Mursi tribe, located in the Omo Valley of southern Ethiopia, is famous for the lip plates worn by women. These large, round plates, usually made of clay or wood, are inserted into a slit in the lower lip, which is gradually stretched to accommodate larger plates over time. The lip plate is a symbol of beauty, maturity, and social status within the Mursi community. The practice typically begins in adolescence and is associated with a girl’s eligibility for marriage, with larger plates often indicating higher bride wealth. Though the custom is deeply embedded in Mursi culture, it is also a statement of cultural identity and resilience in the face of modern influences and external pressures. In contrast, the Turkana tribe of Kenya is known for their elaborate beaded necklaces, which play a crucial role in their cultural expression. Turkana women, in particular, wear multiple layers of colorful beadwork that form thick, collar-like necklaces covering the neck and upper chest. The beads are arranged in symmetrical patterns, with each color carrying specific cultural meanings—red for bravery, white for peace, and blue for prosperity, among others. The size and intricacy of these necklaces often reflect the wearer’s age, marital status, and social rank, with married women wearing more elaborate designs. Beyond their aesthetic appeal, these necklaces also represent wealth and are sometimes used in dowries or during significant life events. Both the lip plates of the Mursi and the necklaces of the Turkana exemplify how bodily adornment can serve as a profound expression of cultural identity and social structure within African societies. #mursi #turkana #kenya #ethiopia #africa #beauty #culture #africa #westafrican68

The Mursi tribe of Ethiopia and the Turkana tribe of Kenya are both renowned for their distinctive and culturally significant adornments—lip plates for the Mursi and necklaces for the Turkana—each serving as powerful symbols of identity, status, and tradition. The Mursi tribe, located in the Omo Valley of southern Ethiopia, is famous for the lip plates worn by women. These large, round plates, usually made of clay or wood, are inserted into a slit in the lower lip, which is gradually stretched to accommodate larger plates over time. The lip plate is a symbol of beauty, maturity, and social status within the Mursi community. The practice typically begins in adolescence and is associated with a girl’s eligibility for marriage, with larger plates often indicating higher bride wealth. Though the custom is deeply embedded in Mursi culture, it is also a statement of cultural identity and resilience in the face of modern influences and external pressures. In contrast, the Turkana tribe of Kenya is known for their elaborate beaded necklaces, which play a crucial role in their cultural expression. Turkana women, in particular, wear multiple layers of colorful beadwork that form thick, collar-like necklaces covering the neck and upper chest. The beads are arranged in symmetrical patterns, with each color carrying specific cultural meanings—red for bravery, white for peace, and blue for prosperity, among others. The size and intricacy of these necklaces often reflect the wearer’s age, marital status, and social rank, with married women wearing more elaborate designs. Beyond their aesthetic appeal, these necklaces also represent wealth and are sometimes used in dowries or during significant life events. Both the lip plates of the Mursi and the necklaces of the Turkana exemplify how bodily adornment can serve as a profound expression of cultural identity and social structure within African societies. #mursi #turkana #kenya #ethiopia #africa #beauty #culture #africa #westafrican68

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