@berlin_art_link: This week, KW presents a chapter of the 2026 Kyiv Biennial titled ‘A Bird That Cannot Land,’ linking post-Soviet Eastern Europe with Central and Southwest Asia, and the Mediterranean, questioning how we make meaning during times of war. Also this week, ‘Wo ich wohne’ at Haus am Waldsee reflects on the history of the art institution’s building, which built in 1922 for the Jewish textile manufacturer Herrmann Knobloch and where Haus am Waldsee was founded mere weeks after the end of the Second World War. It deals with the building in which both victims and perpetrators of National Socialism lived. See the full list at the link in bio. Credits: Lesia Vasylchenko: ‘Night Without Shadows and Light Without Rippling of Waves’, 2025 // Courtesy the artist © the artist. Saodat Ismailova: ‘As We Fade’, 2024. Installation view Saodat Ismailova – A Seed Under Our Tongue at Pirelli Hangar Bicocca, Mailand // Photo by Agostino Osio © the artist. Oskar Schlemmer: ‘Am Fenster (Fensterbild IX)’, 1942, pencil, gouache on laminated cardboard, 31 x 22,6 cm Liina Magnea: ‘What’s a Mob to a King (Plot-twist Redemption)’ Jeff Davis: ‘Mechanical Drawings’, 2026 Umut Azad Akkel: ‘Hide and Seek’, 2026, video still Anna Zvyagintseva: ‘Order of Things’, 2015–today, Installation view Kyiv Biennial – Homelands and Hinterlands, M HKA – Museum of Contemporary Art Antwerp. // Photo by We Document Art. Courtesy Collection M HKA/Collection Flemish Community © the artist. #whatson #berlin #berlinevents #berlinart #performance #installation #exhibition #festival #program #gallery #program

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