@chocolatseve: Le Paris-Brest à la pistache et framboises c’est mon gâteau préféré, mais par contre on le réalise que le week-end, voici pourquoi ! 👨🏻‍🍳 ##chocolatseve##parisbrest##pistache##framboise##pistaches##framboises##seve##lyon##croixrousse

Arthur & Richard Sève

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Monday 29 April 2024 16:38:34 GMT

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Comments

foseiko :

je ne laisse pas reposer la pâtes à crêpe et il n'y aucune différence (j'ai testé les deux)

2024-04-29 16:47:20

485

leFootMeTue :

on doit laisser la pâte à crêpe reposer 😶‍🌫️😶‍🌫️

2024-04-29 22:05:05

549

Wawa🇳🇨 :

jlaisse pas reposer j'ai la flemme et jveux mes crêpes tôt

2024-05-03 15:17:43

72

pouthe :

ça a l air bon votre paris Brest revisité

2024-05-02 09:09:37

5

Estrella_snow ✨ :

les croissants prennent 2 jours à faire pourtant y en a tous les jours et partout

2024-04-30 06:58:59

0

Mamadouuu :

Ça a l'air super j'avoue. Je suis lyonnais mais j'ai jamais testé.

2024-05-01 17:22:19

2

Jst_isaac :

Je

2024-07-03 08:17:06

0

nawnawnana4 :

Il a l’air canon

2024-04-30 12:10:56

0

Maïann Dautrey :

Ça serait délicieux avec un praliné pistache 😋

2024-04-30 08:36:58

0

Anais Boutillier790 :

J’en rêve 🥲

2024-04-30 06:36:02

0

user8658273296631 :

😂😂😂

2024-07-23 03:25:07

0

tishi_pod2 :

🥰🥰🥰🥰🥰🥰

2024-07-03 14:02:19

0

Lw :

il tien son tel et après il touche au pistache bonjour l'hygiène

2024-07-05 19:46:42

0

SophiaWissem :

Depuis quand on laisse posé la pâte à crêpes lol

2024-04-29 17:20:08

21

THE YUOITIXXX :

je rêve de goûter je pars en acheter direct

2024-04-29 16:41:21

16

Maître artisan Jannot :

Bravo au top comme d’habitude

2024-04-30 16:37:45

2

Mils15 :

Bon bas je viendrais le samedi

2024-04-30 12:58:35

2

Olivia :

je rêve de goûter vos pâtisseries mais js de Belgique malheureusement c'est loin 😞

2024-04-29 17:28:23

2

Tibulle :

@edouard cuisine mate ça quand je te disais que c'était de la magie

2024-05-25 15:35:29

1

𝓢𝓸𝓹𝓱𝓲𝓪 :

@𝘊𝘭𝘢𝘳𝘪𝘴𝘴𝘰𝘶𝘪𝘭𝘭𝘦 ᥫ᭡ Paris Brest

2024-04-30 17:52:29

1

Dark_Wolf :

Ils ont l’aire incroyable mais bon je déteste les Paris Brest donc je passe mon tour mdr 😅😂

2024-04-30 13:18:09

1

Gwenaëlle Cornec :

au sujet de la crêpe aussi et oui c est ma parti à moi le pâton de sarrasin minimum 24 h la pâte à crêpes quelques heures pour que cela ce fasse sur les billings avec le rozel pas sur une poêle ça

2024-04-30 09:35:42

1

Grégory GILBERT :

Oui c'est une organisation surtout si c'est fait maison.

2024-06-23 17:47:25

0

mariejeanne290 :

normal puisque vous des ARTISANS ! c'est justement la différence avec une boulangerie qui sert du SURGELÉ !

2024-06-13 17:43:51

0

Salomé SamSam :

Rassurer moi que vous n’utilisez pas ces mannes pour surgelé ?? Mais juste stocké en hermétique ?

