“start with any regular melody” proceeds to show the most heavenly melody i’ve heard
2026-05-23 21:11:01
2451
dev.922 :
This is fire but a “simpler” way to do this is use fruity convolver and use the “blur pink” preset it does basically this
2026-05-24 02:11:47
665
Tomi Taky :
so its just reverb
2026-05-24 15:16:13
164
Martin The Otter :
I just put reverb on it and turn dry down
2026-05-25 16:08:26
40
idrot :
if u guys want some sauce for ambient shit i typically take some strings and put a filter and maybe some maim on it for transients and granular effects. messing with the automation on the filter also helps too.
2026-06-10 05:07:18
16
RoByRr🎟️ :
thanks mommy
2026-06-28 07:39:19
9
Jack :
Or use fruity convolver on the blue white or blue pink preset
2026-05-24 17:30:19
16
💽 :
“regular melody” and im over here crying
2026-06-19 18:44:37
24
alfie :
just use reverb turn dry down wet up
2026-05-24 12:16:10
16
Isq.z :
what vst is this piano?
2026-05-24 10:42:21
14
celacx :
it's clipping
2026-05-25 17:01:03
5
eidric :
This is just dryless reverb. Reverb itself is a sort of spectral blurring if you look at it on a graph, it sort of mushes the sound so if you remove the dry entirely and configure it properly its basically js blur in and of itself
2026-07-16 15:19:17
5
el 3 horas :
Another way I use is to apply Fruity Convolver, then Blur, and I usually select the pink one
2026-05-24 07:01:14
8
prodjudah :
I use this all the time. This option makes such good pads.
2026-05-23 21:32:57
14
liliea✰ :
u can just record the melody straight into edison
2026-05-25 22:51:44
0
badger 🇿🇦🇬🇧🇳🇱 :
its time for the follow button to be hit...thank u
2026-05-24 11:08:52
8
meiyo :
how do you get gradient notes, or did you just edit the video like that
2026-05-23 22:04:24
12
snxppu :
Melody preset?
2026-05-23 21:38:22
5
lucasmesaros :
What’s the vst?
2026-06-27 02:56:20
0
ash :
isn't this just room reverb?
2026-06-29 21:15:16
4
EthnoCultural Architect :
or use an effect and keep it midi
2026-06-26 02:27:50
3
[SOLA] :
Reverb
2026-07-05 20:22:53
3
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