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Wednesday 11 June 2025 10:31:35 GMT
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JayStinks :
train is js a much terrifying version of jerma
2025-06-11 20:01:54
3198
ššŖš½š¼š¾š·š® šš»š®šŖš“š¾ :
Notice how he is the last person alive?? š¤£āļø
2025-06-11 10:37:43
6255
David Morales.- :
you can see him slowly unravel ā not just in motion but in meaning. In the first few seconds, thereās a hint of hesitation in his eyes, a slight stiffness in the shoulders. Heās aware of the camera, of the presence of others, of the absurdity of whatās unfolding. But beneath that hesitance is something more primal, something curious. You can tell ā itās not fear. Itās anticipation. Heās not holding back because heās scared, heās holding back because he knows once he lets go, thereās no returning to who he was. Then comes the shift. The second clip. His gaze sharpens. Not outward, but inward ā as though heās beginning to tap into something within himself that had always been dormant. Thereās still restraint, yes, but now itās calculated. Heās not overwhelmed; heās choosing his moment. His expressions are no longer accidental ā theyāre intentional. Each movement has weight. He is not just participating anymore ā heās becoming. And then, the third. This is where the transformation completes itself. There is no more nervous laughter, no more half-measures. His body moves with the kind of confidence that doesnāt ask for permission. His eyes are alive now ā not with uncertainty, but with conviction. He isnāt trying to be funny, or strange, or relatable. Heās just being. Unapologetically. Entirely. He is what he is, and itās beautiful. Itās unsettling. Itās real. By the end, thereās nothing left of the person who began the video. What youāre seeing is pure expression.
2025-06-16 12:14:21
15
nietactf :
heās not actually doing this right ? itās just his clips pasted on the gameplay
2025-06-11 15:42:15
48
freman š±š± :
Withered Jerma
2025-06-13 14:24:02
45
ā¦ļøŠŠµŃŠµŠ²ŠµŠ½ŃŠøŠ½Š°ā¦ļø :
Waiting for the Analog horror for ts btwāļø
2025-06-11 18:39:27
9
Borāļø :
dont let him know real live exist
2025-06-21 08:50:53
0
Eki :
We praised him too much this has to stop
2025-06-11 20:25:45
3
. :
How doesnāt he get banned tho?
2025-06-16 09:17:48
2
Just The Filip :
bro really is all powerfull because you can't kill more than three without getting competetive ban š
2025-06-11 12:07:11
3380
Ben.g_09 :
Me when i play practice comp and want to 1v5 the bots
2025-07-05 20:50:28
0
ā¬carlosā¬ :
you can see him slowly unravel ā not just in motion but in meaning. In the first few seconds, thereās a hint of hesitation in his eyes, a slight stiffness in the shoulders. Heās aware of the camera, of the presence of others, of the absurdity of whatās unfolding. But beneath that hesitance is something more primal, something curious. You can tell ā itās not fear. Itās anticipation. Heās not holding back because heās scared, heās holding back because he knows once he lets go, thereās no returning to who he was. Then comes the shift. The second clip. His gaze sharpens. Not outward, but inward ā as though heās beginning to tap into something within himself that had always been dormant. Thereās still restraint, yes, but now itās calculated. Heās not overwhelmed; heās choosing his moment. His expressions are no longer accidental ā theyāre intentional. Each movement has weight. He is not just participating anymore ā heās becoming. And then, the third. This is where the transformation completes itself. There is no more nervous laughter, no more half-measures. His body moves with the kind of confidence that doesnāt ask for permission. His eyes are alive now ā not with uncertainty, but with conviction. He isnāt trying to be funny, or strange, or relatable. Heās just being. Unapologetically. Entirely. He is what he is, and itās beautiful. Itās unsettling. Itās real. By the end, thereās nothing left of the person who began the video. What youāre seeing is pure expression, distilled. Itās not about performance anymore ā itās about liberation. He found a part of himself and let it take over. And for a brief moment, the audience isnāt watching him for laughs. Theyāre watching in awe, unsure whether to laugh, cry, or applaud. Because something about it feels too honest. Too raw. He didnāt just make a video. He made a statement. A revelation. A confession in motion.
2025-06-13 14:08:28
1
āmolodoyjeks0nā :
you can see him slowly unravel ā not just in motion but in meaning. In the first few seconds, thereās a hint of hesitation in his eyes, a slight stiffness in the shoulders. Heās aware of the camera, of the presence of others, of the absurdity of whatās unfolding. But beneath that hesitance is something more primal, something curious. You can tell ā itās not fear. Itās anticipation. Heās not holding back because heās scared, heās holding back because he knows once he lets go, thereās no returning to who he was. Then comes the shift. The second clip. His gaze sharpens. Not outward, but inward ā as though heās beginning to tap into something within himself that had always been dormant. Thereās still restraint, yes, but now itās calculated. Heās not overwhelmed; heās choosing his moment. His expressions are no longer accidental ā theyāre intentional. Each movement has weight. He is not just participating anymore ā heās becoming. And then, the third. This is where the transformation completes itself. There is no more nervous laughter, no more half-measures. His body moves with the kind of confidence that doesnāt ask for permission. His eyes are alive now ā not with uncertainty, but with conviction. He isnāt trying to be funny, or strange, or relatable. Heās just being. Unapologetically. Entirely. He is what he is, and itās beautiful. Itās unsettling. Itās real. By the end, thereās nothing left of the person who began the video. What youāre seeing is pure expression, distilled. Itās not about performance anymore ā itās about liberation. He found a part of himself and let it take over. And for a brief moment, the audience isnāt watching him for laughs. Theyāre watching in awe, unsure whether to laugh, cry, or applaud. Because something about it feels too honest. Too raw. He didnāt just make a video. He made a statement. A revelation. A confession in motion.
