@_caitlinchampaco: AND WE END THE EPISODE WITH CARDIGAN BY TAYLOR SWIFT???? LIKE WTF JENNY HAN MY HEART IS IN SHAMBLES😭💔 • #thesummeriturnedpretty #thesummeriturnedprettyseason3 #tsitp #teamconrad #conradandbelly

Caitlin🌷 mama + wife
Caitlin🌷 mama + wife
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Thursday 28 August 2025 01:40:58 GMT
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thatvickychick
thatvickychick :
Literally
2025-08-28 05:11:35
1
tashaatalks
tashaatalks :
Girl this show is bout to put me in labor 😂😂😂😂
2025-08-28 05:15:03
1
shawnaaa_xox
Shawnaaa_xox :
Omg I said the same thing!!
2025-08-28 02:46:47
1
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All Mixed Up: A Guide to Mixing! What are these “open” and “closed” sounds you speak of?  @Ian Underhill  does a fantastic job at demonstrating both of these types of sounds and easily moves back and forth between them. Take a moment to go back and forth when listening to this. See if you can hear the difference between the ‘open’ and ‘closed’ sounds. Then try making them yourself! The BEST way to understand these principles is to EXPERIENCE them in your own voice. Play around, mimic, explore and see what you find! If you are having trouble making a certain type of sound…for ex. Open chest voice sounds, it doesn’t mean that you ‘just can’t sing that way’ or ‘your voice doesn’t do that’ it means that’s where there is room to GROW and it’s time to PRACTICE! With practice we CAN make ALL of these sounds (and everything in between) in a way that is efficient and exciting!  REMEMBER: Our GOAL is to have OPTIONS!  Last AMU we talked about adding the qualifier of ‘open’ and ‘closed’ to your listening practice.  To REVIEW: ‘Head’ voice (mode 2) and ‘Chest’ voice (mode 2) help categorize function (physiologically) ‘Open’ and ‘closed’ help us categorized sound quality (acoustic)  Put them together and we understand a wholllleeee lot more about the sound we just made.  Why do I advocate for thinking this way? There is SO much more to your middle voice that can be discovered if we dare to lean into ‘specificity’ rather than retreating towards (over) simplification. Your “mix” is MULTIDIMENSIONAL and DYNAMIC. Investing the time to understand and practice what options are available won’t make it ‘rigid’ or ‘clunky’ it won’t create ‘gear shifts’ or ‘breaks’  It will give you the tools to identify challenges and work towards resolving them.  What I am laying out for you is a framework for your understanding and practice.  With time and practice, what once seemed complex will become simple and automated, giving you more bandwidth for new and exciting things. Happy singing, everyone!
All Mixed Up: A Guide to Mixing! What are these “open” and “closed” sounds you speak of? @Ian Underhill does a fantastic job at demonstrating both of these types of sounds and easily moves back and forth between them. Take a moment to go back and forth when listening to this. See if you can hear the difference between the ‘open’ and ‘closed’ sounds. Then try making them yourself! The BEST way to understand these principles is to EXPERIENCE them in your own voice. Play around, mimic, explore and see what you find! If you are having trouble making a certain type of sound…for ex. Open chest voice sounds, it doesn’t mean that you ‘just can’t sing that way’ or ‘your voice doesn’t do that’ it means that’s where there is room to GROW and it’s time to PRACTICE! With practice we CAN make ALL of these sounds (and everything in between) in a way that is efficient and exciting! REMEMBER: Our GOAL is to have OPTIONS! Last AMU we talked about adding the qualifier of ‘open’ and ‘closed’ to your listening practice. To REVIEW: ‘Head’ voice (mode 2) and ‘Chest’ voice (mode 2) help categorize function (physiologically) ‘Open’ and ‘closed’ help us categorized sound quality (acoustic) Put them together and we understand a wholllleeee lot more about the sound we just made. Why do I advocate for thinking this way? There is SO much more to your middle voice that can be discovered if we dare to lean into ‘specificity’ rather than retreating towards (over) simplification. Your “mix” is MULTIDIMENSIONAL and DYNAMIC. Investing the time to understand and practice what options are available won’t make it ‘rigid’ or ‘clunky’ it won’t create ‘gear shifts’ or ‘breaks’ It will give you the tools to identify challenges and work towards resolving them. What I am laying out for you is a framework for your understanding and practice. With time and practice, what once seemed complex will become simple and automated, giving you more bandwidth for new and exciting things. Happy singing, everyone!

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