2024-06-11 18:30:15

0

moi🇩🇿 :

ça a vraiment l'air trop bon

2024-06-10 21:44:02

0

user3246265788255 :

😏😏😏

2024-06-09 05:40:34

0

Serena :

Ca a lair tellement bonnnn

2024-06-07 07:56:10

0

🩷Ouna🩷 :

Vous n’utilisez pas too good too go pour les invendus ou bien les donner ?

2024-06-06 17:13:52

0

Dégustez moi :

Ca donne envie. 👍

2024-06-06 16:15:47

0

Cmoi093 :

Sa c’est sur

2024-06-02 17:27:06

0

kenya amazone :

Pistache framboise meilleur mélange !!!!

2024-05-22 12:00:26

0

GuiTare :

les pistaches sont magnifiques 👍

2024-05-21 06:32:44

0

Jade :

faites des toogoodtogo!

2024-05-14 16:33:06

0

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Eruption - Van Halen - Violin Cover by Nina D Full size video and text on my YT page. My journey to learn Eruption began a few years ago, when I only had access to a 5-string fretless violin. I learned a small bit of it, and quickly realized that I would need to compromise the octave range, and the finger tapping in order to perform it. There are a few covers out there of violinists doing just that, and they are very impressive. Anyone who knows me, knows that I did not want to do that. I wanted to sound like Eddie. Thus began my journey with the 7-string fretted violin. Pretty much the entire reason for having this instrument custom-made (thanks Wood Violins crew!) was to see if I could play Eruption. At the time of purchase, I wasn’t even sure if it would be physically possible to do the finger tapping, even with the new instrument. Upon its arrival, my first task was to learn how to play the darn thing- it’s like a completely different instrument, the neck is huge, I am tiny, and the low strings are super thick. (I also had to buy a special bow to properly play it). If your bow arm falters by a millimeter, you will hit the surrounding strings. Once I had this part somewhat down, I knew I had to dive into the hardest part right away- to answer the question, “but will it tap?” I began with transcribing this beast of a solo into notation. If you play guitar, and you want to learn how to play pretty much anything, you can go to YouTube and find slow note for note tutorials on EXACTLY how to do so. This doesn’t exist for trying to translate guitar things to a violin. You’re on your own. I tried it out with my normal rig. Pretty much dead sound. Nothing happening but noise. I had a few ideas for specialty pedals. Since you can’t really go to the store and try pedals any more, I bought one, it didn’t work, shipped it back, bought a different one, didn’t work, shipped it back, etc. ad nauseam. Months went by. It seemed for every step forward I took in achieving this technique, I took two steps back with new problems. For months, my poor family listened to what sounded like a train wreck falling on top of a car wreck falling off the Empire State Building. Brody even said to me, “it ain’t gonna happen.” So I locked myself away until it did. Sometimes during this process, it really felt like me against the world. It was that bad for that long. I struggled and fought the limitations of the instrument. I had some really hard practice days, but the best motivation for me is “it can’t be done.” It took a combination of newly learned left and right hand technique, played precisely, practiced slowly for clarity, FOREVER to even make the right sound. The spaces that you need to hit, quickly, on a fretted violin are much smaller than that of a guitar. I tweaked the effect chain and technique right up until the 11th hour on the very final day of doing this. One day near the end of it, I was practicing in the studio and Brody was taking a shower. When he got out, he said to me he thought I was playing the recording of Van Halen. That was my breakthrough day. I knew I was close. I haven’t worked this hard since my masters recital on classical violin. I’ve ripped up my fingers to shreds, they bled, they blistered. Eddie Van Halen was in a class all of his own. His sound, technique, rhythm, and musicality changed the game for all guitarists (and this electric violinist) that followed. I am a far better performer, a far better violinist, with a much larger range of abilities, thanks to the months (or years) I put into dissecting his style and taking the time to do this on a violin as close to how he did it (so effortlessly) on a guitar as possible. Thank you, EVH, for making so many of us better musicians. #eruption #vanhalen #eddievanhalen #evh #cover #coversong #tapping #guitarsolo #violin #electricviolin #viperviolin #violinsolo #classicrock #ninad #ninadigregorio

