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Friday 26 June 2026 05:55:32 GMT
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Tweguddeko ne bilangilangi netutendereza mukama. Omwooyo wamukama tusabye namwe abakyaalire
Tweguddeko ne bilangilangi netutendereza mukama. Omwooyo wamukama tusabye namwe abakyaalire
Toyota Hilux giờ đây được lưu thông vào nội đô theo quy định mới như xe con. Đã mạnh mẽ, đa dụng nay còn tiện hơn cho việc đi làm, đi phố mỗi ngày. Toyota Hilux-Sẵn sàng đồng hành trên mọi hành trình. #toyota #hilux #bantai #tiktok #viral
Toyota Hilux giờ đây được lưu thông vào nội đô theo quy định mới như xe con. Đã mạnh mẽ, đa dụng nay còn tiện hơn cho việc đi làm, đi phố mỗi ngày. Toyota Hilux-Sẵn sàng đồng hành trên mọi hành trình. #toyota #hilux #bantai #tiktok #viral
At “Seaworld Venice,” this year’s Austrian Pavillion at the Venice Biennale, performance artist and choreographer Florentina Holzinger alerts us to a world “increasingly surrendered to the waves.” A female performer replaces the clapper of a church bell, alerting the viewer to the flood to come. Inside, Holzinger has created a dystopian view of our water systems: in an underwater amusement park, a circling jet-ski comments on the ecological catastrophe driven by turbo-tourism, a group of performers climb an enormous weathervane as a testament to the strength of collective action, and a performer lives in a reconstructed sewer treatment plant, in a tank sustained by body fluids contributed by the audience. The pavilions describes how the “closed-loop recycling system serves as a raw metaphor for a life lived in the refuse of others—a visceral reflection of a global order in which vulnerable populations and entire nations are relegated to the trash bins of the powerful.” Read more about the pavilion, and others now on view at the Venice Biennale, at the link in our bio.
At “Seaworld Venice,” this year’s Austrian Pavillion at the Venice Biennale, performance artist and choreographer Florentina Holzinger alerts us to a world “increasingly surrendered to the waves.” A female performer replaces the clapper of a church bell, alerting the viewer to the flood to come. Inside, Holzinger has created a dystopian view of our water systems: in an underwater amusement park, a circling jet-ski comments on the ecological catastrophe driven by turbo-tourism, a group of performers climb an enormous weathervane as a testament to the strength of collective action, and a performer lives in a reconstructed sewer treatment plant, in a tank sustained by body fluids contributed by the audience. The pavilions describes how the “closed-loop recycling system serves as a raw metaphor for a life lived in the refuse of others—a visceral reflection of a global order in which vulnerable populations and entire nations are relegated to the trash bins of the powerful.” Read more about the pavilion, and others now on view at the Venice Biennale, at the link in our bio.
napapanood ko lang ‘to sa mga documentaries sa US eh 😩 #school
napapanood ko lang ‘to sa mga documentaries sa US eh 😩 #school
multipal angles get that shot or video in car facing forward or backwards. get that perfect angle #cellphone #cellphoneaccessories #tiktokshop
multipal angles get that shot or video in car facing forward or backwards. get that perfect angle #cellphone #cellphoneaccessories #tiktokshop
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The IT dress for summer. @Halara_Official @HalaraUS #summervibes #summerwins #dealsforyoudays #halaralistens #halaraeasypeezydress

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