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@esraaelsayed28: #اختي #فرح #يا جدعان نتجمع هنا♥💃🏻 #دعوه_الكترونيه

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Monday 03 June 2024 23:06:57 GMT
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Another kiln load of work, another before and after. This quick sequence shows the kiln before being fired, and after being reduction fired to 1290ºC. Although it was a strange pack, with numerous pieces being fired for a second time, hence why some don’t shrink, yet it’s a sure way of fixing vessels that previously had uninteresting surfaces, or were simply glazed too thinly, my fault. The yellow pots are coated in yellow iron ochre, which is something my YouTube video that goes live this Sunday will be all about. They’re brushed with a thick layer of the stuff, that’s mixed to a fine slurry by itself and carefully coated on not too thickly, otherwise it’ll crack and fall off. Either before it’s fired, or in the kiln, where it’ll shed its skin onto the surrounding pots… Otherwise, there are the classic answers people ask questions about. The spiky objects are pyrometric cones, these measure heatwork, which is heat over time, and I peer at them through spy-holes in the kiln’s door during the firing. Once they’ve bent over sufficiently, I know it’s time to switch the gas kiln off and call it a day. So, they’re measuring tools really, as useful, if not more so, than the digital pyrometer. Then there’s the shrinkage. Yes! Pottery, depending on the type of clay you’re using, shrinks from the moment a form has been made, to when it’s glaze fired. This stoneware shrinks about 12% but the most noticeable change happens during this glaze firing, hence why some of these pots really transform. #beforeandafter #pottery #satisfying #asmr #craft
Another kiln load of work, another before and after. This quick sequence shows the kiln before being fired, and after being reduction fired to 1290ºC. Although it was a strange pack, with numerous pieces being fired for a second time, hence why some don’t shrink, yet it’s a sure way of fixing vessels that previously had uninteresting surfaces, or were simply glazed too thinly, my fault. The yellow pots are coated in yellow iron ochre, which is something my YouTube video that goes live this Sunday will be all about. They’re brushed with a thick layer of the stuff, that’s mixed to a fine slurry by itself and carefully coated on not too thickly, otherwise it’ll crack and fall off. Either before it’s fired, or in the kiln, where it’ll shed its skin onto the surrounding pots… Otherwise, there are the classic answers people ask questions about. The spiky objects are pyrometric cones, these measure heatwork, which is heat over time, and I peer at them through spy-holes in the kiln’s door during the firing. Once they’ve bent over sufficiently, I know it’s time to switch the gas kiln off and call it a day. So, they’re measuring tools really, as useful, if not more so, than the digital pyrometer. Then there’s the shrinkage. Yes! Pottery, depending on the type of clay you’re using, shrinks from the moment a form has been made, to when it’s glaze fired. This stoneware shrinks about 12% but the most noticeable change happens during this glaze firing, hence why some of these pots really transform. #beforeandafter #pottery #satisfying #asmr #craft
Waxing the bases of a batch of side plates, the same you may have seen me throw and trim recently, made from very mouldy stoneware clay that was streaked with black. That’s all burnt away now as these have been fired to 1000°C, meaning there’s absolutely no organic matter left in it. The clay has also come porous, like a sponge, which means that when they’re dipped in glaze, the water in the mixture will be absorbed into the stoneware, leaving a layer of the raw materials on the outside of the pot. First though, I need to wax the bottoms and the foot-ring, this way I don’t have to spend so much time removing glaze from the underside with a sponge. Whereas the wax goes, the glaze can’t adhere to it. #pottery #satisfying #plates #handmade #craft
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