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@cctvviews: کراچی کے بہادر شہری نے ڈکیتی کی بڑی واردات ناکام بنا دی! 💪❤️😱 نارتھ ناظم آباد اور ناظم آباد میں شہریوں کی بہادری! ڈکیت الٹے پاؤں بھاگنے پر مجبور 😂😂 #karachi#cctvviews#unbelievable

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Monday 22 June 2026 09:41:48 GMT
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ebad_ur_rehman_775
iK.𝐘𝐨𝐔𝐒𝐮𝐅𝐙𝐚𝐢⚜️🚩 :
bhi police Wala he
2026-06-22 11:56:24
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muneeb_khan_71
【MUNEEB🕷️】 :
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2026-06-22 22:03:55
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___not.yours___2
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user853348180
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deedarking01
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2026-06-26 17:41:58
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—͟͟͞͞𖣘𝓝𝓘𝓐𝓩▄︻̷̿┻̿═━一 :
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2026-06-22 11:16:36
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Gloria invited Rasta over for a little get-together... But Marvin showed up UNINVITED! 😂 Now Marvin won't leave, and he's eating up all the food Gloria made for Rasta. So Gloria comes up with a sneaky little plan. 🌶️😂 She starts bringing Rasta plate after plate of EXTREMELY spicy food... And Marvin takes EVERY SINGLE ONE! 🤣🔥 Eventually Marvin's stomach can't take it anymore, and he has to run out the door. But then Gloria locks the door behind him... And turns around with THAT smile. 👀🦊 What do y'all think Gloria had planned all along? 😂 #Marvin #comedy #ai #RastaRooster
Gloria invited Rasta over for a little get-together... But Marvin showed up UNINVITED! 😂 Now Marvin won't leave, and he's eating up all the food Gloria made for Rasta. So Gloria comes up with a sneaky little plan. 🌶️😂 She starts bringing Rasta plate after plate of EXTREMELY spicy food... And Marvin takes EVERY SINGLE ONE! 🤣🔥 Eventually Marvin's stomach can't take it anymore, and he has to run out the door. But then Gloria locks the door behind him... And turns around with THAT smile. 👀🦊 What do y'all think Gloria had planned all along? 😂 #Marvin #comedy #ai #RastaRooster


Suketakaya Takasuke IV as 久松緑之助茂栄 (descriptive title), provisionally attributed to Toyohara Kunichika (1835–1900), probably 1879. This Japanese kabuki actor print presents two richly costumed figures against a vivid red background, with elaborate ceremonial headwear, flowing robes, and intricate floral and dragon motifs emphasizing the spectacle of the stage. The upper-left inscriptions identify Takasuke and his role, providing a possible connection to the dance drama 鶴歳亀齢栄久松, performed at Tokyo’s Hisamatsu theatre in 1879. The bold colour and expressive faces evoke the theatrical energy of early Meiji actor portraiture; the attribution remains provisional pending confirmation through an identical catalogued impression or an artist’s signature. 《久松緑之助茂栄に扮する四代目助高屋高助》（仮題）、豊原国周（1835–1900）筆と推定、明治12年（1879）頃。本作は、鮮やかな赤い背景に華麗な衣装をまとった二人の人物を配した歌舞伎役者絵である。精巧な冠や被り物、ゆったりとした衣の線、花や龍の文様が、舞台の華やかさを際立たせている。左上の短冊形の書き込みには役名と役者名が記され、明治12年に東京の久松座で上演された舞踊《鶴歳亀齢栄久松》との関連が考えられる。大胆な色彩と表情豊かな顔貌は、明治初期の役者絵に見られる演劇的な活気を伝えている。ただし、同一図柄の所蔵作品との照合や落款の確認には至っておらず、作者および制作年代は暫定的な推定である。#japan #anime #japaneseart #kabuki #arthistory
Suketakaya Takasuke IV as 久松緑之助茂栄 (descriptive title), provisionally attributed to Toyohara Kunichika (1835–1900), probably 1879. This Japanese kabuki actor print presents two richly costumed figures against a vivid red background, with elaborate ceremonial headwear, flowing robes, and intricate floral and dragon motifs emphasizing the spectacle of the stage. The upper-left inscriptions identify Takasuke and his role, providing a possible connection to the dance drama 鶴歳亀齢栄久松, performed at Tokyo’s Hisamatsu theatre in 1879. The bold colour and expressive faces evoke the theatrical energy of early Meiji actor portraiture; the attribution remains provisional pending confirmation through an identical catalogued impression or an artist’s signature. 《久松緑之助茂栄に扮する四代目助高屋高助》（仮題）、豊原国周（1835–1900）筆と推定、明治12年（1879）頃。本作は、鮮やかな赤い背景に華麗な衣装をまとった二人の人物を配した歌舞伎役者絵である。精巧な冠や被り物、ゆったりとした衣の線、花や龍の文様が、舞台の華やかさを際立たせている。左上の短冊形の書き込みには役名と役者名が記され、明治12年に東京の久松座で上演された舞踊《鶴歳亀齢栄久松》との関連が考えられる。大胆な色彩と表情豊かな顔貌は、明治初期の役者絵に見られる演劇的な活気を伝えている。ただし、同一図柄の所蔵作品との照合や落款の確認には至っておらず、作者および制作年代は暫定的な推定である。#japan #anime #japaneseart #kabuki #arthistory
Nón trucker mang hơi hướng cổ điển #truckercap #kraftvintage #nonket
Nón trucker mang hơi hướng cổ điển #truckercap #kraftvintage #nonket

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