1. Home
  2. Detail

@nguyn.nht0306: #football#funny#messi#cr7

football
football
Open In TikTok:
Region: VN
Monday 06 July 2026 04:49:15 GMT
130
5
0
4

Music

Download

No Watermark .mp4 (1.15MB) No Watermark(HD) .mp4 (1.15MB) Watermark .mp4 (0MB) Music .mp3

Comments

There are no more comments for this video.
To see more videos from user @nguyn.nht0306, please go to the Tikwm homepage.

Other Videos

@anitta diz que não correu atrás de Shakira. . . . . . #anitta #anittacy #equilibrivm #shakirachallenge
@anitta diz que não correu atrás de Shakira. . . . . . #anitta #anittacy #equilibrivm #shakirachallenge
Rare Dwayne Johnson W!
Rare Dwayne Johnson W!
The Burqa Is Not Your Enemy Here's something the carousel definitely didn't tell you. European women covered their hair for centuries. Not just nuns. Every woman. Mandatory, in public, across most of medieval and early modern Europe. In Rome, slaves and concubines were specifically forbidden from covering — because the veil marked you as a woman whose body was not freely accessible. The veil was the protection. Being unveiled meant being available to any man who wanted you. In Florence, the legislation was explicit. In England, in France, across the continent — covered hair meant: this woman is not yours to take. Western women stopped covering not because they became free, but because the institutional infrastructure eventually developed enough — laws, courts, at least nominal rights — to theoretically replace the physical strategy. Afghanistan doesn't have that infrastructure. The CIA and ISI destroyed it. Gulbuddin Hekmatyar is still alive. The men who threw acid in girls' faces on the way to school in 2008 and 2015 are still there. So when a woman in Kabul wraps herself in fabric before leaving her house, she is not enacting religious oppression. She is doing exactly what European women did for a thousand years: using the only available technology to navigate a world where male violence is real, immediate, and faces no institutional consequence. The difference between her and a medieval French peasant woman in a wimple is not culture. It is not religion. It is not backwardness. It is that the French peasant woman's country eventually built the infrastructure that made the wimple unnecessary. Afghanistan's infrastructure was deliberately demolished. Same problem. Same solution. Different century. And the West has the nerve to film it and set it to Enya.
The Burqa Is Not Your Enemy Here's something the carousel definitely didn't tell you. European women covered their hair for centuries. Not just nuns. Every woman. Mandatory, in public, across most of medieval and early modern Europe. In Rome, slaves and concubines were specifically forbidden from covering — because the veil marked you as a woman whose body was not freely accessible. The veil was the protection. Being unveiled meant being available to any man who wanted you. In Florence, the legislation was explicit. In England, in France, across the continent — covered hair meant: this woman is not yours to take. Western women stopped covering not because they became free, but because the institutional infrastructure eventually developed enough — laws, courts, at least nominal rights — to theoretically replace the physical strategy. Afghanistan doesn't have that infrastructure. The CIA and ISI destroyed it. Gulbuddin Hekmatyar is still alive. The men who threw acid in girls' faces on the way to school in 2008 and 2015 are still there. So when a woman in Kabul wraps herself in fabric before leaving her house, she is not enacting religious oppression. She is doing exactly what European women did for a thousand years: using the only available technology to navigate a world where male violence is real, immediate, and faces no institutional consequence. The difference between her and a medieval French peasant woman in a wimple is not culture. It is not religion. It is not backwardness. It is that the French peasant woman's country eventually built the infrastructure that made the wimple unnecessary. Afghanistan's infrastructure was deliberately demolished. Same problem. Same solution. Different century. And the West has the nerve to film it and set it to Enya." #women #burqa #afghanistan #usa #liberation
@Fábio Teruel Se você crê, digite: eu creio🙏🏾 #fabioteruelfy #oraçao #fé #fy #deus
@Fábio Teruel Se você crê, digite: eu creio🙏🏾 #fabioteruelfy #oraçao #fé #fy #deus
#ethopiyaa🇪🇹🇪🇹🇪🇹🇪🇹🇪🇹 #ethopiyaa🇪🇹🇪🇹🇪🇹🇪🇹🇪🇹 #ethopiyaa🇪🇹🇪🇹🇪🇹🇪🇹🇪🇹 #ethopiyaa🇪🇹🇪🇹🇪🇹🇪🇹🇪🇹 #ethopiyaa🇪🇹🇪🇹🇪🇹🇪🇹🇪🇹
#ethopiyaa🇪🇹🇪🇹🇪🇹🇪🇹🇪🇹 #ethopiyaa🇪🇹🇪🇹🇪🇹🇪🇹🇪🇹 #ethopiyaa🇪🇹🇪🇹🇪🇹🇪🇹🇪🇹 #ethopiyaa🇪🇹🇪🇹🇪🇹🇪🇹🇪🇹 #ethopiyaa🇪🇹🇪🇹🇪🇹🇪🇹🇪🇹
@Anitta lançou o videoclipe de “Desgraça”, faixa inaugural de seu novo álbum, “EQUILIBRIVM”. A produção é a primeira de uma narrativa em quatro atos que, por meio do audiovisual, refletirá a jornada de autoconhecimento e espiritualidade da cantora, que também é representada pelas letras e sonoridades do disco. “É um videoclipe cheio de simbolismos. Fala muito sobre fé e força feminina, claro, mas também sobre brasilidade. Foi exatamente a partir desses elementos, a força e a conexão com o meu país, que a minha busca pelo equilíbrio começou. É por isso que decidimos começar assim o primeiro ato da narrativa”, a cantora explica. #anitta #anittacy #equilibrivm #famosos #noticias
@Anitta lançou o videoclipe de “Desgraça”, faixa inaugural de seu novo álbum, “EQUILIBRIVM”. A produção é a primeira de uma narrativa em quatro atos que, por meio do audiovisual, refletirá a jornada de autoconhecimento e espiritualidade da cantora, que também é representada pelas letras e sonoridades do disco. “É um videoclipe cheio de simbolismos. Fala muito sobre fé e força feminina, claro, mas também sobre brasilidade. Foi exatamente a partir desses elementos, a força e a conexão com o meu país, que a minha busca pelo equilíbrio começou. É por isso que decidimos começar assim o primeiro ato da narrativa”, a cantora explica. #anitta #anittacy #equilibrivm #famosos #noticias

About

Legal