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@leslie_montalvo_: 🫰

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Thursday 31 July 2025 16:18:27 GMT
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Video of the week. Permit yourself; Make Mistakes, Be Confused, Grow. We were all once there!
Video of the week. Permit yourself; Make Mistakes, Be Confused, Grow. We were all once there!
ما شاء الله موسوعه من العلم #اليمن_صنعاء_تعز_اب_ذمار_عدن_وطن_واحد #اليمن_صنعاء_تعز_اب_ذمار_عدن_وطن_واحد #مشاهير_تيك_توك_مشاهير_العرب #يمنيون_في_الغربه #اكسبلورexplore @الطير المهاجر @الطير المهاجر @الطير المهاجر
ما شاء الله موسوعه من العلم #اليمن_صنعاء_تعز_اب_ذمار_عدن_وطن_واحد #اليمن_صنعاء_تعز_اب_ذمار_عدن_وطن_واحد #مشاهير_تيك_توك_مشاهير_العرب #يمنيون_في_الغربه #اكسبلورexplore @الطير المهاجر @الطير المهاجر @الطير المهاجر


чеченский поучительный ролик нана #рекомендации #на #мама
чеченский поучительный ролик нана #рекомендации #на #мама
Bei 3 Likes spucken wir runter #bundestag #berlin #fyp
Bei 3 Likes spucken wir runter #bundestag #berlin #fyp
Tap the link in my bio to start the drawing drills course. A lot of artists are afraid to shade because they think one wrong move will ruin the drawing. Usually that fear comes from not understanding what the hatch marks are actually supposed to do. Crosshatching is not random texture. The first pass of hatch marks establishes value and shadow shape. In this case, diagonal evenly spaced lines create the initial shadow mass and organize the drawing. The second pass does something different. Instead of just darkening, the curved cross contour lines wrap around the form. That’s what creates volume and explains the direction the goblin’s forms are facing in space. That’s the real power of crosshatching. It can shade and describe form at the same time. If the lines follow the structure correctly, the drawing starts feeling dimensional without needing excessive rendering or blending. Most artists only think: “How do I make this darker?” A better question is: “What direction is this form turning?” Once you start thinking that way, your shading becomes much more believable and intentional.
Tap the link in my bio to start the drawing drills course. A lot of artists are afraid to shade because they think one wrong move will ruin the drawing. Usually that fear comes from not understanding what the hatch marks are actually supposed to do. Crosshatching is not random texture. The first pass of hatch marks establishes value and shadow shape. In this case, diagonal evenly spaced lines create the initial shadow mass and organize the drawing. The second pass does something different. Instead of just darkening, the curved cross contour lines wrap around the form. That’s what creates volume and explains the direction the goblin’s forms are facing in space. That’s the real power of crosshatching. It can shade and describe form at the same time. If the lines follow the structure correctly, the drawing starts feeling dimensional without needing excessive rendering or blending. Most artists only think: “How do I make this darker?” A better question is: “What direction is this form turning?” Once you start thinking that way, your shading becomes much more believable and intentional.

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