@barsaigon.quan1: Em bảo này anh đừng tự ái nha…! ☺️ x DJ Quyen Louis #empireclub #empireclubquan1 #empireclubsaigon #clubquan1 #tamtrang

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Monday 22 June 2026 08:24:39 GMT

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No Watermark .mp4 (7.73MB) No Watermark(HD) .mp4 (10.68MB) Watermark .mp4 (8.42MB) Music .mp3

Comments

Đình Anh :

em có cái gì 😂

2026-06-24 02:01:25

128

Phúc :

chẳng gì đẹp đẽ trên đời mãi mà...🥰

2026-06-24 15:24:57

5

Nguyễn Tiến Thành :

nhạc hay quá ❤️❤️

2026-06-26 15:05:36

1

Văn Lợi ❤️🍀 :

Thấm chưa các chàng trai ơii 😆😆

2026-08-10 03:31:12

2

Ny tao đâu 🤔 :

K tiền thì làm j có e

2026-06-24 03:41:10

5

𝐍.Đ.𝐒ơ𝐧☘️❤️ :

Vậy m mang lợi ích gì cho họ

2026-06-24 05:47:39

59

thien_noi_that :

thanh xuân cũng chỉ là 1 quận của hà nội mà

2026-07-09 00:30:50

10

Hoàng Thị Xuân Mai :

Xin mẫu capcut

2026-08-08 10:03:17

1

Quốc Tính :

Chưa hiểu lắm ạ

2026-08-18 17:50:46

0

LỲ XÈ XÁ :

Trước tiên tôi xin lỗi với người bạn này " Nói tình yêu không ăn được". 50/50 đồng tình với câu này Tôi nói theo một góc độ khác mà không liên quan đến chuyện tình cảm nam nữ. Nếu giả sử mình sinh ra trong một gia đình không khá giả, 5 mầm non, 12 trung học, 15 tuổi cấp 3 , 4 năm đại học mà gia đình mình không giúp được nhiều về mặt kinh tế mà chỉ hơn về tình thân , lúc đó mình độc lập vừa học vừa đi làm thêm để chi trả chi phí học tập của mình,chia sẻ gánh nặng giúp ba mẹ vì đã nuôi học mình khó khăn. Vậy lúc đó bạn sẽ đưa ra quyết định như thế nào. He He chúng ta giao lưu vui vẻ nhé 🥰 Theo bản thân tôi thì góc nhìn càng rộng thì tư duy về cuộc sống sẽ càng đơn giản. Vốn dĩ yêu và thương là một chuyện khác nhau thế nên việc mình thêm sắc màu cho hạnh phúc là do chính bản thân mình thôi. Mình không có năng thì dù trèo cao lên được tơi đâu cũng sẽ bị ngã ở một góc khuất rất đau. Chúc mọi người một ngày mới tốt lành 🌹🍀

2026-06-25 00:13:06

14

lunnnn :

e nói thế thì ok đi nhé

2026-06-25 03:21:23

8

hakhang040 :

lợi x ở đây thôi em😂

2026-06-24 17:51:48

34

blackass :

đúng nhưng hơi phủ phàng. có điều a đồng ý với quan điểm của e. Cơ bản cuộc sống gia đình bây giờ phải vậy, ko khác được.

2026-06-24 09:17:11

11

THÁNH ĐỚP SIÊU PHẨM 🀄️ :

Hay nhá

2026-08-18 05:02:51

0

nguyễn thức :

đúng rồi 😂😂😂

2026-06-23 01:31:51

9

Viết Pháp :

có tiền ae sẽ có thứ mình muốn

2026-07-25 09:30:01

2

phan4949 :

phải có tiền ae ơi

2026-06-23 16:37:46

7

Thiên Vô Đạo :

Thật

2026-06-28 09:27:40

1

Xuân Anh🎋 :

Nghèo nên chấp nhận thôi ae ạ🥺

2026-08-10 16:49:21

0

Only GH Hoàng :

thế em có gì

2026-06-26 12:42:42

0

thắng trần :

sao ko bảo em cho anh 1 tương lai đi😁

2026-06-28 18:42:45

1

tuananhdo. :

anh xin lỗi

2026-06-24 17:31:22

2

yêu hồng hài nhi m78 :

mình không ham tiền của bất kỳ một người đàn ông nào mà mình từng yêu. mình yêu chỉ duy nhất là vì tình cảm nhưng người như mình lại không được trân trọng.

