@llws_031154: my frist tweenig.. . ty for 10k folowerss! . #animation #gacha #gachalife #fyp #fypシ゚viral ( ib : fyp )

llws

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Region: TH

Wednesday 08 July 2026 12:31:23 GMT

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Comments

SYSVE3♡✩ :

FIRST??? IT LOOKS SO GOOD😭 tutorial plssss

2026-07-15 07:41:58

0

It’s tom :

We all voted no right

2026-07-15 03:38:45

0

✿⁺‧₊˚⋆𝑀𝐼𝑀𝐼✿⁺‧₊˚⋆✩ :

I can’t even do the fist one😭

2026-07-12 16:23:06

197

misskaba367 :

I can't even do the first one😭

2026-07-15 00:18:18

1

💢🤬💢 :

I LIKED THE FIRST ONE! But both are really good

2026-07-14 03:03:45

1

𝘊𝘢𝘳𝘭𝘦𝘦𝘯 ᰔ :

I find it funny guys.. you can laugh now

2026-07-10 12:15:32

776

D1V3 :

the vote is private 😔.....

2026-07-13 09:39:48

0

Idk :

THE WAY YOU MISSPELLED ON PURPOSE TOO

2026-07-13 18:01:03

1

༄ᶦᶰᵈ᭄🌟⃝Star_rants✨️ :

pero...YO LLEVO YA 7 AÑOS EN LA COMUNIDAD Y NO SE ANIMAR BIEN COMO LE HACEN

2026-07-13 03:25:53

38

선우성민. :

The dance😭💔

2026-07-10 10:21:46

265

Mayday_Mal :

Earlyyyy! But pls show me a tut on how to tween! And blink!

2026-07-08 14:12:03

6

Megazuke :

Ta mas dificil animar lo primero que lo segundo

2026-07-14 16:49:33

8

Neon_Quiet—004 :

ใครอึ้งกับคริปนี้

2026-07-08 12:37:52

11

🎨 ˚₊‧꒰ ✨ 𝒚𝒊𝒏 ✨ ꒱‧₊˚ 🎨 :

Calm down Shakira

2026-07-12 05:03:51

0

when yah :

yg pertama aja aku gk bisa🥰

2026-07-12 06:05:45

5

norhaipah :

hey! I can teach you!

2026-07-12 19:57:34

251

Koronafirus :

Gurl that awesome

2026-07-08 12:35:03

40

M1NKY :

I can teach you

2026-07-10 11:08:52

38

🤍 :

2026-07-08 14:35:00

6

♡𝒹𝒾𝒹𝒶♡🦑🪥 :

WE ALL chose no right?

2026-07-09 16:55:16

78

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No matter the genre—Afrobeats, Hip-Hop, R&B, Amapiano, Drill, or Pop—every great beat has these three things. Number one: Space. One of the biggest mistakes beginner producers make is trying to fill every second of the beat. More melodies. More percussion. More effects. More everything. But when everything is fighting for attention, nothing stands out. The best beats breathe. Sometimes the silence between sounds is just as important as the sounds themselves. Leave room for the artist. Remember, the beat isn’t the star—the song is. Number two: Movement. A beat that sounds exactly the same from start to finish gets boring fast. Listeners love progression. Maybe you mute the drums in the verse. Add a new percussion layer in the pre-chorus. Open the hi-hats in the chorus. Bring in a counter melody halfway through. Or drop everything out for a second before the beat hits again. Small changes keep people engaged without changing the whole vibe. If your beat never evolves, listeners lose interest. Number three: Emotion. This is the one most producers overlook. People don’t remember beats because they were complicated. They remember beats because they made them feel something. Whether it’s joy… Pain… Confidence… Nostalgia… Peace… Or pure energy… Every beat should have a clear emotion. Before you export your beat, ask yourself: “What is this beat supposed to make someone feel?” If you can’t answer that question, neither can the artist—or the listener. Great production isn’t about showing how many plugins you own or how many sounds you can stack. It’s about creating a foundation that inspires a great performance. When artists hear a beat and instantly start humming melodies, you’ve done your job. So before you make your next beat, check these three things: Does it have space? Does it have movement? Does it create emotion? Get those right, and your beats will instantly feel more professional. Which one do you think producers struggle with the most—space, movement, or emotion? Let me know in the comments. #mixingtips #ArtistGrowth #mixingtipsandtricks

No matter the genre—Afrobeats, Hip-Hop, R&B, Amapiano, Drill, or Pop—every great beat has these three things. Number one: Space. One of the biggest mistakes beginner producers make is trying to fill every second of the beat. More melodies. More percussion. More effects. More everything. But when everything is fighting for attention, nothing stands out. The best beats breathe. Sometimes the silence between sounds is just as important as the sounds themselves. Leave room for the artist. Remember, the beat isn’t the star—the song is. Number two: Movement. A beat that sounds exactly the same from start to finish gets boring fast. Listeners love progression. Maybe you mute the drums in the verse. Add a new percussion layer in the pre-chorus. Open the hi-hats in the chorus. Bring in a counter melody halfway through. Or drop everything out for a second before the beat hits again. Small changes keep people engaged without changing the whole vibe. If your beat never evolves, listeners lose interest. Number three: Emotion. This is the one most producers overlook. People don’t remember beats because they were complicated. They remember beats because they made them feel something. Whether it’s joy… Pain… Confidence… Nostalgia… Peace… Or pure energy… Every beat should have a clear emotion. Before you export your beat, ask yourself: “What is this beat supposed to make someone feel?” If you can’t answer that question, neither can the artist—or the listener. Great production isn’t about showing how many plugins you own or how many sounds you can stack. It’s about creating a foundation that inspires a great performance. When artists hear a beat and instantly start humming melodies, you’ve done your job. So before you make your next beat, check these three things: Does it have space? Does it have movement? Does it create emotion? Get those right, and your beats will instantly feel more professional. Which one do you think producers struggle with the most—space, movement, or emotion? Let me know in the comments. #mixingtips #ArtistGrowth #mixingtipsandtricks

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