@lvworkshop: reporting to you live with this week's outrage #contentcreator #ethics #politics #society #existentialcrisis

LVworkshop
LVworkshop
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Region: US
Thursday 28 August 2025 14:53:45 GMT
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mercurymoon_sd
StarDust 💫 :
she took money from them too
2025-08-29 08:24:16
0
evanverified
Evan :
Love your content, but on this topic, I would add that we are not united (left). The DNC is closer to being Republican Lite(centrist), and pulling the message that way, and not in the direction of actual progress. So when these influencers get paid to pull the narrative away from progressive ideology, it brings us further from unity and the actual will of the people.
2025-08-28 23:27:00
13
dtkuhyfvma9
stinknutsmcfartybutt :
make that money brother
2025-08-30 23:23:53
0
goldengirl487
Auengirl :
I could care less that they are taking money
2025-08-29 04:43:13
0
timdo271
tree_dough :
Proportion matters. Left wing creators got a few thousand a month. Tim Pool was getting half a million per post. Of all the dark money out there, how much is going to the right wing?
2025-08-28 15:44:50
47
pnwwoman57
Joann :
I'm not sure I would turn down $8k a month for things I would say anyway 🤷🏻‍♀️
2025-08-29 02:26:34
17
janie_mj
MJ :
A number of them have now addressed it and seems the author of the article is the problem. It is not at all a dark money pac but a fund helping small creators get their messaging out while helping them. The author is of the article is a slime ball.
2025-08-29 11:59:49
2
wetootwaag
wetootwaag :
It also seems like the wired article is pretty wildly wrong
2025-08-29 05:29:18
0
hexadactyl
Hexadactyl :
we know you aren't one of the people taking money. you're actually voicing left opinions as opposed to anyone who is promoting the Democrats.
2025-08-29 04:11:13
2
comrad1417
Comrad1417 :
Agreed accept the dark money was also used to stop info and create misinformation about gaža and attack leftists. I really doesn’t care that they got paid but it was used to kill the left
2025-08-29 16:21:44
6
snitchface4
snitchface :
and it said "offered" not that they took said offer too.
2025-08-28 18:35:34
7
pissedoffxennial
amberlynn :
Didn't we know this already
2025-08-29 23:24:28
0
rekepww
dreadknaught :
The left’s messaging is human rights and equality. If leftist content creators get paid to say that good for them. They’re getting compensated for their time.
2025-08-28 22:11:20
0
maliciouslink
Jerry Bell | Security&Photos :
I’m not saying this was a Russian influence operation operation too, just that we wouldn’t be able to tell the difference if it were something designed to sow major distrust in left leaning indie journalists
2025-08-28 19:07:17
12
laurnil1
Laurnil :
the lefts problem is the same problem we've been having against fascism for decades, we point at each other instead of having a united front.
2025-08-28 23:04:05
3
lydia_rose._
mynameisjune💙🆘🇺🇸💙 :
Honestly idc if they’re making money. They’re getting the info out there
2025-08-28 20:46:08
4
will_informed
Will_Informed :
these creators have to get money from somewhere to be full time I get it but it should be transparent who the money comes from and what sway that has on their content, then you can decide wether you trust their opinions armed with that information.
2025-08-28 20:09:04
4
vyt3x
Vyt3x :
Early and Damn, never seen a vid of yours in this style, but spot on as usual.
2025-08-28 15:00:21
16
hoenerfarms
Hoener Farms Fine Woodworking :
Yea it’s fucking absurd
2025-08-28 18:38:50
12
melltedcrayon
MelltedCrayon 🇺🇸 :
Don’t follow blindly. Including journalists/content creators. And remember there’s no real “content creator code of ethics”. This is also how creators who are independent journalists can get taken advantage of. Questioning something can mean you care about it. Even if you don’t agree with the article it’s an opportunity to have that discussion and consider what truths we take in and their validity. And which ones are being ignored.
2025-08-29 09:35:31
5
tymetaylor
tyme taylor :
vertical morality and a deference to hierarchy sure are helpful things when your voting base has no capacity for critical analysis and no ethics to speak of.
2025-08-28 15:15:11
15
chroniclesofnortnia
Chase :
This is kinda how it always goes though, the American rights almost always been better at messaging/propaganda, and being ahead of the Dems on media outreach. Then the Dems and their supporters pick up those strategies, but they're infinitely less malicious (effective) and well financed.
2025-08-28 22:55:12
2
kryptonite803
kryptonite803 :
le sigh, hope you're taking care of yourself out there bud
2025-08-28 15:08:16
2
calcamonia_iam
Mona Mona Calcamonia :
I hope you get your bag budd, I vote for u!
2025-08-28 15:31:38
2
amybivalent
Amy :
If the creators agreed with the message they were asked to make posts about why does it matter? It seems like it would only be a problem if they sold out and were pushing content they themselves did not agree with or content that was morally reprehensible.
