@onlyquransaves: You will never be able to treat your wives with equal fairness, however much you may desire to do so. Reciter: Sheikh Okasha Kameny Suratu Nisā verse 128-130. #quran #quranrecitation #okashakameny

Living by the Qur'an

Open In TikTok:

Region: NG

Friday 30 January 2026 09:11:20 GMT

313721

49165

318

1438

Music

Download

No Watermark .mp4 (2.03MB) No Watermark(HD) .mp4 (2.03MB) Watermark .mp4 (3.86MB) Music .mp3

Comments

The Prince boy👑👑👑 :

Please he have qur’an app

2026-02-15 14:56:51

4

Tiger :

which qira

2026-04-27 13:01:14

0

Malik | MINNESOTA BARBER :

His tajweed is amazing allahuma barik

2026-02-26 06:50:15

6

Bolaji Abu :

Indeed, Truth is the word of Allah.

2026-01-31 14:58:56

52

fuzzyadebayor2 :

My idol ❤❤❤❤❤❤❤❤🙏

2026-01-30 12:07:21

8

Haji khalifa :

Masha Allah

2026-02-01 22:40:46

4

user7680315931821 :

Okasha Kameny Maashaalaa

2026-02-19 06:00:20

4

lahimakeup2025 :

True🥰

2026-02-01 21:56:32

1

thiat bourew 🔥🔥 :

machallah

2026-01-30 18:55:05

3

siby696 :

ماشاءالله تبارك الرحمن

2026-01-30 18:26:40

3

وَلَدٌ صَالِحٌ :

MashaAllah

2026-01-31 18:48:39

2

zinet seid :

masha allah

2026-02-01 05:30:12

1

Nybras Algerian :

ما شاء الله تبارك الله

2026-02-08 15:17:36

1

Alhaji Mey 💯❤️ :

Ma sha Allah 🙏🏻

2026-02-16 21:36:23

1

موس أبكر الزيودي 30--R🦁🥷🔐 :

اسم القارئ

2026-02-17 08:52:52

1

Dinaball :

Machallah

2026-03-04 01:07:27

1

Saeed Sonde :

Allahu Akbar

2026-01-31 00:36:09

2

Abou :

ﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺﷺ

2026-03-23 19:35:19

2

ansu Manneh :

برك الله فيك

2026-02-04 07:27:45

1

The Grand Plug :

Any recommendations on where to learn advanced Quran knowledge ( Rasmi, uloomul Quran, advanced tajweed and More)?

2026-01-31 10:39:35

3

I D R I S S M O N S U R U :

Subhanallah

2026-02-12 13:29:06

1

Westepping_forward :

MashALLAH

2026-01-31 08:06:11

2

asilat4lyf :

Allahu Akbar 🥰

2026-01-30 21:15:12

2

Fatima musa Marong :

Allahumma barik

2026-02-02 02:52:35

1

Muhammad awal :

Maa Shaa Allah

2026-01-31 22:46:50

1

To see more videos from user @onlyquransaves, please go to the Tikwm homepage.

Other Videos

funny guy supremacy 🙂‍↕️🤝

funny guy supremacy 🙂‍↕️🤝

🎵 New Saraiki full trading song #plzrepost🥺🖤 #plz1milionviewsplzzztiktok #plz1milionviews #slowreverb #plzforyoupage @mr ptlo ✌✌ @𝑫𝑹.𝒁𝑨ح𝑹𝑨🕊️ @afijan5058 @{Arain}👑🔥{queen}

🎵 New Saraiki full trading song #plzrepost🥺🖤 #plz1milionviewsplzzztiktok #plz1milionviews #slowreverb #plzforyoupage @mr ptlo ✌✌ @𝑫𝑹.𝒁𝑨ح𝑹𝑨🕊️ @afijan5058 @{Arain}👑🔥{queen}

Two Brazilian stars, one mission: bring Santos back to the top! 🐐💫 Neymar and Philippe Coutinho are reunited, and the excitement around the Peixe is REAL! ⚽🇧🇷 After Santos’ dramatic 2–1 comeback against Fluminense, with Coutinho scoring his first goal for the club, could this be the beginning of something special? 👀🔥 <escape>🏆</escape> 💭 Can Neymar and Coutinho lead Santos back to glory? 👇 Santos fans, ARE YOU BELIEVING AGAIN? #SantosFC #Neymar #Coutinho #BrazilianFootball #FootballTok

