@3robiplatine: The Algerian man, when he loves, he truly loves #interview #algerian #viral #motivation #algerianmen

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Saturday 13 September 2025 20:35:12 GMT
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messyhairhereiam
Messyhairhereiam :
Les algériens sont authentiques (de la part d’une marocaine)
2025-09-14 06:02:10
3765
jabliyya
📕سُنَّتِيsunnati📗 :
Je suis marocaine et je me suis toujour dit je me marirai avec un algérien Incha allah je l’est aime ce peuple subhanAllah
2025-09-14 07:15:02
3210
lory_1232
Lorena :
this is so beautiful and accurate ❤
2025-09-16 19:01:02
0
arhiba_bis456
hayyu_arhiba_bis :
les Algériens sont des gens avec un grand coeur.
2025-09-13 21:55:59
6246
groszient93
Gros zient 93🇹🇳🇹🇳🇹🇳 :
C’est vrai sobhanallah. Soit il vous aime à la mort ou soit il vous déteste à la mort . Et si vous avez la chance qu’il vous pardonne sachez qu’il n’oubliera pas ce que vous lui avez fait .
2025-09-14 00:51:44
693
f22raptor_geronimo
Geronimo🥷🏼🇯🇵🇫🇷⚜️ :
Je suis marocain et je confirme ce qu’il dit.
2025-09-14 10:04:37
230
inuitelalaska
inuite🦋 :
2025-09-14 05:05:40
527
nessitude
Ness Nam 🇧🇪💚🤍 :
entier et sans demi mesure 💚💚 pour ca que j aime mon mari
2025-09-14 11:40:24
30
lionel.lionel00
Lionel :
moı ve suıs Türk ,Algerıen tres Fidelle son amitıe je confırme🥰
2025-09-16 19:22:12
0
blt540
Naïm🇹🇳🏴‍☠️ :
W'allah c'est réel sa
2025-09-14 17:25:00
11
secretdepolichinelle59
Secretdepolichinelle59 :
C quoi le son svp
2025-09-14 02:55:51
14
elwalid544
El-walid :
Suis un Camerounais mais je vis en Algérie 🇩🇿 et j’avoue que c’est la vérité
2025-09-14 15:46:16
32
malvoos24
24.malvado :
J’aime trop les algériens parce qu’ils sont trop vrai !
2025-09-14 10:44:01
308
elprimodel93
Le93 :
Chui tounsi et sah les algériens c’est comme mon pays je les considère plus que des frères c’est le sang Tahia tunes de djazair 🇹🇳❤️❤️🇩🇿
2025-09-14 11:26:22
191
lemdu34lem
Tounsiharrr :
Wallah je trahirais un algérien parole de frère tunisien ❤️❤️thaia tounes tahia dzairi
2025-09-14 02:15:15
86
isabelle_sarah_amine
isabelle Sarah amine :
c'est vrai mon mari est kabyle et c'est totalement lui surtout pour détester 😅
2025-09-15 10:27:38
14
red.satine.213
red.satine.213 :
IL A TOTALEMENT RAISON
2025-09-14 07:18:11
1313
djani.25
Djani99 :
L’amitié, lorsqu’elle est vécue par nous algériens, revêt une intensité singulière. Car aimer, pour nous, n’est point une inclination passagère, mais un engagement total de l’âme. Quand notre cœur se lie à autrui, c’est avec une loyauté sans réserve : nous veillons sur l’ami à l’aube, au zénith et au crépuscule, et nous nous tenons prêts à nous sacrifier pour lui si l’exige la fidélité. À l’inverse, si une personne ne suscite point notre affection, nous ne nous abaissons pas à la haine ni à la malveillance. Nous préférons le retrait à l’hostilité, l’indifférence à la violence. Ainsi, notre manière d’aimer et de nous détourner obéit à une éthique silencieuse : offrir la plénitude de soi à celui qui est digne de l’amitié, et préserver la paix en s’éloignant de celui qui ne l’est pas.
