@khalilboubker75: @Cheb Ali Mdjadji oficiel #شلفاوة_والحلاوة🔥 #الشعب_الصيني_ماله_حل😂😂 #fyyyyyyyyyyyyyyyy

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🇩🇿خہليہل | 𝒦ℎ𝒶ℓ𝒾ℓ 🇫🇷
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Thursday 21 August 2025 09:59:57 GMT
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assi___le
𝗖𝗵♾️🦢𝗔❤️💍 :
راه جاي من صلاة لعشاء ديراكت للعرس
2025-08-22 16:46:49
155
khadidja_ch16
Khàdïdjæ✨🤍 :
شوية لربي وشوية لقلبي🤣🤣
2025-08-23 22:48:37
35
mohamedzegaoua
❤️🥰møhãmęd❤️🤍 :
أيوا ايوا احي عليا رني جاي نروبلها نموت على عراس هكا عرسي نشا الله منريحش كامل 😂😂😂 مكاش لي يقعد 😂😂نشا الله 🤲❤️💯💪
2025-10-07 06:01:56
8
hellina.hellina1
𝙄𝙩𝙨𝙢𝙞𝙣𝙖☁🫐 :
ههه وااي قلبييي برد قلبو 😂🥲
2025-08-23 13:39:10
8
ibrahimkhalile67
ibrahimkhalile503 :
عمري قلبيها بولحية يبغيها🤣🤣
2025-08-22 19:49:24
15
khaira.khaira49
Lina Luna :
واه ايوااا 💃💃💃💃💃💃💃💃
2025-08-23 17:46:30
3
haboba384
♡𝑆𝑂𝑆𝑂♡ :
حوجي حوجي تحمست ايوااااااعمي الحاج هكذاك ڨابلني💃🏻💃🏻👏🏻👏🏻😂😂
2025-10-08 19:04:48
9
meriem.iman6
Meriem Iman :
جاء من المسجد ديركت😂😂😂
2025-08-23 01:51:55
14
bibicha_off_be_original
✨Ãÿ Lå💙 :
😂😂😂😂 دير رايك الحاج بصحتك
2025-08-23 22:56:44
5
ailina028
♥♥شلفاوية 🫶👑 :
بوقادير وناس لغربة 🥰🥰🥰🥰
2025-08-22 09:15:22
12
ahmed.mah34
Imane amouna :
عمري ڨلبيها حاج يبغيها😁😁😁
2025-10-06 19:20:29
6
benallal.benallal5
Benallal Benallal :
الحاج راه ينڨز خير مني التلاميذ خلاوني نمشي عل. كراع وحده😂
2025-10-16 21:48:55
4
le_r989
Le_R🇩🇿🐆 :
احي عليا وخلاص العشاء راحت في ذاك شي🥹🥲😂
2025-09-01 17:13:13
2
fm0835
وصية الرسول :
هادي تاع لقالك شوية لقلبي و شوية لربي 🙂 💃🏻💃🏻💃🏻👏🏻👏🏻
2025-09-04 09:44:21
5
kokonikokoni
ياااارب :
فيما يرضي الله🤣
2025-09-27 02:33:22
1
chirazch69
f&Ch❤️💍 :
واه الحاج واه 🤣🤣
2025-09-02 19:04:33
1
lunedeneige2
Lune 🌙🌒 de neige🌙 :
اها الحاج😂
2025-10-14 21:14:21
1
sirine872
🎀 :
شوي لربي او شوي لقلبي 😂
2025-10-17 02:41:14
1
zahraaaaa970
°☆Ñøu♡Ñââ☆° :
المجاجي 🤣💃💃💃
2025-10-12 19:54:20
1
user40722334775273
user40722334775273سعيدة :
الفرح حق لكل واحد🥰
2025-09-08 16:26:57
1
nadach.0212
❤️ :
Lma3na tae chwiya lghlbi wchwiya lrbi 😂
2025-09-22 10:43:14
1
sousolaklas6
sousolaklas6 :
😂😂😂😂ضحكتي الحاج😂😂
2025-10-14 14:40:31
1
_mi_mi_023
🇩🇿🦋 mimi 🦋🇩🇿 :
ha rabi rabi 🙆‍♀️🤣🤣🤣🤣🙆‍♀
2025-09-16 20:41:20
1
mss_ia3
Ⓢ :
Wiili😂
2025-09-03 22:35:46
1
asma_ben_02
Asma_Ben94 :
حوجي ذا مصطفى 😂😂😂😂😂😂
2025-10-08 15:48:17
1
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Other Videos

A Film Every Architect Should Watch Playtime (1967) is Jacques Tati’s most ambitious and uncompromising film—a near-silent study of modern life told through space, movement, and architecture rather than plot. Shot in 70mm and largely devoid of conventional narrative, the film follows Monsieur Hulot as he drifts through a hyper-rationalized Paris of glass, steel, and repetition. Rather than using the city as a backdrop, Tati makes it the protagonist. Office blocks, airports, exhibition halls, and restaurants form a controlled, almost abstract environment where people move like components in a system. Reflections replace depth, interiors blur into exteriors, and human interaction is constantly mediated by design. Paris itself is barely visible—reduced to reflections, souvenirs, and distant landmarks—suggesting a city replaced by its own image. Comedy in Playtime is observational and architectural. Gags unfold slowly, often in the background, rewarding attention rather than demanding laughter. A squeaking chair, a misaligned door, a collapsing restaurant—small failures in design expose the fragility beneath modern efficiency. Order breaks down not through chaos, but through use. The film’s construction was radical. Tati built an entire city set—later dubbed “Tativille”—to achieve total control over scale, rhythm, and composition. This precision allows each frame to function like a moving diagram, where multiple actions coexist without hierarchy. Viewers are invited to choose where to look, becoming active participants rather than passive spectators. Initially misunderstood and commercially disastrous, Playtime is now regarded as a landmark of modern cinema. It is less a satire than a quiet critique—curious, humane, and deeply visual—asking how design shapes behavior, and what is lost when environments prioritize systems over people. #movie #playtime #movieedit #architecture
A Film Every Architect Should Watch Playtime (1967) is Jacques Tati’s most ambitious and uncompromising film—a near-silent study of modern life told through space, movement, and architecture rather than plot. Shot in 70mm and largely devoid of conventional narrative, the film follows Monsieur Hulot as he drifts through a hyper-rationalized Paris of glass, steel, and repetition. Rather than using the city as a backdrop, Tati makes it the protagonist. Office blocks, airports, exhibition halls, and restaurants form a controlled, almost abstract environment where people move like components in a system. Reflections replace depth, interiors blur into exteriors, and human interaction is constantly mediated by design. Paris itself is barely visible—reduced to reflections, souvenirs, and distant landmarks—suggesting a city replaced by its own image. Comedy in Playtime is observational and architectural. Gags unfold slowly, often in the background, rewarding attention rather than demanding laughter. A squeaking chair, a misaligned door, a collapsing restaurant—small failures in design expose the fragility beneath modern efficiency. Order breaks down not through chaos, but through use. The film’s construction was radical. Tati built an entire city set—later dubbed “Tativille”—to achieve total control over scale, rhythm, and composition. This precision allows each frame to function like a moving diagram, where multiple actions coexist without hierarchy. Viewers are invited to choose where to look, becoming active participants rather than passive spectators. Initially misunderstood and commercially disastrous, Playtime is now regarded as a landmark of modern cinema. It is less a satire than a quiet critique—curious, humane, and deeply visual—asking how design shapes behavior, and what is lost when environments prioritize systems over people. #movie #playtime #movieedit #architecture

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