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@portal_tivi: Gibran temui perwakilan mahasiswa univeristas Bung Karno...

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Monday 15 June 2026 14:02:58 GMT
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Comments

ides71user4075000668811
Desichan :
ono opo iki....?
2026-06-16 17:51:21
0
warung_pojok52
Malinda Batik :
kalau demo pakai,,AI,,, disuruh nya,,🤭🤭
2026-06-16 06:18:15
0
dedygumara_official
ĎĔĎŶ ĞÚMÁŔÁ-𝑶𝒇𝒇𝒊𝒄𝒊𝒂𝒍 :
gibran pasti berkata,yg penting adek2 mahasiswa rukun semua sehat semua,krn itu sangat penting utk hilirisasi krn skrg di pesantren anak2 ngaji menggunakan AI 🙄 dan saya mau mandi di hotel😴😴
2026-06-15 14:49:35
2
gusti.4226
Gusti 4226 :
yang demo kampus lain yang di panggil ketemu an lain tidak nyambubg 🙈
2026-06-15 22:10:17
0
ma.lorenzo
Zero :
🤣🤣🤣🤣🤣KOSONG
2026-06-15 15:02:47
0
yuli2n26
Yuli2n2 :
Janggal dan aneh
2026-06-20 16:59:28
0
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The Beatles' iconic Abbey Road album cover, captured in 1969, features one of the greatest photobombs in history. As the Four walk across a zebra crossing in North West London, a mystery man in a brown jacket and white shirt stands in the background, gazing toward the musicians. This unintentional addition became a focal point for fans, leading to numerous theories about the man in the photo. Eventually identified as American tourist Paul Cole, he explained in a 2004 interview that he stumbled into the background while waiting for his wife outside a museum. The photograph, taken by lain Macmillan, was the result of a 10-minute shoot during which a hired policeman managed traffic for the band, capturing the now-iconic
The Beatles' iconic Abbey Road album cover, captured in 1969, features one of the greatest photobombs in history. As the Four walk across a zebra crossing in North West London, a mystery man in a brown jacket and white shirt stands in the background, gazing toward the musicians. This unintentional addition became a focal point for fans, leading to numerous theories about the man in the photo. Eventually identified as American tourist Paul Cole, he explained in a 2004 interview that he stumbled into the background while waiting for his wife outside a museum. The photograph, taken by lain Macmillan, was the result of a 10-minute shoot during which a hired policeman managed traffic for the band, capturing the now-iconic "V' formation in the chosen fifth shot of six.
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