@assembil: Pattern Basics: More than one way to draft a block? This is Part 2 of a short video series about pattern blocks. When you first start using blocks in patternmaking classes, it can feel as though you are thrown into the deep end. “This is the bodice block”, they may say, as though this is the one and only way to translate body measurements into a bodice block. Maybe this is explained at the time, and goes over your head as you try to grapple with the angle from CF to the shoulder, but it can be easy to think you follow one method, and that is your only option. As though this is the singular flawless mathematical solution. The truth is, there are different block methods, and they vary in the way that they translate body measurements into a block. For example, if you made a bodice block from Helen Joseph-Armstrong’s “Patternmaking for Fashion Design”, a bodice block from Winifred Aldrich’s book “Metric Pattern Cutting for Women’s Wear”, or followed the draft from “Fundamentals of Garment Design” from Bunka Fashion College, then they will all result in slightly different shapes even when drafted from the same body measurements. This difference between blocks is about more than just different dart positions. The formulas, angles and amounts of ease differ from method to method and is something I could explore in a later video. If you are new to using blocks, a previous video, “What confuses you about blocks?” will introduce you to some block basics. In follow-up videos, I will discuss more things to know about working with blocks, as they form a solid foundation if you are working predominantly in a flat patternmaking method. PLEASE NOTE: “How Patterns Work” does not cover block drafting. That is why this video series allows me to introduce you to books that do include block drafting methods. Books from the video: - “How Patterns Work” by Assembil - “Fundamentals of Garment Design” by Bunka Fashion College - “Metic Pattern Cutting for Women’s Wear” by Winifred Aldrich - “Patternmaking for Fashion Design” by Helen Joseph-Armstrong #patternmaking #patterncutting #fashiondesign #assembil #howpatternswork
assembil
Region: GB
Saturday 18 April 2026 11:52:02 GMT
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Studio Aris :
Personally, I try to learn multiple methods and create my own method. I remember my pattern drafting prof back in 2005 tell us, “you will have to eventually do your own thing as you improve. What I am teaching you right now is just a starting point.” – non-verbatim
2026-04-19 05:58:54
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M tries :
I find the french method quite interesting, although, now i make my patterns my way.
2026-04-26 21:49:48
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tearikiteariki97 :
Après avoir exploré plusieurs méthodes de coupe à plat — Lutetia, Esmod, Bunka, Lavedeze via l’Académie Internationale de Paris — je suis revenu à la méthode Lutetia, dont la façon et précision de prendre des mensurations limite les retouches après couture. La méthode Bunka reste remarquable pour intégrer naturellement l’aisance dans le patronage, avec l’expérience, j’ai développé une véritable boîte à outils pratique pour travailler seul : elle permet notamment de déterminer des mesures techniques comme le tour de biceps ou de cheville lors du tracé d’un patron de base classique.
2026-05-16 17:16:08
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chi.chi :
What book do you recommend as a beginner with no knowledge? I just started fashion school and it feels so overwhelming
2026-05-06 00:18:40
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NwakaEgo :
how can I get this book
2026-04-19 06:23:32
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Linnea :
So informative, thank you! 🫶✨️
2026-04-18 12:16:58
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Love_Light :
Great content for us beginners, thank you!
2026-04-19 17:54:36
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سونا للحرف اليدويه 🧶🪡🧵 :
وش اسم الكتاب ومن اين
2026-05-22 15:01:21
0
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