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Deelham home essentials
Deelham home essentials
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rukayyaarmiyauruk
khalifa :
slm pls akwai??
2026-04-26 11:00:15
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user9025017045985
Mataye Kamshi Empire 🍂🏩 :
inaso
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nawa
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inason daya nawa
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grace Johnson :
the price dear
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inason 1
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Akwai shi inaso pls
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inaso don allah yaza ayi ensamu
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dan Allah nawa
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nawane Ina so
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Location
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nima na saya wlh yana da kyau sosai ga shi da aminci ga class eh manaa
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Girlies Essentials :
Assalam pls akwai wanan turmi ne pls
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Laces Palace ‘N’ more :
Enaso please where are you??
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yayi keu
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inaso nawane
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Saadia Hassan :
ما شاء الله
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a kano nake biyu nake so
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za,ayi akawoin
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inaso am in lagos
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28 Demos is an archival compilation by songwriter and sunshine/baroque pop artist Margo Guryan, released by The Numero Group in April 2025. It serves as an updated, remastered double-LP entry in the lineage of earlier demo collections (which began with 2001’s 25 Demos and later iterations like 27 Demos and 29 Demos). ​Overview & Musical Style ​The collection compiles 28 home, publishing, and studio demos recorded primarily during the late 1960s and early 1970s. Created both as personal sketches and as pitch reels to shop her songs to other recording artists and producers, the tracks strip away the lush chamber-pop orchestrations found on her 1968 studio album Take a Picture. ​In their place, the demos emphasize: ​Intimate Arrangements: Centered around Guryan’s understated, breathy vocal delivery accompanied by piano, electric piano, acoustic guitar, organ, or minimal percussion. ​Harmonic Sophistication: Her classical training and background at the Lenox School of Jazz shine through in her use of inventive chord voicings, subtle chromatic shifts, and complex pop melodies. ​Stylistic Range: Beyond her signature breezy, bittersweet baroque and sunshine pop, the tracks stretch into bossa nova, folk, psych-pop, and playful early-70s groove (such as
28 Demos is an archival compilation by songwriter and sunshine/baroque pop artist Margo Guryan, released by The Numero Group in April 2025. It serves as an updated, remastered double-LP entry in the lineage of earlier demo collections (which began with 2001’s 25 Demos and later iterations like 27 Demos and 29 Demos). ​Overview & Musical Style ​The collection compiles 28 home, publishing, and studio demos recorded primarily during the late 1960s and early 1970s. Created both as personal sketches and as pitch reels to shop her songs to other recording artists and producers, the tracks strip away the lush chamber-pop orchestrations found on her 1968 studio album Take a Picture. ​In their place, the demos emphasize: ​Intimate Arrangements: Centered around Guryan’s understated, breathy vocal delivery accompanied by piano, electric piano, acoustic guitar, organ, or minimal percussion. ​Harmonic Sophistication: Her classical training and background at the Lenox School of Jazz shine through in her use of inventive chord voicings, subtle chromatic shifts, and complex pop melodies. ​Stylistic Range: Beyond her signature breezy, bittersweet baroque and sunshine pop, the tracks stretch into bossa nova, folk, psych-pop, and playful early-70s groove (such as "California Shake"). ​Key Tracks ​Sketches of Take a Picture Classics: Early, stripped-down iterations of signature tunes including "Sunday Morning," "Think of Rain," "Something's Wrong with the Morning," "Can You Tell," and "What Can I Give You" (an early version of "Someone I Know"). ​Songs for Other Artists: Demos of tracks pitched to or recorded by others, most notably the holiday favorite "I Don't Intend to Spend Christmas Without You" (famously recorded by Claudine Longet and later covered by Saint Etienne). ​Rarities & Fan Favorites: Standalone compositions such as "Why Do I Cry," "Values," "Timothy Gone," "The Hum," and "Under My Umbrella." ​The album functions both as a behind-the-scenes look at the making of Take a Picture and as a standalone testament to Guryan’s craft as one of the era’s most gifted pop composers. #MargoGuryan #28Demos #NumeroGroup #1967 #60sfashion

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