Eruption - Van Halen - Violin Cover by Nina D Full size video and text on my YT page. My journey to learn Eruption began a few years ago, when I only had access to a 5-string fretless violin. I learned a small bit of it, and quickly realized that I would need to compromise the octave range, and the finger tapping in order to perform it. There are a few covers out there of violinists doing just that, and they are very impressive. Anyone who knows me, knows that I did not want to do that. I wanted to sound like Eddie. Thus began my journey with the 7-string fretted violin. Pretty much the entire reason for having this instrument custom-made (thanks Wood Violins crew!) was to see if I could play Eruption. At the time of purchase, I wasn’t even sure if it would be physically possible to do the finger tapping, even with the new instrument. Upon its arrival, my first task was to learn how to play the darn thing- it’s like a completely different instrument, the neck is huge, I am tiny, and the low strings are super thick. (I also had to buy a special bow to properly play it). If your bow arm falters by a millimeter, you will hit the surrounding strings. Once I had this part somewhat down, I knew I had to dive into the hardest part right away- to answer the question, “but will it tap?” I began with transcribing this beast of a solo into notation. If you play guitar, and you want to learn how to play pretty much anything, you can go to YouTube and find slow note for note tutorials on EXACTLY how to do so. This doesn’t exist for trying to translate guitar things to a violin. You’re on your own. I tried it out with my normal rig. Pretty much dead sound. Nothing happening but noise. I had a few ideas for specialty pedals. Since you can’t really go to the store and try pedals any more, I bought one, it didn’t work, shipped it back, bought a different one, didn’t work, shipped it back, etc. ad nauseam. Months went by. It seemed for every step forward I took in achieving this technique, I took two steps back with new problems. For months, my poor family listened to what sounded like a train wreck falling on top of a car wreck falling off the Empire State Building. Brody even said to me, “it ain’t gonna happen.” So I locked myself away until it did. Sometimes during this process, it really felt like me against the world. It was that bad for that long. I struggled and fought the limitations of the instrument. I had some really hard practice days, but the best motivation for me is “it can’t be done.” It took a combination of newly learned left and right hand technique, played precisely, practiced slowly for clarity, FOREVER to even make the right sound. The spaces that you need to hit, quickly, on a fretted violin are much smaller than that of a guitar. I tweaked the effect chain and technique right up until the 11th hour on the very final day of doing this. One day near the end of it, I was practicing in the studio and Brody was taking a shower. When he got out, he said to me he thought I was playing the recording of Van Halen. That was my breakthrough day. I knew I was close. I haven’t worked this hard since my masters recital on classical violin. I’ve ripped up my fingers to shreds, they bled, they blistered. Eddie Van Halen was in a class all of his own. His sound, technique, rhythm, and musicality changed the game for all guitarists (and this electric violinist) that followed. I am a far better performer, a far better violinist, with a much larger range of abilities, thanks to the months (or years) I put into dissecting his style and taking the time to do this on a violin as close to how he did it (so effortlessly) on a guitar as possible. Thank you, EVH, for making so many of us better musicians. #eruption #vanhalen #eddievanhalen #evh #cover #coversong #tapping #guitarsolo #violin #electricviolin #viperviolin #violinsolo #classicrock #ninad #ninadigregorio

#tamtrang

Selokhu sikhon njalo sizinsizwa njeh 🇿🇦🇬🇧😄😄😄@ngizweonline

Selokhu sikhon njalo sizinsizwa njeh 🇿🇦🇬🇧😄😄😄@ngizweonline

Takin bf applications so i can run the line 😭💅🏼

Takin bf applications so i can run the line 😭💅🏼

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