2025-06-13 09:52:58
1
Gavin Harris :
Cs2 was the largest waste of time and money Iāve ever experienced
2025-07-01 18:57:49
0
DL noodles :
Darth Nihilus?
2025-06-12 20:30:03
0
Reeshal š“ó §ó ¢ó ·ó ¬ó ³ó æ :
VAC do something šš„š
2025-06-12 06:28:54
21
Phantom :
I need to see a clip of train reacting to these man š
2025-06-11 17:41:27
540
SoKilled55 :
How in all of the dimension does he not get resctrictions for killing his allies and why is he not hated by the population that entertains them selves with Counter-Strike 2?
2025-06-11 19:24:36
4
Kakarot_MR10 :
Why is he actually the angel engine š
2025-06-13 18:17:19
6
Pryo :
Me when a thief stepped on my wifi cable
2025-06-11 15:39:27
35
Iām Albert :
Iām Albert
2025-06-11 18:11:51
5
charles do bronx oliveria :
you can see him slowly unravel ā not just in motion but in meaning. In the first few seconds, thereās a hint of hesitation in his eyes, a slight stiffness in the shoulders. Heās aware of the camera, of the presence of others, of the absurdity of whatās unfolding. But beneath that hesitance is something more primal, something curious. You can tell ā itās not fear. Itās anticipation. Heās not holding back because heās scared, heās holding back because he knows once he lets go, thereās no returning to who he was. Then comes the shift. The second clip. His gaze sharpens. Not outward, but inward ā as though heās beginning to tap into something within himself that had always been dormant. Thereās still restraint, yes, but now itās calculated. Heās not overwhelmed; heās choosing his moment. His expressions are no longer accidental ā theyāre intentional. Each movement has weight. He is not just participating anymore ā heās becoming. And then, the third. This is where the transformation completes itself. There is no more nervous laughter, no more half-measures. His body moves with the kind of confidence that doesnāt ask for permission. His eyes are alive now ā not with uncertainty, but with conviction. He isnāt trying to be funny, or strange, or relatable. Heās just being. Unapologetically. Entirely. He is what he is, and itās beautiful. Itās unsettling. Itās real. By the end, thereās nothing left of the person who began the video. What youāre seeing is pure expression, distilled. Itās not about performance anymore ā itās about liberation. He found a part of himself and let it take over. And for a brief moment, the audience isnāt watching him for laughs. Theyāre watching in awe, unsure whether to laugh, cry, or applaud. Because something about it feels too honest. Too raw. He didnāt just make a video. He made a statement. A revelation. A confession in motion.
2025-06-13 02:27:49
32
Mr_Bubbles69999 :
You can see him slowly unravel ā not just in motion but in meaning. In the first few seconds, thereās a hint of hesitation in his eyes, a slight stiffness in the shoulders. Heās aware of the camera, of the presence of others, of the absurdity of whatās unfolding. But beneath that hesitance is something more primal, something curious. You can tell ā itās not fear. Itās anticipation. Heās not holding back because heās scared, heās holding back because he knows once he lets go, thereās no returning to who he was. Then comes the shift. The second clip. His gaze sharpens. Not outward, but inward ā as though heās beginning to tap into something within himself that had always been dormant. Thereās still restraint, yes, but now itās calculated. Heās not overwhelmed; heās choosing his moment. His expressions are no longer accidental ā theyāre intentional. Each movement has weight. He is not just participating anymore ā heās becoming. And then, the third. This is where the transformation completes itself. There is no more nervous laughter, no more half-measures. His body moves with the kind of confidence that doesnāt ask for permission. His eyes are alive now ā not with uncertainty, but with conviction. He isnāt trying to be funny, or strange, or relatable. Heās just being. Unapologetically. Entirely. He is what he is, and itās beautiful. Itās unsettling. Itās real. By the end, thereās nothing left of the person who began the video. What youāre seeing is pure expression, distilled. Itās not about performance anymore ā itās about liberation. He found a part of himself and let it take over. And for a brief moment, the audience isnāt watching him for laughs. Theyāre watching in awe, unsure whether to laugh, cry, or applaud. Because something about it feels too honest. Too raw. He didnāt just make a video. He made a statement. A revelation. A confession in motion.
2025-06-20 15:00:19
0
e :
Somebody gotta turn ts into a actual analog horrorššš
2025-06-12 12:31:18
1236
krytoipacan10 :
Jeff the killer and texniki vtoroi mirovoi
2025-06-12 06:01:10
1
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