Two Brazilian stars, one mission: bring Santos back to the top! 🐐💫 Neymar and Philippe Coutinho are reunited, and the excitement around the Peixe is REAL! ⚽🇧🇷 After Santos’ dramatic 2–1 comeback against Fluminense, with Coutinho scoring his first goal for the club, could this be the beginning of something special? 👀🔥 🏆 💭 Can Neymar and Coutinho lead Santos back to glory? 👇 Santos fans, ARE YOU BELIEVING AGAIN? #SantosFC #Neymar #Coutinho #BrazilianFootball #FootballTok

This is the sound of a man grieving an entire world that had just disappeared. Edward Elgar wrote his Cello Concerto in 1919, in the quiet of the English countryside, just after the First World War had ended. The war had shattered everything he knew — the confident, elegant Edwardian world he’d celebrated in his earlier music was gone, along with a generation of young men. He poured that grief into this concerto, and it became his last great work. It doesn’t rage; it mourns. From the very first bars, the solo cello speaks alone, in heavy, descending chords, like someone trying to find the words for an unbearable loss — before sinking into a melody of pure autumnal sorrow. Strangely, almost no one noticed at first. The 1919 premiere was a near-disaster: the orchestra had barely rehearsed it, the performance was a shambles, and the concerto was dismissed and neglected for decades. Elgar’s wife died the following year, and he essentially stopped composing. It looked like his farewell had fallen on deaf ears. Then, in the 1960s, a young British cellist named Jacqueline du Pré took it up — and played it with such raw, blazing emotion that she made it one of the most beloved concertos in the world. Her recording is still the one many people measure all others against. Her own story turned tragic: multiple sclerosis forced her to stop playing while still in her twenties, and she died at just 42. Somehow, that loss folded into the music too, until the concerto became an elegy not just for a lost world, but for her. Some masterpieces have to wait for the right voice to be understood. This one waited — and then broke everyone’s heart. What music do you turn to when you’re grieving? 🎼 Edward Elgar — Cello Concerto in E minor, Op. 85, I. Adagio – Moderato (1919) Follow @greatestmusiccomposer for more 🎶 #elgar #celloconcerto #cello #classicalmusic #orchestra

This is the sound of a man grieving an entire world that had just disappeared. Edward Elgar wrote his Cello Concerto in 1919, in the quiet of the English countryside, just after the First World War had ended. The war had shattered everything he knew — the confident, elegant Edwardian world he’d celebrated in his earlier music was gone, along with a generation of young men. He poured that grief into this concerto, and it became his last great work. It doesn’t rage; it mourns. From the very first bars, the solo cello speaks alone, in heavy, descending chords, like someone trying to find the words for an unbearable loss — before sinking into a melody of pure autumnal sorrow. Strangely, almost no one noticed at first. The 1919 premiere was a near-disaster: the orchestra had barely rehearsed it, the performance was a shambles, and the concerto was dismissed and neglected for decades. Elgar’s wife died the following year, and he essentially stopped composing. It looked like his farewell had fallen on deaf ears. Then, in the 1960s, a young British cellist named Jacqueline du Pré took it up — and played it with such raw, blazing emotion that she made it one of the most beloved concertos in the world. Her recording is still the one many people measure all others against. Her own story turned tragic: multiple sclerosis forced her to stop playing while still in her twenties, and she died at just 42. Somehow, that loss folded into the music too, until the concerto became an elegy not just for a lost world, but for her. Some masterpieces have to wait for the right voice to be understood. This one waited — and then broke everyone’s heart. What music do you turn to when you’re grieving? 🎼 Edward Elgar — Cello Concerto in E minor, Op. 85, I. Adagio – Moderato (1919) Follow @greatestmusiccomposer for more 🎶 #elgar #celloconcerto #cello #classicalmusic #orchestra

🤍:) #foryou #foryoupage #fyppppppppppppppppppppppp #aflppppppppppppppppppppppppp

🤍:) #foryou #foryoupage #fyppppppppppppppppppppppp #aflppppppppppppppppppppppppp

About

Robot
API

Legal

Privacy Policy