@masec.music: مالك ياعويرو🥴 #مشاهير_تيك_توك #song #feryal #حسابي_بيطا #foryou #تصميمي #viralvideo #viral #تصميم_فيديوهات🎶🎤🎬 #المغرب🇲🇦تونس🇹🇳الجزائر🇩🇿 #trending #اغاني #tiktok

𝕸𝖔𝖍𝖆𝖒𝖊𝖉🔫
𝕸𝖔𝖍𝖆𝖒𝖊𝖉🔫
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Tuesday 06 August 2024 13:28:22 GMT
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fddvhgfxcfd
لجين 😍 :
سطيفيات ☺️
2024-08-06 22:04:25
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salhe1893
Salhe :
سطيف ♥️
2024-08-09 21:04:52
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user9010185320307
محمد قده :
انمي مانيني
2024-09-06 22:19:20
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user3359531394249
wail wail :
اله يبارك خويا لعزيز
2024-08-08 16:15:43
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sirinezekkar
Sirine Sirine :
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2024-08-08 18:15:38
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user7049686000137
@roeya.hass :
سطيف☺️
2024-08-10 19:13:35
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ne♡rmin :
سمعت اسمي معا لول😂😂
2024-09-08 19:29:30
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2024-09-08 15:32:55
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doha :
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🎭§[badar11DIN™]§🇩🇿 :
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2024-09-04 18:54:31
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nafae20 :
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Hanin Katre Nada :
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samssamus7 :
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تبسي المريول 12 :
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Walid Moryol😏♕ :
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Khalil,€¥ :
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soufyan1958 :
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2024-09-06 17:17:48
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𝒂𝒎𝒊𝒏𝒆_16_𝒅𝒛 :
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2024-09-04 21:22:51
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العسكري اسراء :
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2024-09-04 11:26:26
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between 1994 and 1997, steve mann, a PhD student at MIT, affixed cameras on his glasses, the back of his head, and into a backpack. steve and built a video transmission system to send images from his camera to the Internet. at the time, there were no webcams, and certainly no mobile webcams, but steve's wearable camera ran 24 hours a day, 7 days a week, from 1994 to 1996. the project, mann said, was an "exploration of self as much as of surveillance" and "unlike surveillance, I'm turned inside out, revealing all. because the material is available on the World Wide Web, as oppose to surveillance cameras whose output is hidden away, the process is open to public debate and peer review" from the artist: "In ShootingBack, I confront representatives of the "Surveillance Superhighway" (establishments such as department stores where video surveillance is used extensively, yet photography by customers is strictly prohibited). I begin with my camcorder held down at my side, pointing away from a representative of the SS. Then, I ask the representative "What are those mysterious ceiling domes - those dark hemispheres..." or "Is that a video camera? Why are you taking pictures of me without my permission?". After the representative tells me that I am paranoid and that only criminals are concerned about cameras, I raise the camcorder up to my eye (the vantage point of the audience, who see the face-to-face conversation followed by the eyecup of a camcorder, eventually revealing the inside of the viewfinder, upon which we now see the representative of the SS displayed). At this point, the representative of the SS often shows great concern about my camcorder, and thus, in a 180 degree reversal, is self-incriminating."

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