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2001: A Space Odyssey 🪐 | Rating: 5/5 | REVIEW✍️:  It is often said that there is a fine line between genius and madness, and perhaps this film perfectly encapsulates this idea. Although Kubrick opts for a less conventional plotline, with some segments such as the ape-men arguably being drawn out, somehow in the grand scheme of the film this digression graduates from a perplexing display of barbarism to a charming and almost warming testament to human capabilities. 2001: A Space Odyssey is a majestic, awe-inspiring all-time great. The responses to this film were and are similar to contemporary views of modern art - where it is often beaten down on and judged harshly, deemed ridiculous or downright disrespectful to the hours of work put into historical masterpieces. But to this, consider the question, what is the purpose of art, and how do you define it? Does art not exist to create conversation, to allow us to feel something? To some, a banana taped to a wall is nothing more than a banana taped to a wall, but to dig deeper one may realise that however negative the views of this work are, a conversation has been created, boundaries have been pushed, and most importantly you have experienced something - however miniscule. 2001 is a reflection of this in that to some, it may be a jumbled mixture of cinematic shots, featuring around only 40 minutes of dialogue out of over 2.5 hours, it still undeniably leaves the viewer feeling something. Kubrick eclipses the all too common idea within Hollywood where profit margins and budgets dictate almost all aspects of a film, where (especially in sci-fi), loud explosions or extensive, over-the-top dialogue automatically warrant thunderous applause, and anything else that dares challenge the status quo is cast into the land of forgotten media. In place of an intense soundtrack with colossal space fleets speeding in every direction, we are presented with lonely shots of spacecraft, often paired with classical music. As opposed to our usual sci-fi antagonist being a quick-witted behemoth that shoots lasers and has a taste for destructive chases, we have an ominous black monolith that makes a rare appearance, or HAL, a supercomputer that somehow terrifies us with a simple rendition of 'daisy'. These very features are what to me, sets 2001 apart as the greatest work of science fiction cinema ever produced - the beauty in the juxtaposition of there being so little yet so much showcased at the same time. Undoubtably, any work that leaves one with more questions at the end of viewing than when started will generate opposing views, however it is the contents of these questions that leaves such a profound impact on me. 2001 captures the true essence of the cosmos for what it is, a cruel, unforgiving desolate wasteland that is so far beyond human comprehension that we may never truly answer all our questions. But in these questions, there is comfort, because as long as we are able to ponder, to seek answers, to feel something, we are alive. #fyp #gsa #movies #films #space
2001: A Space Odyssey 🪐 | Rating: 5/5 | REVIEW✍️: It is often said that there is a fine line between genius and madness, and perhaps this film perfectly encapsulates this idea. Although Kubrick opts for a less conventional plotline, with some segments such as the ape-men arguably being drawn out, somehow in the grand scheme of the film this digression graduates from a perplexing display of barbarism to a charming and almost warming testament to human capabilities. 2001: A Space Odyssey is a majestic, awe-inspiring all-time great. The responses to this film were and are similar to contemporary views of modern art - where it is often beaten down on and judged harshly, deemed ridiculous or downright disrespectful to the hours of work put into historical masterpieces. But to this, consider the question, what is the purpose of art, and how do you define it? Does art not exist to create conversation, to allow us to feel something? To some, a banana taped to a wall is nothing more than a banana taped to a wall, but to dig deeper one may realise that however negative the views of this work are, a conversation has been created, boundaries have been pushed, and most importantly you have experienced something - however miniscule. 2001 is a reflection of this in that to some, it may be a jumbled mixture of cinematic shots, featuring around only 40 minutes of dialogue out of over 2.5 hours, it still undeniably leaves the viewer feeling something. Kubrick eclipses the all too common idea within Hollywood where profit margins and budgets dictate almost all aspects of a film, where (especially in sci-fi), loud explosions or extensive, over-the-top dialogue automatically warrant thunderous applause, and anything else that dares challenge the status quo is cast into the land of forgotten media. In place of an intense soundtrack with colossal space fleets speeding in every direction, we are presented with lonely shots of spacecraft, often paired with classical music. As opposed to our usual sci-fi antagonist being a quick-witted behemoth that shoots lasers and has a taste for destructive chases, we have an ominous black monolith that makes a rare appearance, or HAL, a supercomputer that somehow terrifies us with a simple rendition of 'daisy'. These very features are what to me, sets 2001 apart as the greatest work of science fiction cinema ever produced - the beauty in the juxtaposition of there being so little yet so much showcased at the same time. Undoubtably, any work that leaves one with more questions at the end of viewing than when started will generate opposing views, however it is the contents of these questions that leaves such a profound impact on me. 2001 captures the true essence of the cosmos for what it is, a cruel, unforgiving desolate wasteland that is so far beyond human comprehension that we may never truly answer all our questions. But in these questions, there is comfort, because as long as we are able to ponder, to seek answers, to feel something, we are alive. #fyp #gsa #movies #films #space

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