2026-08-16 05:30:03

1

⏳1%🪫🐥 :

Đọc bl cười vỡ bụng 😂😂😂

2026-07-05 16:22:12

1

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The Day Marie Antoinette Broke Royal Protocol. Marie Antoinette Gathering the Brushes of Madame Vigée Le Brun is an oil painting by Alexis-Joseph Pérignon, created around 1859 and currently housed in the New Orleans Museum of Art. The painting captures an unexpected and intimate moment between Queen Marie Antoinette and her official portraitist, Élisabeth Louise Vigée Le Brun. According to Vigée Le Brun’s memoirs, during a painting session at Versailles, she accidentally dropped her brushes. Despite the strict etiquette of the French court, Marie Antoinette, rather than waiting for a servant, gracefully bent down to retrieve them herself. This small but surprising gesture revealed a more personal and approachable side of the queen, who is often remembered for her detachment from the struggles of her people. Pérignon’s painting masterfully preserves this moment with great attention to elegance and atmosphere. Marie Antoinette, dressed in her fine court attire, is depicted mid-motion, her gown skimming the floor as she picks up the brushes. A visibly taken-aback Vigée Le Brun watches in disbelief. The composition subtly highlights the close bond between the two women, as Vigée Le Brun was not only the queen’s favorite portraitist but also one of the few female artists allowed into her private circle. Marie Antoinette, the Austrian-born Queen of France, became a deeply divisive figure at the time of the French Revolution. Initially admired for her grace and charm, she was later vilified as a symbol of royal excess and detachment, famously (and falsely) attributed to the phrase “Let them eat cake.” Meanwhile, Élisabeth Vigée Le Brun, a rare woman in the male-dominated art world, was one of the few artists permitted to move freely within the court. Her close relationship with the queen forced her into exile during the Revolution, but she continued her career throughout Europe, painting aristocrats and royalty even after Marie Antoinette’s execution in 1793. Pérignon’s painting, created decades after these events, offers a nostalgic and humanizing portrayal of the queen, contrasting sharply with the harsher historical judgments passed on her. By focusing on a simple act of kindness, the artwork reframes Marie Antoinette—not as the distant, frivolous figure of revolutionary propaganda, but as a woman capable of humility, warmth, and friendship. #arte #painting #marieantoniette #royal

The Day Marie Antoinette Broke Royal Protocol. Marie Antoinette Gathering the Brushes of Madame Vigée Le Brun is an oil painting by Alexis-Joseph Pérignon, created around 1859 and currently housed in the New Orleans Museum of Art. The painting captures an unexpected and intimate moment between Queen Marie Antoinette and her official portraitist, Élisabeth Louise Vigée Le Brun. According to Vigée Le Brun’s memoirs, during a painting session at Versailles, she accidentally dropped her brushes. Despite the strict etiquette of the French court, Marie Antoinette, rather than waiting for a servant, gracefully bent down to retrieve them herself. This small but surprising gesture revealed a more personal and approachable side of the queen, who is often remembered for her detachment from the struggles of her people. Pérignon’s painting masterfully preserves this moment with great attention to elegance and atmosphere. Marie Antoinette, dressed in her fine court attire, is depicted mid-motion, her gown skimming the floor as she picks up the brushes. A visibly taken-aback Vigée Le Brun watches in disbelief. The composition subtly highlights the close bond between the two women, as Vigée Le Brun was not only the queen’s favorite portraitist but also one of the few female artists allowed into her private circle. Marie Antoinette, the Austrian-born Queen of France, became a deeply divisive figure at the time of the French Revolution. Initially admired for her grace and charm, she was later vilified as a symbol of royal excess and detachment, famously (and falsely) attributed to the phrase “Let them eat cake.” Meanwhile, Élisabeth Vigée Le Brun, a rare woman in the male-dominated art world, was one of the few artists permitted to move freely within the court. Her close relationship with the queen forced her into exile during the Revolution, but she continued her career throughout Europe, painting aristocrats and royalty even after Marie Antoinette’s execution in 1793. Pérignon’s painting, created decades after these events, offers a nostalgic and humanizing portrayal of the queen, contrasting sharply with the harsher historical judgments passed on her. By focusing on a simple act of kindness, the artwork reframes Marie Antoinette—not as the distant, frivolous figure of revolutionary propaganda, but as a woman capable of humility, warmth, and friendship. #arte #painting #marieantoniette #royal

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