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@surualifupi: Lagos, March 1980: President Shehu Shagari of Nigeria receives Ghana's President Hilla Limann for an official visit. #fyp #History #nigeria #ghanatiktok🇬🇭 #africa #lagos #surualifupi

surualifupi
surualifupi
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Sunday 08 September 2024 14:07:23 GMT
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Comments

patrickokwy
Don Patty :
Like Shagari like Liman! Weak and inefficient and later overthrown by the military in their respective countries.
2024-09-08 18:45:29
2
mickychudy
user6940931432569 :
👏
2024-09-08 15:54:10
1
obabavictor
Victor Obaba :
See as the president leg Dey rhyme with the slow match. sight Gen Alani Akinrinade.
2024-09-08 16:41:04
1
dadanoga2
da da ba 👑 :
Fokker 28
2024-09-08 19:00:03
0
amoha20
Amoha :
Africa is our country
2024-09-09 05:15:19
0
johnpope151
user6835580111848 :
allow us to save the videos
2024-09-09 17:33:37
0
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Added this Drake portrait to a leg sleeve for my bro @Alex F. Lucero One of the most important things when building a leg sleeve is creating a composition where every new piece connects to the work from the previous session. That can be done through the same type of filler, continuing similar filler design, or simply knowing how to morph two completely different ideas together in a way that makes sense instead of just filling the empty spaces with dark shading or black ink. Whether the whole leg is finished in a few months or over two years, the goal is for it to still look like one complete piece. That takes a lot of additional time in the design process, or simply having the skillset to freehand connections that are visually appealing and don’t look rushed. Especially with larger projects built over a long period of time, every new piece has to make sense with what is already there. You don’t want the final result to look like a bunch of different designs were placed around the body and then rushed together with filler in between, like a bunch of stickers on a laptop. The entire piece should feel intentional, connected, and make sense as one composition. That’s probably the biggest issue I see with larger projects, and one of the most common mistakes artists make when building them over time. That’s why I always take the extra time to think ahead and build something that will still make sense later, so the client ends up with the best possible final result. 💯 To book your next tattoo text 480-742-2556 Located in Phoenix, Arizona 📍 #tattoo #tattooartist #phoenix #arizona #realism
Added this Drake portrait to a leg sleeve for my bro @Alex F. Lucero One of the most important things when building a leg sleeve is creating a composition where every new piece connects to the work from the previous session. That can be done through the same type of filler, continuing similar filler design, or simply knowing how to morph two completely different ideas together in a way that makes sense instead of just filling the empty spaces with dark shading or black ink. Whether the whole leg is finished in a few months or over two years, the goal is for it to still look like one complete piece. That takes a lot of additional time in the design process, or simply having the skillset to freehand connections that are visually appealing and don’t look rushed. Especially with larger projects built over a long period of time, every new piece has to make sense with what is already there. You don’t want the final result to look like a bunch of different designs were placed around the body and then rushed together with filler in between, like a bunch of stickers on a laptop. The entire piece should feel intentional, connected, and make sense as one composition. That’s probably the biggest issue I see with larger projects, and one of the most common mistakes artists make when building them over time. That’s why I always take the extra time to think ahead and build something that will still make sense later, so the client ends up with the best possible final result. 💯 To book your next tattoo text 480-742-2556 Located in Phoenix, Arizona 📍 #tattoo #tattooartist #phoenix #arizona #realism
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