@der_grund: #merz #cdu

Der-Grund
Der-Grund
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Wednesday 29 April 2026 19:20:22 GMT
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little_ichigo.x
Melly너 :
Mir fehlen die Tränen.
2026-04-30 07:35:23
44783
_sam_gb_
Sam :
oh Gott ist das unangenehm...
2026-04-30 05:09:35
10850
luxevoyager__
Ramo :
Trete als Kanzler zurück und alle werden dich lieben
2026-04-30 11:40:20
3312
saraxprg
sara :
„es gibt sehr wohl menschen die mich mögen“ und schon wieder lügt der mensch
2026-04-30 07:33:18
8168
ich_bin_kluk
Nykl_ :
Merz gerade
2026-04-30 05:59:01
2667
mike.e39m52
mike_e39 :
Also ich mag ihn nicht und gewählt habe ich ihn auch nicht 🤷🏼‍♂️
2026-04-30 07:01:28
833
freqva_
freqva_ :
Es gibt Menschen die mich mögen
2026-04-30 07:39:18
2921
runzelina
runzelina :
Da geht er wieder die wichtigen Themen an
2026-04-30 08:55:00
795
hallerchen
Mimi :
„Es gibt viele Menschen die mich mögen“ und dann das Piepsen 😅 selbst das Mikrofon distanziert sich von dieser Aussage 🙈
2026-04-30 08:48:23
597
shiranaginger
𝓢𝓱𝓲𝓻𝓪𝓷𝓪 ཐི ₍^. ̞.^₎ ཋྀ :
"Es gibt viele Menschen die mich sehr wohl mögen"
2026-04-30 10:02:00
911
lalelu432103
lalelu432103 :
Das stört ihn. Aber die Preise die das Volk zahlt nicht
2026-04-30 07:30:38
136
niklas_lc4
niklas_lc4 :
Ich mag ihn nicht
2026-04-30 04:28:01
115
paulchen010397
Paulchen :
„Niemand mag mich. Lalalala“
2026-05-02 20:00:52
73
bellasilba6
🦾 :
Wahrheit tut weh 🙈
2026-04-30 08:50:47
71
caesilia0211
Cäsilia :
Ich höre nur mimimi
2026-04-30 16:00:15
69
djbifimarkus
🥦 Brokkoli Markus 🥦 :
Ich mag ihn definitiv auch nicht
2026-04-30 16:14:51
61
lucas_____20
lucas_____20 :
ich weiß gar nicht wie traurig ich gucken soll
2026-04-30 07:07:40
59
f.n4738
F N :
Verständlich!
2026-06-05 14:24:38
9
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Other Videos

Party (1984) is one of the greatest masterpieces of India's Parallel Cinema movement, a film that remains as bold, relevant, and intellectually provocative today as it was four decades ago. Directed and photographed by Govind Nihalani, based on Mahesh Elkunchwar's acclaimed play, the film features an extraordinary ensemble including Manohar Singh, Vijaya Mehta, Om Puri, Naseeruddin Shah, Rohini Hattangadi, Amrish Puri, Deepa Sahi, Soni Razdan, and K.K. Raina. Set almost entirely during an elite gathering of artists and intellectuals, Party strips away pretence to expose hypocrisy, privilege, artistic responsibility, and moral compromise through razor-sharp writing and unforgettable performances. Govind Nihalani's restrained direction, Renu Saluja's impeccable editing, and the ensemble's naturalistic acting transform every conversation into gripping cinematic drama, making Party one of the finest examples of thought-provoking Indian cinema. What makes Party timeless is its fearless examination of the gap between intellectual ideals and real-world action. Every character represents a different worldview, and every dialogue challenges the audience to question the purpose of art, social responsibility, and the privilege of remaining silent in the face of injustice. The film builds its tension almost entirely through conversations, proving that exceptional writing and performances can be more captivating than spectacle. Govind Nihalani's uncompromising vision, Mahesh Elkunchwar's profound storytelling, and the remarkable ensemble cast elevate Party into far more than a chamber drama-it is an enduring philosophical and political masterpiece that every lover of Parallel Cinema, classic Hindi films, and serious storytelling should experience at least once.
Party (1984) is one of the greatest masterpieces of India's Parallel Cinema movement, a film that remains as bold, relevant, and intellectually provocative today as it was four decades ago. Directed and photographed by Govind Nihalani, based on Mahesh Elkunchwar's acclaimed play, the film features an extraordinary ensemble including Manohar Singh, Vijaya Mehta, Om Puri, Naseeruddin Shah, Rohini Hattangadi, Amrish Puri, Deepa Sahi, Soni Razdan, and K.K. Raina. Set almost entirely during an elite gathering of artists and intellectuals, Party strips away pretence to expose hypocrisy, privilege, artistic responsibility, and moral compromise through razor-sharp writing and unforgettable performances. Govind Nihalani's restrained direction, Renu Saluja's impeccable editing, and the ensemble's naturalistic acting transform every conversation into gripping cinematic drama, making Party one of the finest examples of thought-provoking Indian cinema. What makes Party timeless is its fearless examination of the gap between intellectual ideals and real-world action. Every character represents a different worldview, and every dialogue challenges the audience to question the purpose of art, social responsibility, and the privilege of remaining silent in the face of injustice. The film builds its tension almost entirely through conversations, proving that exceptional writing and performances can be more captivating than spectacle. Govind Nihalani's uncompromising vision, Mahesh Elkunchwar's profound storytelling, and the remarkable ensemble cast elevate Party into far more than a chamber drama-it is an enduring philosophical and political masterpiece that every lover of Parallel Cinema, classic Hindi films, and serious storytelling should experience at least once.

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