@tamzuitink: Bài đăng 08 : Hành trình giao 7 xe của tháng 06. 2️⃣ Chúc mừng chị Mỹ nhận xế yêu mới! Chúc chị thượng lộ bình an, đi đâu cũng thuận lợi, niềm vui và may mắn luôn đồng hành trên mọi hành trình.💐💐🎉🎉 #vinfast #trangbang #tayninh

Tâm VinFast 0896677829
Tâm VinFast 0896677829
Open In TikTok:
Region: VN
Saturday 04 July 2026 05:12:56 GMT
42
3
0
0

Music

Download

Comments

There are no more comments for this video.
To see more videos from user @tamzuitink, please go to the Tikwm homepage.

Other Videos

What better way to mark Halloween than by a post of the ‘Moost Haunting’ Anne Boleyn in the Palace at Whitehall on a cold March day in 1536. Recovered from a series of painful and devastating miscarriages, the court was abuzz with rumours and whispers regarding everything from Anne’s inability to produce a male heir, to infidelity and sexual escapades, to incest with her own brother. Despite the birth of Elizabeth, it must have been clear to Anne that the walls were closing in fast. The second half of the reel imagines Anne just two years earlier in happier days at Hever Castle, around the time of the ‘Moost Happi’ portrait. Elizabeth was healthy, the seven years of work to annul Henry’s marriage to Catherine complete and her friends and family by her side. I have built these images as a hybrid between the unidentified court drawing by Hans Holbein that has always captured people’s vision of Anne, and the Moost Happi image most associated with her. Her features echo the strong noses and chins of the Howard’s and the Boleyn’s as well as their ‘darker’, less ‘fair’ complexions.  As I have said many times it is so ironic that Anne would have been the most and best captured Queen given her support of Holbein and he likely drew and painted her at least 3 or 4 times.  But we cannot know how she looked.
 That fact, her ambition, Catherine of Aragon’s popularity and her banishment, being mother to perhaps the most formative English monarch in history and her horrible end, have captured the imagination of people for over 500 years.  She remains a controversial figure and somehow in all this time the attitudes still seem to simplify her into either a confrontational, over-sexed usurper of the crown, or an angelic angel who was innocent in all things.

She was witty, intelligent, ambitious, a loving mother, charismatic, likely ‘cliquey’, socially manipulative and self serving at times… and clearly she was innocent of the charges hatched by Henry and Cromwell. Her execution remains one of the most horrendous and darkest stains on the history of the crown. I do not think I will make any more images of Anne. There are so many that know more than me and no matter how often I draw her, she remains an enigma and a ghost. #anneboleyn #henryviii #tudor #tudorhistory #halloween
What better way to mark Halloween than by a post of the ‘Moost Haunting’ Anne Boleyn in the Palace at Whitehall on a cold March day in 1536. Recovered from a series of painful and devastating miscarriages, the court was abuzz with rumours and whispers regarding everything from Anne’s inability to produce a male heir, to infidelity and sexual escapades, to incest with her own brother. Despite the birth of Elizabeth, it must have been clear to Anne that the walls were closing in fast. The second half of the reel imagines Anne just two years earlier in happier days at Hever Castle, around the time of the ‘Moost Happi’ portrait. Elizabeth was healthy, the seven years of work to annul Henry’s marriage to Catherine complete and her friends and family by her side. I have built these images as a hybrid between the unidentified court drawing by Hans Holbein that has always captured people’s vision of Anne, and the Moost Happi image most associated with her. Her features echo the strong noses and chins of the Howard’s and the Boleyn’s as well as their ‘darker’, less ‘fair’ complexions. As I have said many times it is so ironic that Anne would have been the most and best captured Queen given her support of Holbein and he likely drew and painted her at least 3 or 4 times. But we cannot know how she looked.
 That fact, her ambition, Catherine of Aragon’s popularity and her banishment, being mother to perhaps the most formative English monarch in history and her horrible end, have captured the imagination of people for over 500 years. She remains a controversial figure and somehow in all this time the attitudes still seem to simplify her into either a confrontational, over-sexed usurper of the crown, or an angelic angel who was innocent in all things.

She was witty, intelligent, ambitious, a loving mother, charismatic, likely ‘cliquey’, socially manipulative and self serving at times… and clearly she was innocent of the charges hatched by Henry and Cromwell. Her execution remains one of the most horrendous and darkest stains on the history of the crown. I do not think I will make any more images of Anne. There are so many that know more than me and no matter how often I draw her, she remains an enigma and a ghost. #anneboleyn #henryviii #tudor #tudorhistory #halloween

About