@ilyes_edits7: Batistuta >> All 😮‍💨🔥 #efootball #efootball2026 #efootballmobile #fyp #batistuta

𝑳𝒀𝑺𝑬7

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Region: DZ

Thursday 11 December 2025 10:45:33 GMT

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Comments

Jamal :

💀

2025-12-13 08:48:34

21

KHUBY 🐨🖤 :

Music = 2022 World Cup 💀

2025-12-12 17:53:42

34

QAMAR1 :

2025-12-11 13:55:01

20

SAIVR :

Music is memories 💔🔥

2025-12-11 12:21:19

18

Atahan.ark🇹🇷🔛🔝 :

should i go for it???

2025-12-13 19:10:23

2

ame.flux :

best possible training for

2025-12-11 13:04:58

3

Ocean Hill :

Why this is not trending 😭 ahhh

2025-12-18 11:08:43

4

dkyvehc :

the new one clears

2025-12-21 02:35:20

1

𝐀𝐌𝟕 :

the best to player in eFootball

2025-12-13 20:41:10

2

𝐌𝐎𝐇𝐃 🕷 𖡋 🇮🇶 𖡮 :

2025-12-16 15:47:59

3

unknown :

1: rummi 🔥☠️🤯 2:eto'o ☠️🔥 3: sheva ☠️

2025-12-13 06:35:06

3

Leo.xz.✝️ :

🗿

2026-01-06 18:56:16

2

Capaze🍂 :

😏Can anyone tell me my name? 😏

2025-12-13 12:18:33

3

🐺💙14 :

Forlan: VU💀

2025-12-11 11:53:47

2

BODA,🤍☝🏻 :

😃😃

2025-12-12 17:51:27

4

𝕴𝖘𝖒𝖆𝖊𝖑 :

owen>

2025-12-11 21:32:51

1

Bűspũeťs⚽️⚽️🦅🦅🦅 :

2025-12-13 09:06:37

1

Tchio Hama Aboubakar :

el hadj Diouf is the best

2025-12-12 11:21:59

1

ابراهيم ال نايف 💖💖 :

2025-12-11 14:23:57

1

𝐃 𝗜 4 Z͜͡ : (🥷🔥 :

Ilyas Best Editor🔥

2025-12-11 10:58:57

1

thespikeplayer :

wait... why did he get a red card?

2026-08-26 10:25:16

0

M,X :

2025-12-13 09:35:32

0

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🎶🔥 Beethoven – Symphony No. 5 in C minor, Op. 67 Orchestra Giovanile Luigi Cherubini 🎻 Riccardo Muti, conductor • During World War II, the BBC opened its broadcasts to occupied Europe with the rhythm of these four beats. Three short, one long: in Morse code, that spells the letter V, for victory, and the sound became a signal of resistance whispered through clandestine radios. Decades later, in 1977, NASA recorded the first movement of this symphony onto the disc the Voyager probes carried into space. The probes are still traveling, farther than any human object has ever reached, carrying this opening like a calling card for Earth. But to understand why these notes traveled so far, it's worth hearing what comes after them. • What you hear in this excerpt is only the storm of the first movement. Beethoven holds the symphony in C minor, the key of shadow and weight, and keeps the listener trapped there for almost the entire work. The tension builds with no relief, like a threat that refuses to leave. Until, in the final movement, the music breaks into C major, the key of full light, and what was darkness erupts into triumph. It was one of the first times an entire symphony was conceived as a crossing, from despair to victory. When you go back to the video, you'll hear this dark passage already knowing where it's headed. • Muti's gesture is minimal, almost restrained, far from the image of a conductor thrashing on the podium. Much of what he asks for doesn't come from the baton, it comes from his voice: he sings the phrase to the musicians, drawing in the air the exact shape he wants to hear. In his early eighties, he insists that every section come through, with no line hiding behind another. He's a man who spent his life convinced that the score already says everything, and that his only job is to let it breathe. • 👉 Follow for the best of classical music daily on your feed. • • • #conductor #beethoven #orchestra #classicalmusic

🎶🔥 Beethoven – Symphony No. 5 in C minor, Op. 67 Orchestra Giovanile Luigi Cherubini 🎻 Riccardo Muti, conductor • During World War II, the BBC opened its broadcasts to occupied Europe with the rhythm of these four beats. Three short, one long: in Morse code, that spells the letter V, for victory, and the sound became a signal of resistance whispered through clandestine radios. Decades later, in 1977, NASA recorded the first movement of this symphony onto the disc the Voyager probes carried into space. The probes are still traveling, farther than any human object has ever reached, carrying this opening like a calling card for Earth. But to understand why these notes traveled so far, it's worth hearing what comes after them. • What you hear in this excerpt is only the storm of the first movement. Beethoven holds the symphony in C minor, the key of shadow and weight, and keeps the listener trapped there for almost the entire work. The tension builds with no relief, like a threat that refuses to leave. Until, in the final movement, the music breaks into C major, the key of full light, and what was darkness erupts into triumph. It was one of the first times an entire symphony was conceived as a crossing, from despair to victory. When you go back to the video, you'll hear this dark passage already knowing where it's headed. • Muti's gesture is minimal, almost restrained, far from the image of a conductor thrashing on the podium. Much of what he asks for doesn't come from the baton, it comes from his voice: he sings the phrase to the musicians, drawing in the air the exact shape he wants to hear. In his early eighties, he insists that every section come through, with no line hiding behind another. He's a man who spent his life convinced that the score already says everything, and that his only job is to let it breathe. • 👉 Follow for the best of classical music daily on your feed. • • • #conductor #beethoven #orchestra #classicalmusic

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