@chordcamera: Here is a progression featuring two distinct moods: the first half is built on an Ab pedal point, creating a sense of suspended stillness. In the second half, the harmony opens up, moving toward a brighter and more expansive feel. For those curious about the theory, the contrast in the first section comes from the tension between the diatonic harmony and the Lydian color (the natural D in the Bb7 chord). Harmonic Analysis: I – II4/2 – ii4/2 – I – vi7 – II7 – ii7 – V7sus – V7 – I (Note about the Ab/G chord: the G note has been considered just a passing tone and therefore the chord has been omitted in the analysis) Note: a very similar progression was published last year on my other channel @Haltber, originally in the key of A major. ... #chordprogression #pianoplayer #pianotutorial #jazzchords #relaxingmusic