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@carlos_g_815: \\ ANUEL LA AA ⚔️ // Edits - Está Cabron (Remix) #anuel_2blea #remix

1970♪𔘓★̶̲
1970♪𔘓★̶̲
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كم من إنسان بسيط قضى سنوات من عمره يبني رزقه بالحلال، ثم وجد نفسه في لحظة يفقد كل شيء أمام عينيه. أصعب شعور أن يقف الضعيف مكسورًا لا يملك إلا دموعه، بينما يملك غيره القوة والنفوذ. قد يظن البعض أن القوة تدوم، لكن العدل عند الله لا يضيع، وأنين المظلوم يسمعه رب السماء قبل أن يسمعه أهل الأرض. ﴿وَلَا تَحْسَبَنَّ اللَّهَ غَافِلًا عَمَّا يَعْمَلُ الظَّالِمُونَ﴾ 🤍 #قصص_مؤثرة #العبرة #العدل #دعوة_مظلوم #الصبر
كم من إنسان بسيط قضى سنوات من عمره يبني رزقه بالحلال، ثم وجد نفسه في لحظة يفقد كل شيء أمام عينيه. أصعب شعور أن يقف الضعيف مكسورًا لا يملك إلا دموعه، بينما يملك غيره القوة والنفوذ. قد يظن البعض أن القوة تدوم، لكن العدل عند الله لا يضيع، وأنين المظلوم يسمعه رب السماء قبل أن يسمعه أهل الأرض. ﴿وَلَا تَحْسَبَنَّ اللَّهَ غَافِلًا عَمَّا يَعْمَلُ الظَّالِمُونَ﴾ 🤍 #قصص_مؤثرة #العبرة #العدل #دعوة_مظلوم #الصبر
#vestido #modafeminina #look
#vestido #modafeminina #look
#مرتضى_حرب #نعي #fyp #باسم_الكربلائي #عيدالاضحى
#مرتضى_حرب #نعي #fyp #باسم_الكربلائي #عيدالاضحى
He is distinguished by his strong emotional expression and interaction with the text along with a careful selection of impactful poems that address the tragedy of Karbala and the values of sacrifice and patience. Furthermore he offers a variety of rhythmic lamentation styles that range between sorrowful and passionate tones. Regarding his works he has produced hundreds of audio and video releases and many of his latmiyas have become widely known and commonly recited in Hussaini processions. He became well known for his sorrowful and deeply moving style in performing elegies as well as his powerful voice that carries deep emotional expression especially during the nights of Ashura and the Arbaeen of Imam Hussein. Throughout his career he has held numerous gatherings inside Iraq and abroad in Gulf countries, Europe, and America and he maintains a wide audience from different age... Bassem Al-Karbalai is one of the most famous Hussaini reciters in Iraq and the Shia world and is considered one of the most prominent voices associated with Hussaini gatherings and the commemoration of Imam Hussein. His full name is Bassem Ismail Karbalai and he was born in the holy city of Karbala in 1966 where he began his journey in reciting Hussaini poems at an early age until his voice gained wide recognition during the 1990s. #باسم_الكربلائي #قصائد_حسينية #باسم_الكربلائي_رادود_ما_له_مثيل #اكسبلورexplore #fyyyyyyyyyyyyyyyy
He is distinguished by his strong emotional expression and interaction with the text along with a careful selection of impactful poems that address the tragedy of Karbala and the values of sacrifice and patience. Furthermore he offers a variety of rhythmic lamentation styles that range between sorrowful and passionate tones. Regarding his works he has produced hundreds of audio and video releases and many of his latmiyas have become widely known and commonly recited in Hussaini processions. He became well known for his sorrowful and deeply moving style in performing elegies as well as his powerful voice that carries deep emotional expression especially during the nights of Ashura and the Arbaeen of Imam Hussein. Throughout his career he has held numerous gatherings inside Iraq and abroad in Gulf countries, Europe, and America and he maintains a wide audience from different age... Bassem Al-Karbalai is one of the most famous Hussaini reciters in Iraq and the Shia world and is considered one of the most prominent voices associated with Hussaini gatherings and the commemoration of Imam Hussein. His full name is Bassem Ismail Karbalai and he was born in the holy city of Karbala in 1966 where he began his journey in reciting Hussaini poems at an early age until his voice gained wide recognition during the 1990s. #باسم_الكربلائي #قصائد_حسينية #باسم_الكربلائي_رادود_ما_له_مثيل #اكسبلورexplore #fyyyyyyyyyyyyyyyy


