@madclemons: Literally so good

Madison Clemons

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Region: US

Monday 18 August 2025 21:09:12 GMT

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Amira Walton :

This is your color madison😍

2025-08-19 02:52:46

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Sadi Heard :

does the body come with it😫

2025-08-18 22:28:10

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Would you use a workbook to guide your self-editing? I’ve been thinking about putting together a PDF/workbook that walks you step by step through this whole process, with assignments, prompts, and examples from this series in one place. I can even do a few genre-specific ones if there’s enough interest, leaning in on market expectation. If that’s something you’d actually use, let me know in the comments and a price point that would be easily accessible for you so I can work this into my schedule/budget in time for it. I’d love to put it together for you, but only if it’s a win-win for us both! To summarize… Episode 4: Goals, Motivation, Conflict If your story doesn’t have solid GMC, it doesn’t work. Period. Nailing Goal, Motivation, and Conflict is the single most important thing you can do to write a story that clicks. Here’s the breakdown: Goal: What your character wants (external & internal). Motivation: Why they want it (stakes + personal wound). Conflict: What’s pushing back (external obstacles + internal fears). When one of these pieces is missing or weak, your story stalls. The middle sags. The pacing drags. Readers get bored and DNF without even knowing why. That’s why we’re running your draft through the GMC stress test. Using the reverse outline you built in Episode 3, you’ll check each scene for clear goal, strong motivation, and meaningful conflict. Then compare it with your green/orange flags. Spoiler: those orange scenes usually line up with weak GMC. The stress test will leave you with three clear buckets: 1. Strong, green scenes = structurally solid, keep as-is. 2. Orange and green muses together = weak scenes → not dead yet, but they need zhuzhing. We need to amplify the goal, raise the stakes, and add significant tension/conflict. 3. All or mostly orange scenes = Dead weight scenes that fail both structure and GMC tests. Cut most of it, saving only the most important info, which is merges with other scenes. By the end of this step, you should know exactly which scenes to keep, which ones to revise, and which ones to cut. Hooray! Happy trimming! Next up will be Episode 5—we’ll build on this & take the next big step in transforming your draft into a story readers can’t put down. #WritingTips #editor #SelfEditing #StoryStructure #AmWriting #writingadvice #selfediting #bookrevision #writing #editing

Would you use a workbook to guide your self-editing? I’ve been thinking about putting together a PDF/workbook that walks you step by step through this whole process, with assignments, prompts, and examples from this series in one place. I can even do a few genre-specific ones if there’s enough interest, leaning in on market expectation. If that’s something you’d actually use, let me know in the comments and a price point that would be easily accessible for you so I can work this into my schedule/budget in time for it. I’d love to put it together for you, but only if it’s a win-win for us both! To summarize… Episode 4: Goals, Motivation, Conflict If your story doesn’t have solid GMC, it doesn’t work. Period. Nailing Goal, Motivation, and Conflict is the single most important thing you can do to write a story that clicks. Here’s the breakdown: Goal: What your character wants (external & internal). Motivation: Why they want it (stakes + personal wound). Conflict: What’s pushing back (external obstacles + internal fears). When one of these pieces is missing or weak, your story stalls. The middle sags. The pacing drags. Readers get bored and DNF without even knowing why. That’s why we’re running your draft through the GMC stress test. Using the reverse outline you built in Episode 3, you’ll check each scene for clear goal, strong motivation, and meaningful conflict. Then compare it with your green/orange flags. Spoiler: those orange scenes usually line up with weak GMC. The stress test will leave you with three clear buckets: 1. Strong, green scenes = structurally solid, keep as-is. 2. Orange and green muses together = weak scenes → not dead yet, but they need zhuzhing. We need to amplify the goal, raise the stakes, and add significant tension/conflict. 3. All or mostly orange scenes = Dead weight scenes that fail both structure and GMC tests. Cut most of it, saving only the most important info, which is merges with other scenes. By the end of this step, you should know exactly which scenes to keep, which ones to revise, and which ones to cut. Hooray! Happy trimming! Next up will be Episode 5—we’ll build on this & take the next big step in transforming your draft into a story readers can’t put down. #WritingTips #editor #SelfEditing #StoryStructure #AmWriting #writingadvice #selfediting #bookrevision #writing #editing

හයියෝ…හයියෝ…..🥹🤦 @Shehani Kahandawala #kolam #shehanikahadawala #trending #dasudancer

හයියෝ…හයියෝ…..🥹🤦 @Shehani Kahandawala #kolam #shehanikahadawala #trending #dasudancer

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I think… I miss my wife #omniman #invincible #Skateboarding #sk8 #fyp

🌹#relatable #dukedennis

🌹#relatable #dukedennis

#EmotionalIntelligence #PsychFacts #LoveAndHealing #MindsetShift

#EmotionalIntelligence #PsychFacts #LoveAndHealing #MindsetShift

Don't keep Billy waiting II audio: @xin / scp: euphorilogy (insta) II #billyhargroveedit #billyhargrove #dacremontgomeryedit #dacremontgomery #strangerthings

Don't keep Billy waiting II audio: @xin / scp: euphorilogy (insta) II #billyhargroveedit #billyhargrove #dacremontgomeryedit #dacremontgomery #strangerthings

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