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Thursday 11 September 2025 20:23:39 GMT
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The moment when Stevie Ray Vaughan launched into “Voodoo Child (Slight Return)” at the Cotton Club is one of his most iconic live moments, and it perfectly captures how deeply Hendrix’s influence ran through him while still being uniquely SRV. The performance you’re thinking of is from the 1984 “Live at the Cotton Club” show in Dallas, filmed for Japanese television. Vaughan was at the height of his powers then — fresh off Texas Flood and Couldn’t Stand the Weather — and playing with absolute fire alongside Double Trouble. Here’s what made that “Voodoo Child” moment so special: 	•	He didn’t copy Hendrix — he channeled him. When SRV kicked into that opening wah riff, it wasn’t imitation; it was like he was having a conversation with Hendrix’s spirit. His tone was thicker, his phrasing grittier, and he stretched out the solos with Texas blues swagger. 	•	He played it on his beloved “Number One” Strat, running through a pair of Fender Vibroverbs and his signature Vox wah. The guitar tone that night was huge — snarling but smooth, and he controlled it effortlessly with his hands. 	•	The Cotton Club crowd went wild because they knew how much Hendrix meant to him. Stevie had often said Jimi was one of his biggest inspirations, but when he played “Voodoo Child” live, he made it his own battle cry — part tribute, part rebirth. 	•	That performance helped cement his reputation internationally. The Japanese broadcast circulated widely on bootleg VHS tapes, and for many fans overseas, that was the first time they saw SRV’s full force onstage. When he bent those first notes and tore into the solo, it was like the room caught fire — pure electricity. Many fans still call that version of “Voodoo Child” one of the most powerful Hendrix tributes ever done… #srv #blues #rock #80s #music
The moment when Stevie Ray Vaughan launched into “Voodoo Child (Slight Return)” at the Cotton Club is one of his most iconic live moments, and it perfectly captures how deeply Hendrix’s influence ran through him while still being uniquely SRV. The performance you’re thinking of is from the 1984 “Live at the Cotton Club” show in Dallas, filmed for Japanese television. Vaughan was at the height of his powers then — fresh off Texas Flood and Couldn’t Stand the Weather — and playing with absolute fire alongside Double Trouble. Here’s what made that “Voodoo Child” moment so special: • He didn’t copy Hendrix — he channeled him. When SRV kicked into that opening wah riff, it wasn’t imitation; it was like he was having a conversation with Hendrix’s spirit. His tone was thicker, his phrasing grittier, and he stretched out the solos with Texas blues swagger. • He played it on his beloved “Number One” Strat, running through a pair of Fender Vibroverbs and his signature Vox wah. The guitar tone that night was huge — snarling but smooth, and he controlled it effortlessly with his hands. • The Cotton Club crowd went wild because they knew how much Hendrix meant to him. Stevie had often said Jimi was one of his biggest inspirations, but when he played “Voodoo Child” live, he made it his own battle cry — part tribute, part rebirth. • That performance helped cement his reputation internationally. The Japanese broadcast circulated widely on bootleg VHS tapes, and for many fans overseas, that was the first time they saw SRV’s full force onstage. When he bent those first notes and tore into the solo, it was like the room caught fire — pure electricity. Many fans still call that version of “Voodoo Child” one of the most powerful Hendrix tributes ever done… #srv #blues #rock #80s #music

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