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@alfonsosanchezgarcia.tlx: Les comparto todos los trabajos y acciones que llevamos a cabo con más territorio y menos escritorio en San Sebastián Atlahapa.

Alfonso Sánchez García
Alfonso Sánchez García
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Region: MX
Tuesday 12 May 2026 19:07:22 GMT
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Comments

alitoeljosueprimorena
alitoeljosueprimorena :
Que gran obra jajajja
2026-05-12 22:41:28
0
vladimirmontpelli
Vladimir MontpellierPrado :
un líder incansable, honesto, justo.
2026-05-15 01:13:57
0
dalejandroportilla9530
Alejandro Portilla :
no dejas el hueso
2026-05-12 21:41:11
0
cesarfloresflores84
cesarfloresflores84 :
Alfonso Sánchez García resuelve#TDX
2026-05-14 03:26:41
0
ismael.bauelos2
Ismael Bañuelos :
👏🏽👏🏽👏🏽
2026-05-13 23:45:09
0
adrianaacostaavil
Adri 🌻 :
@Alfonso Sánchez García excelente trabajo Presidente!!!
2026-05-12 19:19:35
0
sandrabollas
✨️Sandra Bollas✨️ :
Les quedó bien chulli🤩@Alfonso Sánchez García #JB #G41
2026-05-15 01:37:36
1
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A Dear Visitor / Ein lieber Besuch (1894) By Max Kurzweil 📍 Belvedere, Vienna Some paintings look simple until you realize they are asking a harder question. A Dear Visitor looks impossible before it looks sad. A huge horse is standing inside a small sickroom, beside a weak man lying in bed. A horse should be in a stable, a field, a road, or a battlefield. Not here. That is why the painting hurts. Then we notice the man’s hand. He is too weak to go to the horse, so the horse has been brought to him. Another soldier holds him upright as he reaches toward the animal’s face. This is not just a visit. It feels like a goodbye. The horse lowers its enormous head gently toward the bed. It does not resist the room. It simply stands there, as if loyalty has been allowed to enter where rules normally would not. The painting is not about a horse being out of place. It is about love making room for one final farewell. 👉 Follow @bymuseum for vivid stories and hidden meanings in classical art.
A Dear Visitor / Ein lieber Besuch (1894) By Max Kurzweil 📍 Belvedere, Vienna Some paintings look simple until you realize they are asking a harder question. A Dear Visitor looks impossible before it looks sad. A huge horse is standing inside a small sickroom, beside a weak man lying in bed. A horse should be in a stable, a field, a road, or a battlefield. Not here. That is why the painting hurts. Then we notice the man’s hand. He is too weak to go to the horse, so the horse has been brought to him. Another soldier holds him upright as he reaches toward the animal’s face. This is not just a visit. It feels like a goodbye. The horse lowers its enormous head gently toward the bed. It does not resist the room. It simply stands there, as if loyalty has been allowed to enter where rules normally would not. The painting is not about a horse being out of place. It is about love making room for one final farewell. 👉 Follow @bymuseum for vivid stories and hidden meanings in classical art.


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