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@duoi.que.minh69: Về quê#quehuong #tiktok #fishing #crab

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Dưới Quê Mình
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Region: VN
Saturday 18 January 2025 14:19:38 GMT
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Comments

kien_21041987
Kiên 1987 :
😂😂😂😂😂
2025-01-19 03:48:33
1
ryechay
Lư Hải Lý :
🥰🥰🥰
2025-01-19 04:15:48
1
ca393939
Cash39 :
View quá đẹp
2025-01-20 03:13:33
1
khoikgg
Lê Khôi :
Con này đi đám cưới Dạn hết sẩy
2025-01-20 06:03:59
1
nguyenmy69_89
Mỹ_Ở 🇻🇳 Cà Mau :
Chạy zu lắm sao mà hư mũi vỏ luôn a😀
2025-01-20 13:52:16
1
kien_21041987
Kiên 1987 :
lên
2025-01-19 03:48:21
0
kien_21041987
Kiên 1987 :
đẹp
2025-01-19 03:48:27
0
kien_21041987
Kiên 1987 :
vui
2025-01-19 03:48:29
0
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maan for you trending video viral Islamic video content #originalsoundvines #orignalmycontentviral #unfreezemyaccount #peerfasiullhassanshahsaab #foryoutrendingpost
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Lakapati. This is a remake version, same lyrics, different vocals. This music is based on an ancient prayer to Lakapati in the Tagalog language, with additional original lyrics added. It is not a reconstruction of traditional Filipino music, nor does it represent how such invocations were originally spoken or sung. Instead, it is a modern and creative interpretation. The original chant is recorded in Pedro de San Buenaventura’s Vocabulario de la Lengua Tagala (1613), one of the earliest known Tagalog dictionaries. The Lakapati prayer and ritual represent a key pre-colonial Tagalog practice centered on fertility, agriculture, and communal sustenance. Farmers invoked Lakapati, a deity depicted with both male and female attributes, during planting season to ensure bountiful harvests and protection from famine. In new fields, during maganito (offerings), a farmer lifted a child skyward over the soil, chanting: “Lakapati, pakanin mo yaring alipin mo; huwag mong gutumin” (Lakapati, feed this servant of yours; do not let them go hungry). This act was performed in field chapels called balag, often alongside rites to related agricultural deities like Lakanbakod, the protector of field boundaries and crops. The rite underscores Tagalog agrarian devotion, blending gender fluidity with prosperity worship. It shows pre-Hispanic spirituality's focus on balanced fertility for human and crop survival. Note: The symbol I used is from the Philippine flag, which did not exist during the pre-colonial era. References San Buenaventura, P. de. (1613). Vocabulario de la Lengua Tagala, p. 361. Internet Archive Aswang Project.
Lakapati. This is a remake version, same lyrics, different vocals. This music is based on an ancient prayer to Lakapati in the Tagalog language, with additional original lyrics added. It is not a reconstruction of traditional Filipino music, nor does it represent how such invocations were originally spoken or sung. Instead, it is a modern and creative interpretation. The original chant is recorded in Pedro de San Buenaventura’s Vocabulario de la Lengua Tagala (1613), one of the earliest known Tagalog dictionaries. The Lakapati prayer and ritual represent a key pre-colonial Tagalog practice centered on fertility, agriculture, and communal sustenance. Farmers invoked Lakapati, a deity depicted with both male and female attributes, during planting season to ensure bountiful harvests and protection from famine. In new fields, during maganito (offerings), a farmer lifted a child skyward over the soil, chanting: “Lakapati, pakanin mo yaring alipin mo; huwag mong gutumin” (Lakapati, feed this servant of yours; do not let them go hungry). This act was performed in field chapels called balag, often alongside rites to related agricultural deities like Lakanbakod, the protector of field boundaries and crops. The rite underscores Tagalog agrarian devotion, blending gender fluidity with prosperity worship. It shows pre-Hispanic spirituality's focus on balanced fertility for human and crop survival. Note: The symbol I used is from the Philippine flag, which did not exist during the pre-colonial era. References San Buenaventura, P. de. (1613). Vocabulario de la Lengua Tagala, p. 361. Internet Archive Aswang Project. "LAKAPATI / Lakan Pati." aswangproject.com/lakapati-lakanpati/ Scott, W. H. (1994). Barangay: Sixteenth-Century Philippine Culture and Society.#foryou #tagalogmusic #philippinemythology #music #lakapati

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