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Wednesday 10 June 2026 15:36:15 GMT

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10sekii :

Fine asf

2026-08-03 17:04:28

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10101001100110101101011000111 :

2026-06-10 15:39:32

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Samantha Miller :

mmmm🔥🥵

2026-08-06 12:55:18

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Nora :

@emilyteichmiller the song

2026-07-18 04:44:53

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Following the burnout from touring OK Computer, eager fans were left waiting while Radiohead took a hiatus. The band had grown resentful towards traditional TV adverts and wanted to minimize the amount of commercial marketing for their next album. They wanted to embrace its experimental, abstract sound and also break away from conventional promotional practices that had previously landed them in a dark place. They needed a way to break the ice surrounding the anticipation of the new album’s release, especially since they knew people were expecting another guitar-driven rock masterpiece. Nobody had heard from Radiohead in nearly two years, aside from an online diary kept by Ed O’Brien which he only occasionally updated. More time passed. No singles, no music videos, little to no interviews or radio play, until June of 2000 when bizarre 5–10 second animated blips started airing on music television channels in the UK. They would play during commercial breaks and featured artwork by Stanley Donwood and Tchock (Thom’s alias at the time). The brief clips showed distorted creatures, snowy post-war landscapes, and sporadic, disturbing visuals while snippets of the album tracks played. These blips eventually made their way around Europe, then North America, then the rest of the world. Industry insiders called the move “commercial suicide” and many executives warned that the absence of traditional promotion could underutilize the album’s commercial potential. Despite this, the media head of Capitol Records (the U.S. branch of Radiohead’s label) suggested using the internet as an alternative marketing technique, specifically using an embeddable audio player she developed called iBlip. Capitol became one of the first major record labels to create a successful online streaming tool to promote music to listeners. The iBlip stream was made available three weeks before Kid A’s street release date. Fans could listen to the full album and watch the blips directly in the browser without having to download or purchase anything. Around 400,000 people listened to the stream before Kid A’s official release on October 2nd, 2000, helping it debut at number one on the U.S. Billboard 200 and number one on the UK Albums Chart. About 1.3 million copies of Kid A were sold worldwide by the end of 2000. It also won the Grammy for Best Alternative Album in 2001. This set a new precedent for how major record companies could use the internet to promote music before it hit stores. Despite its initial lukewarm critical acclaim, over time, Kid A and its promotional campaign became one of the most groundbreaking and important turning points in Radiohead’s career and arguably the entire music scene, with the new electronic experimentation paving the way for the creation of some of their later albums we all know and love. The brave decision has been referred to in modern times as “the biggest left turn in music history.” Thanks to anyone who read <3 This video is not a Kid A blip. This is an edit I made of a bunch of different blips over the sampled parts of Mild und Leise by Paul Lansky and Short Piece by Arthur Kreiger that Radiohead used for the song Idioteque. #radiohead #artist #kida #fyp

Following the burnout from touring OK Computer, eager fans were left waiting while Radiohead took a hiatus. The band had grown resentful towards traditional TV adverts and wanted to minimize the amount of commercial marketing for their next album. They wanted to embrace its experimental, abstract sound and also break away from conventional promotional practices that had previously landed them in a dark place. They needed a way to break the ice surrounding the anticipation of the new album’s release, especially since they knew people were expecting another guitar-driven rock masterpiece. Nobody had heard from Radiohead in nearly two years, aside from an online diary kept by Ed O’Brien which he only occasionally updated. More time passed. No singles, no music videos, little to no interviews or radio play, until June of 2000 when bizarre 5–10 second animated blips started airing on music television channels in the UK. They would play during commercial breaks and featured artwork by Stanley Donwood and Tchock (Thom’s alias at the time). The brief clips showed distorted creatures, snowy post-war landscapes, and sporadic, disturbing visuals while snippets of the album tracks played. These blips eventually made their way around Europe, then North America, then the rest of the world. Industry insiders called the move “commercial suicide” and many executives warned that the absence of traditional promotion could underutilize the album’s commercial potential. Despite this, the media head of Capitol Records (the U.S. branch of Radiohead’s label) suggested using the internet as an alternative marketing technique, specifically using an embeddable audio player she developed called iBlip. Capitol became one of the first major record labels to create a successful online streaming tool to promote music to listeners. The iBlip stream was made available three weeks before Kid A’s street release date. Fans could listen to the full album and watch the blips directly in the browser without having to download or purchase anything. Around 400,000 people listened to the stream before Kid A’s official release on October 2nd, 2000, helping it debut at number one on the U.S. Billboard 200 and number one on the UK Albums Chart. About 1.3 million copies of Kid A were sold worldwide by the end of 2000. It also won the Grammy for Best Alternative Album in 2001. This set a new precedent for how major record companies could use the internet to promote music before it hit stores. Despite its initial lukewarm critical acclaim, over time, Kid A and its promotional campaign became one of the most groundbreaking and important turning points in Radiohead’s career and arguably the entire music scene, with the new electronic experimentation paving the way for the creation of some of their later albums we all know and love. The brave decision has been referred to in modern times as “the biggest left turn in music history.” Thanks to anyone who read <3 This video is not a Kid A blip. This is an edit I made of a bunch of different blips over the sampled parts of Mild und Leise by Paul Lansky and Short Piece by Arthur Kreiger that Radiohead used for the song Idioteque. #radiohead #artist #kida #fyp

Charlie Cox has denied that Daredevil will be in Avengers: Secret Wars.

Charlie Cox has denied that Daredevil will be in Avengers: Secret Wars. "No, I'm not in the movie. And you can believe me. I'm not a liar." VIA @CharlieCoxFR #CharlieCox #Daredevil #avengerssecretwars

The sheer precision and geometry found throughout nature never fails to inspire. 📐🍃✨ --- Natural architecture | insect design | nature geometry | natural patterns | wild world | macro nature | intricate details | organic shapes | nature aesthetic | studio inspiration | mindful walks | outdoor wonder | wildlife capture | nature study | earth art | quiet observation | slow living | design inspiration | wild details | natural elegance #birdsoftiktok #macroworld #planetearth

The sheer precision and geometry found throughout nature never fails to inspire. 📐🍃✨ --- Natural architecture | insect design | nature geometry | natural patterns | wild world | macro nature | intricate details | organic shapes | nature aesthetic | studio inspiration | mindful walks | outdoor wonder | wildlife capture | nature study | earth art | quiet observation | slow living | design inspiration | wild details | natural elegance #birdsoftiktok #macroworld #planetearth

#CapCut

Cute Baby Full Day Routine😍❤️ #tiktokgrowthchallenge #baby #cartoonforkids #aicartoon #kids

Cute Baby Full Day Routine😍❤️ #tiktokgrowthchallenge #baby #cartoonforkids #aicartoon #kids

He made a decision to audition with the poece of clothes he has. And the next thing happened was unexpected! #poor #fyp #fypシ #talent

He made a decision to audition with the poece of clothes he has. And the next thing happened was unexpected! #poor #fyp #fypシ #talent

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