2025-08-30 03:43:08
0
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In the scorching summer of 1518, Strasbourg—then a bustling free city of the Holy Roman Empire nestled along the Ill River in Alsace—became the stage for one of history’s strangest episodes: the Dancing Plague. It began on July 14 when Frau Troffea, a local woman whose life remains shrouded in mystery, stepped into a narrow cobblestone street and began to dance uncontrollably. For days, she moved without pause, her feet bleeding, her body driven by an inexplicable force. Within a week, dozens joined her—men, women, and children—spinning, leaping, and twitching in a frenzy that defied reason. By August, the number swelled to over 100, some dancing until they collapsed from exhaustion, heart failure, or stroke; contemporary chronicles, like those of Strasbourg physician Paracelsus and city records, estimate up to 15 deaths. The phenomenon gripped the city for nearly two months, fading only by September. Historians trace the outbreak to a perfect storm of stressors: a region ravaged by famine, smallpox, and syphilis, with the Rhine Valley’s damp climate fostering ergot—a hallucinogenic fungus—in the rye that fed Strasbourg’s poor. Mass psychogenic illness, fueled by religious fervor and fear of divine wrath (Saint Vitus, patron of dancers, was both blamed and invoked), likely amplified the hysteria. The city’s response was as bizarre as the plague itself: authorities, believing music might exhaust the dancers, hired lute players and drummers to perform in guildhalls, inadvertently escalating the chaos. Eventually, they turned to prayer, marching survivors in red shoes to a shrine atop a hill to appease Saint Vitus. This post unfolds the Dancing Plague in six vivid scenes: Frau Troffea’s solitary, fateful first steps; the frenzied guildhall where musicians played amidst sweat and despair; the marketplace erupting into a chaotic whirl of bodies; the surreal, ergot-tainted fields hinting at a toxic trigger; the solemn pilgrimage to Saint Vitus’s shrine; and the haunting silence of the aftermath, as Strasbourg reckoned with its scars. Paired with Josquin des Prez’s Missa Pange Lingua—a 1515 masterpiece of Renaissance polyphony—these images weave a tapestry of medieval madness, faith, and mystery. From the cathedral’s shadow to the rye-strewn streets, this is Strasbourg’s summer of 1518: a dance no one could stop, echoing through history as a riddle unsolved. #DancingPlague #Strasbourg1518 #HistoricalMystery #MedievalHistory #MassHysteria #FrauTroffea #SaintVitus #ErgotPoisoning #RenaissanceEra #HistoryUnraveled #HolyRomanEmpire #AlsaceHistory #MedievalLife #DanceMacabre #PsychogenicIllness #StrasbourgCathedral #16thCentury #HistoricalArt #SurrealHistory #MedievalMusic #JosquinDesPrez #MissaPangeLingua #EarlyModernEurope #PlagueStories #VisualHistory #HistoryInArt #StrangeHistory #DanceFever #MysteryOf1518 #HistoricalReenactment #ArtAndHistory #MedievalMadness #TrueHistory #HistoryLovers #UnexplainedPhenomena #RyeFields #ReligiousFervor #StrasbourgStreets #DancingToDeath
In the scorching summer of 1518, Strasbourg—then a bustling free city of the Holy Roman Empire nestled along the Ill River in Alsace—became the stage for one of history’s strangest episodes: the Dancing Plague. It began on July 14 when Frau Troffea, a local woman whose life remains shrouded in mystery, stepped into a narrow cobblestone street and began to dance uncontrollably. For days, she moved without pause, her feet bleeding, her body driven by an inexplicable force. Within a week, dozens joined her—men, women, and children—spinning, leaping, and twitching in a frenzy that defied reason. By August, the number swelled to over 100, some dancing until they collapsed from exhaustion, heart failure, or stroke; contemporary chronicles, like those of Strasbourg physician Paracelsus and city records, estimate up to 15 deaths. The phenomenon gripped the city for nearly two months, fading only by September. Historians trace the outbreak to a perfect storm of stressors: a region ravaged by famine, smallpox, and syphilis, with the Rhine Valley’s damp climate fostering ergot—a hallucinogenic fungus—in the rye that fed Strasbourg’s poor. Mass psychogenic illness, fueled by religious fervor and fear of divine wrath (Saint Vitus, patron of dancers, was both blamed and invoked), likely amplified the hysteria. The city’s response was as bizarre as the plague itself: authorities, believing music might exhaust the dancers, hired lute players and drummers to perform in guildhalls, inadvertently escalating the chaos. Eventually, they turned to prayer, marching survivors in red shoes to a shrine atop a hill to appease Saint Vitus. This post unfolds the Dancing Plague in six vivid scenes: Frau Troffea’s solitary, fateful first steps; the frenzied guildhall where musicians played amidst sweat and despair; the marketplace erupting into a chaotic whirl of bodies; the surreal, ergot-tainted fields hinting at a toxic trigger; the solemn pilgrimage to Saint Vitus’s shrine; and the haunting silence of the aftermath, as Strasbourg reckoned with its scars. Paired with Josquin des Prez’s Missa Pange Lingua—a 1515 masterpiece of Renaissance polyphony—these images weave a tapestry of medieval madness, faith, and mystery. From the cathedral’s shadow to the rye-strewn streets, this is Strasbourg’s summer of 1518: a dance no one could stop, echoing through history as a riddle unsolved. #DancingPlague #Strasbourg1518 #HistoricalMystery #MedievalHistory #MassHysteria #FrauTroffea #SaintVitus #ErgotPoisoning #RenaissanceEra #HistoryUnraveled #HolyRomanEmpire #AlsaceHistory #MedievalLife #DanceMacabre #PsychogenicIllness #StrasbourgCathedral #16thCentury #HistoricalArt #SurrealHistory #MedievalMusic #JosquinDesPrez #MissaPangeLingua #EarlyModernEurope #PlagueStories #VisualHistory #HistoryInArt #StrangeHistory #DanceFever #MysteryOf1518 #HistoricalReenactment #ArtAndHistory #MedievalMadness #TrueHistory #HistoryLovers #UnexplainedPhenomena #RyeFields #ReligiousFervor #StrasbourgStreets #DancingToDeath

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