@athenaaensy:

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Thursday 08 January 2026 16:42:57 GMT
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bangfoto
bangkevinfoto26 :
gak kuat ter lalu cakep ter lalu manis ter cantik
2026-05-20 00:32:31
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zakileex
aki udah di ganti :
2026-01-16 03:23:27
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opitffghgeertg
paosjrmlrpgkgjwlw :
aw cantik nya
2026-01-08 16:51:55
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louyikaa
louyik :
😁😁😁
2026-01-08 16:53:33
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Follow @bestofopera for the voices that refuse to be forgotten. 🎵
Follow @bestofopera for the voices that refuse to be forgotten. 🎵 "O mio babbino caro" - Maria Callas "O mio babbino caro, mi piace, è bello" Oh my dear papa, I like him, he's handsome Backstage, before walking out, Maria Callas told an assistant she was afraid. It had been eight years and four months since she'd last stood on an opera stage — and she was six days from turning fifty. The world called her La Divina. The film about this night is called "The Return of Maria Callas": a return, not a farewell. But the fear was real, and no one backstage knew what would come out of her voice after so long in silence. What came out was this: she sang "O mio babbino caro" in the original key. Many singers, after years off stage, choose to lower an aria's key — safer for the breath, easier on the voice. She lowered nothing. In the encore that night, she looked at the audience and called them "my dear audience" — the same "dear" the character sings to her father, now returned to the people who had come to hear her. That performance was part of a tour that went on for almost another year. It was that tour — not this night — that was the last series of performances of her career. After it, Callas never performed in public again. She died in 1977. After eight years away, terrified, would you walk out and sing without lowering a single note? 🎼 Piece: O mio babbino caro (Gianni Schicchi) ✍️ Composer: Giacomo Puccini 🇮🇹 🎤 Performer: Maria Callas 🇬🇷 📼 Recording: live recital, London, 26 November 1973 — never released on record Follow for more voices that refuse to be forgotten. #BestOfOpera #MariaCallas #OMioBabbinoCaro #Puccini

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