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Sunday 14 June 2026 09:29:12 GMT
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AI filmmaking is in a very weird place right now. It is not good enough to fully replace traditional filmmaking. It is not cheap enough for everyone to make a feature film tomorrow. And it is definitely not as simple as typing
AI filmmaking is in a very weird place right now. It is not good enough to fully replace traditional filmmaking. It is not cheap enough for everyone to make a feature film tomorrow. And it is definitely not as simple as typing "make me a movie" and getting a finished product. But it is getting good enough that we have to start taking it seriously. That is what makes Hell Grind so interesting. It is a 95-minute sci-fi action film created with AI, and it recently premiered at an event during Cannes Film Festival. Not because it is a perfect movie. Not because it means Hollywood is over. But because it shows how quickly this entire category is moving. A small team can now create characters, worlds, action scenes, visual effects, and full cinematic sequences in a way that would have been almost impossible for independent creators just a few years ago. The workflow is still expensive. The results are still imperfect. And humans still have to direct, refine, choose, edit, and shape the final story. But that is the point. AI is not magically making great films on its own. It is becoming a new creative toolset for the people who know how to use it. And as these tools get cheaper, faster, and easier to control, I think we are going to see a completely new wave of filmmakers bring stories to life that never would have been made otherwise. I put together a full breakdown of the tools and workflow used to create Hell Grind, including the trailer. You can get it at the link in my bio.
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