@rav.misho: Why does Europe always have the best Zara 😩 #tryonhaul #zara #zarahaul #europe #athens #greece #greecetiktok #fyp #fypシ #fypシ゚viral

Ravayna
Ravayna
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Region: AU
Wednesday 07 August 2024 10:28:06 GMT
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user627282828825
user627282828825 :
What are the prices?!
2024-08-10 15:50:20
0
porteaaa
Portea :
Too good always
2024-08-07 17:26:20
0
varrbel
Isabella :
Oh wow ok Zara
2024-08-07 12:42:24
0
carissapara_
Carissa Para :
European Zara is just 😙🤌🏼🤌🏼🤌🏼🤌🏼🤌🏼
2024-08-07 12:46:38
0
jessicakakos
Jess :
I hope you bought that first dress 😍
2024-08-07 10:38:49
0
user54544774536957
M.M :
🔥🔥
2024-08-07 13:35:27
0
saga.alina4
SAGAJEWELS.AMBASSADORS :
that look so cute 🥰, but i think You are missing one thing A Collaboration! ✨ Send "ANNA" to our instagram IG SAGAJEWELS.AMBASSADORS ♥️🦋🦋✨
2024-08-08 01:43:34
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“Israel’s own version of the US show Saturday Night Live has enlisted wholeheartedly in the nationwide Israeli propaganda machine, stripping Gaza residents of their humanity. After 7 October, Keshet 12’s flagship comedy/variety show, A Wonderful Country, switched to a special format. Reconfigured for the current emergency, it recast itself as a show named A Country at War or A Country Is Fighting. The show has set its sights on boosting public morale. Since the start of this war, the only message conveyed to the public by the overwhelming majority of Israeli media has been how utterly righteous Israel is. Images of the horrors in Gaza are not broadcast. Nor is “enemy propaganda”. At the same time, the Knesset has passed new legislation to criminalise the consumption of “terrorist” content, to make sure that we do not - God forbid! - obtain elsewhere the information that Big Brother is ensuring we cannot get from mainstream sources at home. Fascism does not suddenly appear overnight. It is created through a long process in which a society chooses “national resilience” over criticism, a soothing lie over painful truth, and national morale over collective soul-searching. If they really wanted to contribute something significant to the public debate, the folks at A Wonderful Country could, for example, dedicate their programme to the fate of the more than 200 hostages still in the hands of Palestinian fighters, as the cries of their families disappear amid the noise of war and the joy of revenge. Instead, A Wonderful Country has opted to join the Israeli propaganda machine, which is engaged in a shocking process of stripping the people of Gaza of their humanity. After all, if the Israeli public were to consider, for even one second, the possibility that there are also human beings on the other side, how could we continue to slaughter them and their children, and feel so righteously justified? And if we should doubt our righteousness, what would then happen to national morale?” ✍️: MEE/Orly Noy* *The views expressed in this column belong to the author and do not necessarily reflect the editorial policy of MEE
“Israel’s own version of the US show Saturday Night Live has enlisted wholeheartedly in the nationwide Israeli propaganda machine, stripping Gaza residents of their humanity. After 7 October, Keshet 12’s flagship comedy/variety show, A Wonderful Country, switched to a special format. Reconfigured for the current emergency, it recast itself as a show named A Country at War or A Country Is Fighting. The show has set its sights on boosting public morale. Since the start of this war, the only message conveyed to the public by the overwhelming majority of Israeli media has been how utterly righteous Israel is. Images of the horrors in Gaza are not broadcast. Nor is “enemy propaganda”. At the same time, the Knesset has passed new legislation to criminalise the consumption of “terrorist” content, to make sure that we do not - God forbid! - obtain elsewhere the information that Big Brother is ensuring we cannot get from mainstream sources at home. Fascism does not suddenly appear overnight. It is created through a long process in which a society chooses “national resilience” over criticism, a soothing lie over painful truth, and national morale over collective soul-searching. If they really wanted to contribute something significant to the public debate, the folks at A Wonderful Country could, for example, dedicate their programme to the fate of the more than 200 hostages still in the hands of Palestinian fighters, as the cries of their families disappear amid the noise of war and the joy of revenge. Instead, A Wonderful Country has opted to join the Israeli propaganda machine, which is engaged in a shocking process of stripping the people of Gaza of their humanity. After all, if the Israeli public were to consider, for even one second, the possibility that there are also human beings on the other side, how could we continue to slaughter them and their children, and feel so righteously justified? And if we should doubt our righteousness, what would then happen to national morale?” ✍️: MEE/Orly Noy* *The views expressed in this column belong to the author and do not necessarily reflect the editorial policy of MEE

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