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@elzykal: #leejunyoung & #chawoomin | duo my anu jir 😛 #bravecitizen #kmovie #fyp sc drxmascenes twix @jujihoon_.nsm @𝙋𝙖𝙣𝙙𝙯 𝖋𝖙 𝕮𝖐
zyáa
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Region: ID
Tuesday 14 April 2026 10:47:32 GMT
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𝗗𝗶𝘄𝗮𝗮 𝖋𝖙 𝕮𝖐 :
yang pertama pacar tiri, yang kedua pacar kandung
2026-04-15 05:06:47
1090
seribu :
2026-04-17 12:39:52
78
niki bocil murka :
2026-05-16 10:03:57
5
:
makin brengsek, makin tamvan
2026-05-03 12:16:32
42
chαα, :p :
CANDUU
2026-04-16 11:54:40
16
Kyleun :
enak bgtt coo
2026-05-23 06:08:52
2
dindaa :
yang satu pacar aku yang satunya lagi suami aku
2026-06-13 06:07:34
2
Kiyowo :
Film ini nyeritain apa sih kak bantu jawab
2026-04-21 17:05:51
9
apriliaa :
candu bgt
2026-04-30 12:11:25
4
nnane :
2 ini disatuin kecenya g maen²😋
2026-04-17 06:54:13
9
Faqi Lumayanlah :
kok bisa sekece ini
2026-04-15 09:38:56
8
zhezha :
woomin disini nakal bgt😭
2026-04-23 16:25:05
17
sayang :
m-maaf sayang kepencet 😭🤣
2026-04-20 09:24:59
13
benn. :
KEREN TERUS KAK😛😆
2026-04-15 06:04:41
2
W A N D A :
murahan bngt hati mungielku ini oleng sana oleng sini
2026-04-22 13:24:13
5
idk :
nakal bngt.
2026-04-18 01:51:45
2
𝗗𝗶𝘄𝗮𝗮 𝖋𝖙 𝕮𝖐 :
GANTENG BANGET JIER
2026-04-15 05:06:58
1
ceyzy :
cara ngedit kek gini gmn si?
2026-04-19 22:53:56
3
ourdeass :
wujud asli my mine
2026-04-15 13:42:21
2
Raylic :
hade nyaa
2026-04-14 12:05:16
1
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🎶💀 Camille Saint-Saëns – Danse Macabre, Op. 40 Eva Zavaro – solo violin 🎻 Orchestre de Paris – Julien Masmondet 🪄 • Before becoming an orchestral piece, this was a song. Saint-Saëns first wrote it for voice and piano, on a poem by his friend Henri Cazalis (a doctor by profession, a symbolist poet in his spare time). Only two years later did he decide to expand it all: he took the melody that had been sung and handed it to a solo violin. The orchestra came in underneath, with new weights and timbres. Saint-Saëns called the result a "symphonic poem," the form recently invented by Liszt that he was among the first French composers to embrace. And in that expansion, he hid an irony worth listening for. • The piece passes through the famous "Dies Irae," the Gregorian chant of the funeral liturgy. For centuries, it was the melody that accompanied every Catholic funeral in the West. Saint-Saëns placed it in the middle of Danse Macabre, distorted, now keeping company with the dancing dead. He took the sacred chant of farewell and turned it into festival music. Next time you listen to the whole piece, pay attention around the middle: the melody appears in the winds, sustained, before dissolving back into the rhythm of the dance. • Who you hear is Eva Zavaro, a Parisian with a Polish mother, trained under Julia Fischer in Munich. This was her debut at the Philharmonie de Paris, on March 3, 2021. The concert marked the centenary of Saint-Saëns's death. But the Grande Salle Pierre Boulez was empty: the pandemic had locked the audience inside their homes, and the online broadcast was the only way to listen. As the world was learning to fear death again, Zavaro stood alone on the most important stage in Paris, with the most macabre piece of the classical repertoire on her strings. The piece about Death returned to the stage the year the world started fearing it again. • 👉 Follow for the best of classical music daily on your feed. • • • #violin #violinist #classicalmusic
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