OIART
Region: CA
Wednesday 29 April 2026 13:19:19 GMT
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Donbital :
Ur using the word “patented” wrong.
2026-04-29 17:54:31
8
Rocco Guarino :
I’ve never found this to be necessary. The close mic on the snare is way louder than the snare in the overheads, so having them different distances from the snare isn’t audible. The snare is also centered in the room mics. Test it for yourself once the kit is all mic’d up. Move one of the overheads and see if the snare moves within the serial field. It won’t. I find it more useful to space the pair over the cymbals.
2026-04-30 07:06:42
3
Dillboy Mixes :
Here’s my favorite technique: use an R88.
2026-04-30 01:35:02
2
Mark The Flowmie :
Ive come to learn that its equally important to make sure the kick is equal distance anonlg with the snare
2026-04-29 21:29:56
0
Dave Hagen :
What about the kick?! Check out my recent video about this.
2026-04-29 20:27:15
1
Zakimations :
But what about the rest of the kit? honest question...
2026-04-30 20:37:28
0
Dave Gannon :
I find that if I’m using my snare to side chain a compressor on my OH stereo track- the phase relationship becomes less important.
2026-04-29 19:31:11
0
dforman_ :
Also make sure the distance is equal between microphones. Equilateral triangle.
2026-04-29 14:39:28
0
MICHAEL VILLALPANDO :
Do you prefer pointing the mic down or straight?
2026-04-29 18:24:47
0
boneyfiend :
This guy has a patent on using a microphone cord to measure distance? I doubt that.
2026-04-30 14:59:47
0
Baked potato :
😂wait till.this guy heres about oxford drum gate
2026-04-30 10:15:16
0
Douglas Ferguson :
Saying things like “good phase” to a group of young learns is doing them a disservice
2026-04-30 18:55:05
1
🆉-299 :
LOOK AT MY REPOST
2026-05-04 23:56:22
0
amiiblues :
🔥🔥🔥
2026-04-29 13:27:37
2
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