2025-09-14 01:38:00
70
jana.k318
J💚 :
Certificat médical
2025-09-14 07:54:38
74
free62737
Libre62 :
Ça se voit que c'est pas lui qui écrit ses romans 😅
2025-09-14 13:47:50
34
lea_ptite
Lea 🦋 :
je suis moche dans ma story ? 😭😭😭
2025-09-14 07:20:07
4
siham_1975
🍊🍉 🇲🇦Midlifestyle🇲🇦🍉🍊 :
Oui c vrai !!!!!!♥️♥️♥️Ma meilleure amie algérienne et mon mari algérien
2025-09-14 10:36:05
44
dupassagesurterre.....1
passage sur terre :
je confirme je suis un marocain j'avais deux ami algérien deux frères des vrais hommes malheureusement j'ai quitté la Belgique mais on est en contact toujours و تحيى واهران
2025-09-15 07:30:38
9
ellob92
21🪬 :
☝🏽
2025-09-14 11:55:53
12
rifinador1980
youssef rifi :
d'accord docteur tiktok
2025-09-14 06:20:37
10
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Reflection Francis Pott, the author, was born in Speldhurst, near Tunbridge Wells, Kent, and went to Brasenose College, Oxford, graduating in 1854.  Ordained deacon in 1856 he served his title as curate of Bishopsworth, Somerset, before moving to Ardingly in Sussex in 1858.  A further curacy at Ticehurst, Sussex began in 1861, until he became rector of Northill, near Biggleswade, in 1866.  Sadly, he became deaf, and so resigned in 1891. During the 1850s he was a member of the original committee that worked on the first ever Hymns Ancient and Modern but it seems left the team before publication.  ‘Angel voices ever singing’ could not have appeared in that book though because it was written in 1861, the same year as HAM came out (it did find its way into the 1889 supplement however). Pott wrote it for his old Brasenose friend William Kenneth Macrorie, who was Perpetual Curate of Wingates (or Wingate), Bolton-le-Moors, Lancashire at the time.  He later went on to become Bishop of Maritzburg in South Africa.  Coincidentally Edwin Monk, the composer of the tune, was also a friend of Macrorie’s, as they had taught together at St Peter’s College, Radley, near Abingdon.  It is likely that Pott and Monk collaborated on the hymn, which was specifically composed and written for the dedication of a new organ at St John’s Church, and they headed it,  ‘For the Dedication of an Organ or for a Meeting of Choirs’ when it was published in the Second Edition of Pott’s Hymns fitted to the Order of Common Prayer (1866). Somerset-born Monk was successively organist of Midsomer Norton, then Frome, and then in 1844 he left England to become the first organist and music master of St Columba’s College, Rathfarnham near Dublin.  In 1847 Monk returned to England as co-founder, organist and music master at St Peter’s, Radley, near Abingdon, where he encountered Macrorie.  He was also the conductor of the Oxford University Motet and Madrigal Society and an editor of Part Song books.  In 1859 he was appointed Organist of York Minster, where he founded the York Minster Musical Society.  Monk was also an astronomer of note, being a Fellow of the Royal Astronomical Society. The hymn begins with a reminder of the angels surrounding the throne of God in Revelation 5:11-13.  The idea of a God who is worshipped in heaven, is beyond our comprehension, and so verse two asks whether it is possible that such a divine being cares for us and forgives us, to which, supported by the unusual metrical structure of the hymn tune, we make the emphatic affirmative ‘yea, we can’!  The central verses of the hymn give us what we need to celebrate art and craft and music in worship.  Pott summarises what we all know to be true and feel inwardly: that the arts are gifts from God, with which to praise and glorify him.  Just as we say at the eucharist, ‘all things come from you and of your own do we give you’, the same is true of our artistic endeavours.  Whatever the quality, we are offering talent as it has been received and nurtured, and it is our duty to ‘proffer’ back our best efforts, no matter how unworthy we may consider them.  Hence after the final doxology we conclude by singing that it is the best that God has given us, that we render in grateful, loving return.  For in this we have the great gifts of music and art: fundamentally human activities, inspired by God, which both stretch and make great demands of us, but which in doing so, give great pleasure, reward and satisfaction.  In us, God is both performer and hearer: the spirit leads us to prayer and praise, praying in us, through music and text, inhabiting our praise, offered up in reverence and awe to the holy throne, where with angel voices we join in heaven’s eternal song.#anglicanevents #fyp #fyppppppppppppppppppppppp #viral #hymns_with_lyrics
