@flexh99: Dokunu saxlayan yoxdu😍⚡ #doku #tiktok #edit #kesfettt #fyp

『ⒻⓛⓔⓧⒽⓢⓨⓝ』
『ⒻⓛⓔⓧⒽⓢⓨⓝ』
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Monday 18 May 2026 09:12:02 GMT
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7...nasirov
77-AF-837 :
Qaqa əvvələr noco Williams deyə bir oyunçu var idi hər yerə səs salmışdı indi onun səsin eşidən var?
2026-05-19 14:23:57
4
bagisov0
𝐁𝐀𝐆𝐈̇𝐒𝐎𝐕 :
No Problem☝️
2026-05-24 08:27:17
6
hxeue7xn
💂🇦🇿 :
doku
2026-05-20 05:48:02
1
abdullayev282_
𝖄𝖚𝖘𝖎𝖋 :
halal elə 💙
2026-05-20 20:11:41
1
omer.osmanov5
Ömər :
valverde saxladı
2026-05-21 09:03:35
1
user.....n0
user0000000 :
Arsenal çempion 😍
2026-05-20 15:44:26
1
_1victoria1
🇦🇿 :
2026-05-18 16:15:47
4
mmmzade_250
999 :
son videoma destek ede bilersiz zehmet olmasa
2026-05-21 07:13:33
2
aze..kayzen2
MTB🦅 :
paylaşsam olad
2026-05-19 08:31:19
0
bonexxs_17
𝟏𝟗𝟓𝟏𝐒𝐀𝐖𝐎 :
Timo ff 😂
2026-05-18 09:39:49
2
e1lv1n_m1rz2e5ye7v
𝟭𝟰 :
menim vidyoma bax eynisidi kopya😂🖤
2026-05-18 10:54:40
1
q_r_b.1951
𝑬𝑳𝑪𝑨𝑵.𝟏𝟗𝟓𝟏 :
Edit qrupu falan varsa ala bilersiz
2026-05-26 10:21:16
0
a.e.p91
R2 :
halal ele qaqam
2026-06-09 13:15:18
0
hemidovffff
. :
st neved
2026-06-15 19:47:34
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After relocating from Jamaica to England in 1959 at just 9 years old, Jimmy Lindsay built his early career through Britain’s late 1960s soul scene before joining the group Cymande, whose self-described “Nyah-Rock” fusion blended reggae rhythms with funk, jazz and African influences. By the late 1970s Lindsay had established himself as a solo reggae artist, breaking through under the direction of Lloyd Coxsone with his reggae adaptation of “Easy” by The Commodores, originally released in 1977, helping pave the way for a wave of crossover reggae covers in Britain. That success would later lead into recordings like his self-produced version of “Ain’t No Sunshine”. The footage from the 1978 documentary Reggae in a Babylon shows Lindsay in studio performing “Ain’t No Sunshine” before shifting into an interview reflecting on the differences between Jamaican and British reggae. Comparing the two scenes, Lindsay argues that “the music in Jamaica reflects the mood of the country,” pointing to the direct relationship between Jamaica’s social climate, lifestyle and the sound that emerged from it. His comments capture a wider discussion taking place during the late 1970s, as reggae expanded internationally while artists abroad tried to preserve the atmosphere and experiences that shaped the music in Jamaica. The documentary itself remains one of the clearest visual records of reggae’s growth in Britain during the period just before roots reggae culture evolved into the dominant sound system and dancehall era of the 1980s. Lindsay’s appearance reflects that transition directly: a Jamaican-born artist raised in England balancing British soul influences with the foundations of Jamaican reggae while helping carry the music into a wider international context. #reggae #reggaehistory #jimmylindsay #ukreggae #musicdocumentary
After relocating from Jamaica to England in 1959 at just 9 years old, Jimmy Lindsay built his early career through Britain’s late 1960s soul scene before joining the group Cymande, whose self-described “Nyah-Rock” fusion blended reggae rhythms with funk, jazz and African influences. By the late 1970s Lindsay had established himself as a solo reggae artist, breaking through under the direction of Lloyd Coxsone with his reggae adaptation of “Easy” by The Commodores, originally released in 1977, helping pave the way for a wave of crossover reggae covers in Britain. That success would later lead into recordings like his self-produced version of “Ain’t No Sunshine”. The footage from the 1978 documentary Reggae in a Babylon shows Lindsay in studio performing “Ain’t No Sunshine” before shifting into an interview reflecting on the differences between Jamaican and British reggae. Comparing the two scenes, Lindsay argues that “the music in Jamaica reflects the mood of the country,” pointing to the direct relationship between Jamaica’s social climate, lifestyle and the sound that emerged from it. His comments capture a wider discussion taking place during the late 1970s, as reggae expanded internationally while artists abroad tried to preserve the atmosphere and experiences that shaped the music in Jamaica. The documentary itself remains one of the clearest visual records of reggae’s growth in Britain during the period just before roots reggae culture evolved into the dominant sound system and dancehall era of the 1980s. Lindsay’s appearance reflects that transition directly: a Jamaican-born artist raised in England balancing British soul influences with the foundations of Jamaican reggae while helping carry the music into a wider international context. #reggae #reggaehistory #jimmylindsay #ukreggae #musicdocumentary

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