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Friday 03 April 2026 16:03:49 GMT
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iulianbra0
iulianbra0 :
cât costa
2026-04-03 17:19:50
0
pech_a
Petrea :
da abkatca?
2026-06-12 10:10:08
0
sigma.boy.bun.ani
Nichita moto¢,🏍️ :
stok?
2026-04-04 04:08:16
0
r616109dhebjksb
r616109dhebjksb :
Deam la așa bani ei Viper și încă și rezerva ramine de bani 🤣 și motor mai mare și alta complectatie
2026-04-05 14:58:28
3
ruuslan_.001
ℝ𝕦𝕤𝕝𝕒𝕟 🕸️ :
2026-04-03 22:26:42
2
77vladimir07
Vladimir_07 :
Câţi cai ?
2026-04-05 06:08:15
0
badianicu3
Nikușor_¹¹ :
zăbală
2026-04-03 17:25:21
3
.iustin8
777 :
🥰🥰🥰😁😁😁
2026-04-03 16:34:25
1
marius.bodorin1
Gherakl•brat :
😍😍😍
2026-04-03 16:31:50
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FORMERLY: Alexander McQueen Interview for V&A’s Fashion in Motion (1999) Alexander McQueen’s Spring/Summer 1999 Collection, titled No. 13, made a striking impression during the V&A’s Fashion in Motion event in June 1999. The runway, designed by Joseph Bennett, featured an unvarnished wooden stage. McQueen’s inspiration for this collection stemmed from the late Victorian Arts and Crafts Movement, emphasizing handcrafted elements. The designs incorporated wood, leather, lace, and raffia. Notably, models wore balsa-wood skirts that mimicked fan spines and winged bodices made of the same wood, connecting organic materials with celestial themes.  The juxtaposition of natural and traditional aesthetics was underscored by a soundtrack from American hip-hop artists, the Beastie Boys. Aimee Mullins, a Paralympic athlete, graced the runway wearing hand-carved elm prosthetic legs, reminiscent of Baroque carver Grinling Gibbons. McQueen experimented with bodily forms, using hard leather bodices to create restrictive carapaces. Mesh crinolines and tiered lace skirts softened the aesthetic, evoking romance and beauty. The collection’s standout piece, a lace dress with a molded brown leather collar, earned the prestigious title of ‘Dress of the Year’ for the second time. The finale was a spectacle: former ballerina Shalom Harlow stood between two industrial robots, engaging in a dance before the robots transformed into predators, spraying black and acid-yellow paint at her pristine white trapeze dress. Discover more at FORM.SPACE - - - - - - - #form #archive #archivefashion #artgallery #anndemuelemeester #helmutlang #maisonmartinmargiela #undercover #yohjiyamamoto #commedesgarcons #junyawatanabe #rickowens #rickowensarchive #rafsimons
FORMERLY: Alexander McQueen Interview for V&A’s Fashion in Motion (1999) Alexander McQueen’s Spring/Summer 1999 Collection, titled No. 13, made a striking impression during the V&A’s Fashion in Motion event in June 1999. The runway, designed by Joseph Bennett, featured an unvarnished wooden stage. McQueen’s inspiration for this collection stemmed from the late Victorian Arts and Crafts Movement, emphasizing handcrafted elements. The designs incorporated wood, leather, lace, and raffia. Notably, models wore balsa-wood skirts that mimicked fan spines and winged bodices made of the same wood, connecting organic materials with celestial themes. The juxtaposition of natural and traditional aesthetics was underscored by a soundtrack from American hip-hop artists, the Beastie Boys. Aimee Mullins, a Paralympic athlete, graced the runway wearing hand-carved elm prosthetic legs, reminiscent of Baroque carver Grinling Gibbons. McQueen experimented with bodily forms, using hard leather bodices to create restrictive carapaces. Mesh crinolines and tiered lace skirts softened the aesthetic, evoking romance and beauty. The collection’s standout piece, a lace dress with a molded brown leather collar, earned the prestigious title of ‘Dress of the Year’ for the second time. The finale was a spectacle: former ballerina Shalom Harlow stood between two industrial robots, engaging in a dance before the robots transformed into predators, spraying black and acid-yellow paint at her pristine white trapeze dress. Discover more at FORM.SPACE - - - - - - - #form #archive #archivefashion #artgallery #anndemuelemeester #helmutlang #maisonmartinmargiela #undercover #yohjiyamamoto #commedesgarcons #junyawatanabe #rickowens #rickowensarchive #rafsimons

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