Reflection Francis Pott, the author, was born in Speldhurst, near Tunbridge Wells, Kent, and went to Brasenose College, Oxford, graduating in 1854. Ordained deacon in 1856 he served his title as curate of Bishopsworth, Somerset, before moving to Ardingly in Sussex in 1858. A further curacy at Ticehurst, Sussex began in 1861, until he became rector of Northill, near Biggleswade, in 1866. Sadly, he became deaf, and so resigned in 1891. During the 1850s he was a member of the original committee that worked on the first ever Hymns Ancient and Modern but it seems left the team before publication. ‘Angel voices ever singing’ could not have appeared in that book though because it was written in 1861, the same year as HAM came out (it did find its way into the 1889 supplement however). Pott wrote it for his old Brasenose friend William Kenneth Macrorie, who was Perpetual Curate of Wingates (or Wingate), Bolton-le-Moors, Lancashire at the time. He later went on to become Bishop of Maritzburg in South Africa. Coincidentally Edwin Monk, the composer of the tune, was also a friend of Macrorie’s, as they had taught together at St Peter’s College, Radley, near Abingdon. It is likely that Pott and Monk collaborated on the hymn, which was specifically composed and written for the dedication of a new organ at St John’s Church, and they headed it, ‘For the Dedication of an Organ or for a Meeting of Choirs’ when it was published in the Second Edition of Pott’s Hymns fitted to the Order of Common Prayer (1866). Somerset-born Monk was successively organist of Midsomer Norton, then Frome, and then in 1844 he left England to become the first organist and music master of St Columba’s College, Rathfarnham near Dublin. In 1847 Monk returned to England as co-founder, organist and music master at St Peter’s, Radley, near Abingdon, where he encountered Macrorie. He was also the conductor of the Oxford University Motet and Madrigal Society and an editor of Part Song books. In 1859 he was appointed Organist of York Minster, where he founded the York Minster Musical Society. Monk was also an astronomer of note, being a Fellow of the Royal Astronomical Society. The hymn begins with a reminder of the angels surrounding the throne of God in Revelation 5:11-13. The idea of a God who is worshipped in heaven, is beyond our comprehension, and so verse two asks whether it is possible that such a divine being cares for us and forgives us, to which, supported by the unusual metrical structure of the hymn tune, we make the emphatic affirmative ‘yea, we can’! The central verses of the hymn give us what we need to celebrate art and craft and music in worship. Pott summarises what we all know to be true and feel inwardly: that the arts are gifts from God, with which to praise and glorify him. Just as we say at the eucharist, ‘all things come from you and of your own do we give you’, the same is true of our artistic endeavours. Whatever the quality, we are offering talent as it has been received and nurtured, and it is our duty to ‘proffer’ back our best efforts, no matter how unworthy we may consider them. Hence after the final doxology we conclude by singing that it is the best that God has given us, that we render in grateful, loving return. For in this we have the great gifts of music and art: fundamentally human activities, inspired by God, which both stretch and make great demands of us, but which in doing so, give great pleasure, reward and satisfaction. In us, God is both performer and hearer: the spirit leads us to prayer and praise, praying in us, through music and text, inhabiting our praise, offered up in reverence and awe to the holy throne, where with angel voices we join in heaven’s eternal song.#anglicanevents #fyp #fyppppppppppppppppppppppp #viral #hymns_with_lyrics

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