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@lang17150: 🥹
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Region: KH
Tuesday 14 January 2025 02:29:11 GMT
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No one talks about how the entire Epstein investigation was triggered by a fight between two high school girls. Let that sink in. Two teenagers arguing exposed something much bigger than anyone expected. Now really put that in perspective… some of the most powerful people in the world, including world leaders, have all been attached to this incident in one way or another. People with influence. People with power. People trusted by the public. And here’s the part that’s even harder to sit with… many of these people were voted into place by us. It raises uncomfortable but necessary questions. Where were the parents? Where were the adults in positions of authority? How many warning signs were ignored? How many voices were dismissed? Sometimes the truth doesn’t start with institutions. Sometimes it starts with kids trying to tell the truth and no one listening until it’s too late. #EpsteinFiles #Accountability #JusticeForVictims #TruthMatters #ProtectChildren
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At Studio 104 at the Maison de la Radio in Paris, the amiable trumpeter Dizzy Gillespie performed with his quintet for the “Jazz Session” TV program. By this time, he had already been widely championed as a co-founder of the bebop jazz idiom— a breakaway from the stale swing music of the day. His partner in crime was saxophonist Charlie Parker. The funny Dizzy survived the excesses of the ‘50s and went on to become a jazz superstar, well-liked by the audience. For this date, Gillespie went back to his beginnings, rendering the gem of his career, “A Night in Tunisia,” that he wrote in the late ‘40s when he was playing in Benny Carter’s band. It ended up becoming the signature piece for Dizzy’s bebop big band. In 2004 the Recording Academy added the frequently covered jazz standard to the Grammy Hall of Fame. Here the delivery featured bassist Red Mitchell who played a terrific solo that inspired Dizzy to end with a high-pitched blast on his horn. Dizzy’s set list included tunes by band members, including pianist Mike Longo’s samba-tinged number and an electric guitar showcase by George Davis. Dizzy brought down the house with his trumpet finesse and his virtuosic scatting on his gleeful “Oop-Pop-a-Da” number that was a mainstay of his 1948 bebop big band repertoire. He growled, yelped and joked with good humor. The crowd erupted into applause and called for an encore. Watch "Dizzy Gillespie - Live in Paris" on Qwest TV!
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