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#بلا_موعد_تلاكينه_انه_وساعي_دمعتي💔 #ياحسين_ياشهيد_كربلاء #ارد_متابعه🙇‍♀️ #ابدا؏_شهد #قصائد_حسينية ⣿⣿⣿⣿⣿⢿⠛⢛⠿⠉⠉⠉⡉⢙⣻⠻⠻⣿⣿⣿⣿⣿⣿ ⣿⣿⣿⠟⢁⡠⠀⠄⠀⠀⠀⠉⠙⠒⠃⠾⠹⣲⡘⠿⣿⣿⣿ ⣿⡿⠁⠀⠀⠀⠈⠛⠚⠉⠉⠛⠉⠙⠳⠖⣤⢌⡑⠂⠞⢿⣿ ⡟⠐⠂⠅⡠⠂⠁⠀⠀⢀⣴⣦⣶⣶⣶⣦⣌⠘⢮⡔⡈⠙⣿ ⠁⢀⠄⡈⠄⢀⠀⢠⣶⣿⣿⣿⣿⣿⣿⣿⣿⡆⠈⢣⠈⠜⣿ ⠄⠑⡨⠈⠀⢠⣴⠿⡿⣿⣿⣿⣿⣿⣿⡿⠟⠻⡄⠈⢸⡀⠚ ⡤⠪⠀⠀⢠⣿⣥⡴⠦⠤⠉⣙⣿⣿⠡⡔⠾⠟⣾⠀⠨⢀⠘ ⠃⠀⠀⠀⢸⣿⣤⡠⠧⢤⡻⢼⣿⣿⣼⣿⣤⣧⣿⠀⡄⢸⠀ ⠀⣀⠀⠀⠀⣿⣿⣿⣷⣿⣷⣿⣿⣿⣿⣿⣿⣿⣿⡄⢀⢸⠀ ⠠⡇⠀⠀⠀⢹⣿⡿⣿⣿⣏⡖⢿⣿⢓⣽⣿⣿⣿⠁⢨⢸⠀ ⠠⠇⠀⠀⠀⠀⠫⣿⣿⠟⠉⠀⠀⠄⠀⠉⠙⢿⡟⠀⠈⠸⠀ ⡐⡆⠀⠀⠀⠀⠀⠘⠁⠀⢀⡐⠒⠒⠢⠂⠀⠀⠂⠀⢀⠀⠀ ⣹⠆⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠀⢰ ⢺⠀⠀⠀⠈⢸⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠂⡘ ⡎⠀⠀⠀⠀⠄⣇⠠⢄⠀⠀⠀⠀⠀⠀⣀⡀⡄⠀⠀⠀⠀⡇ ⠄⠀⠀⠀⠀⡇⣷⡀⠩⡇⣠⣮⣶⣿⠿⣫⡾⠀⠀⠀⠀⠀⠁ ⠀⠀⠀⠀⠀⣷⠑⠳⠋⣾⡿⠟⣫⢵⡿⠟⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠐⠁⢀⣴⠀⣩⡖⡽⠝⢈⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⢠⣴⡏⣫⣾⠟⠉⢀⡴⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⣿⢟⠕⠋⢀⣠⣲⡟⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠠⣷⠋⣠⠞⣰⣿⡝⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⣾⠁⣼⡟⣼⡏⡟⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⢁⣾⣯⢃⣿⡟⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⣿⣿⢤⣾⡏⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⢸⣿⣲⣿⡟⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⡿⣜⣿⡿⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⢠⡟⣼⣿⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠸⣼⣿⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⣽⣿⠏⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⢸⡇⠀⠀⠀⠀⠀⢰⡆⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⣽⡇⠀⠀⠀⠀⠀⣼⡇⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⢿⡇⠀⠀⠀⠀⠀⣿⠇⠀⢀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⢀⣴⣶⡆⢹⡇⢠⣴⣶⣶⠀⣿⡇⠀⣸⣷⠀⠀⠀ ⠀⠀⢸⡇⠀⢸⡯⣿⣷⣾⣷⣾⣿⣶⣶⠀⣿⣶⣶⣿⣿⠀⠀⠀ ⠀⠀⠙⢿⣶⠿⠃⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣶⠀⡶⠀⠀⠀ ⠀⠀⠀⠾⠐⠷⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ....................................................

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