@kiraboshi1212: 振り向きチャレンジ🩵 クールな表情と笑顔、どっちが好きですか？👀 🤍 クール派 🩵 笑顔派コメントで教えてもらえたら嬉しいです✨ お勉強や習い事や演技など頑張ってて SNS投稿が減ってたり、コメント返すの遅くなりごめんなさい🙏ちゃんとメッセージ見てます！スケジュール慣れてきたら又毎日投稿頑張ります🍀 いつも応援ありがとうございます💕 皆様の毎日も素敵でありますように✨ #JC1 #女優 #中学生女子 #香月星来

星来💫🧸 SEIRA.K

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Wednesday 08 July 2026 23:53:23 GMT

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Comments

ropayopax :

❤️❤️🌹

2026-07-14 20:24:52

2

Scott simkona :

good evening ✨

2026-08-12 13:25:49

1

Dovocos Twinos :

cute princesa

2026-08-15 16:44:22

0

KiltedRuffian :

Pretty girl 😍🤍💋🫰🏻

2026-07-10 02:55:27

1

SpellboundSmiles :

2026-07-10 17:03:45

1

ピカチュウ(Yoshitake Kamon)💋🍊✨ :

愛らしいですね🥰

2026-07-21 02:50:39

1

🎌🇯🇵たかし王子🐉 :

初めまして😍

2026-08-17 09:08:27

0

🇲🇽Alberto🇲🇽 ♥️🇯🇵 C 9716 :

始まりは大好きだし、私にとってどんな未来が待っているのかも気になるけれど、まだまだ先の話だ。

2026-07-11 03:58:44

1

MORE :

身長何センチですか？

2026-07-28 08:45:18

1

へびながすぎ :

クールな表情とても素敵✨もちろん笑顔もかわいい🥰

2026-07-09 03:23:58

1

Scott simkona :

good morning beautiful..hi

2026-08-02 18:34:59

1

Scott simkona :

hi

2026-08-12 13:25:28

1

Scott simkona :

hello beautiful

2026-07-16 13:10:47

1

Scott simkona :

💋🫶💋

2026-07-11 14:49:37

1

Scott simkona :

kiss 💋

2026-07-16 13:11:37

1

Valentín :

🌷💞💕💕💕💕 どうしても知りたいことがあるの 😃：あなたのその素敵な笑顔は、どうやって私の心を完全に虜にしてしまったのかしら？ 😊😊😍😍😍; お願い、その美しい笑顔を絶対に絶やさないでね。ありがとう！ 👩👩🤴🤴🌷🌷🌷🌷💘💘💘

2026-08-30 03:19:30

0

Valentín :

🌷🌸🌸🌸💞💗💞 一日の終わりには、あなたの素敵な笑顔や美しい瞳のことを想っています 🌺🌸🌹 あなたのすべてが大好きです 😍😍😍💐 いつもあなたのことを想っています ♥️♥️いつも本当にありがとう

2026-08-25 13:15:22

0

SpellboundSmiles :

🪎🌈💎💙🥺💙🪎💎🪎💙🥺🌅🌅🌅

2026-07-10 17:08:08

1

小亨利 :

👍👍👍

2026-07-10 05:28:23

1

pham_825 :

❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️😘😘😘😘😘😘😘😘😘😘😘😘😘😘😘😘😘

2026-07-31 14:56:38

0

user8494954135216 :

🥰

2026-08-12 14:30:41

1

ivanf12345 :

🥰🥰🥰🥰🥰

2026-08-19 17:09:22

0

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Đừng buồn sầu em ơi🌧️🌧️..!!#nhacnaychillphet #nhactamtrang #nhacbuon #xuhuonggggggggggggggggg #👤

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The King Kaboyo Olimi III, father of King Oyo takes charge of his Kingdom at 24 years old after the passing of King Rukidi. The Enthronment Ceremony of King Olimi in 1966. Mzee Tony Geoffrey Owana’s historical documentary TOORO: FROM KASAGAMA TO OYO chronicles the resilience and continuity of the Tooro Kingdom in western Uganda across more than a century of turbulent geopolitical shifts. The central thesis of the essay highlights how Tooro survived multiple existential threats most notably its late 19th-century annexation by King Kabarega of Bunyoro-Kitara and the subsequent exile of its royal line. Modern Tooro’s resurgence began when young Prince Daudi Kasagama forged a strategic military alliance with Captain Frederick Lugard of the Imperial British East Africa Company in 1891. This pact allowed Kasagama to reclaim the throne, introduce Christianity, and establish Fort Portal as a thriving administrative hub throughout his transformative 37-year reign. This trajectory of stability continued under Omukama George Rukidi III, who mirrored his father’s tenure by ruling for another 37 years while cementing Tooro's national and diplomatic prominence leading up to Uganda's independence in 1962. Utilizing rare, restored archival footage from the Uganda Film Unit, the documentary captures both the grand funeral of Rukidi III in 1965 and the subsequent coronation of his 20-year-old son, Patrick Olimi Kabuyo III. The film details ancient rituals such as the symbolic mock battle defending the throne against an imposter alongside vibrant civic celebrations across Fort Portal. Though Kabuyo’s reign was abruptly halted when President Milton Obote abolished traditional monarchies in 1967, the kingdom's institutional memory endured nearly three decades of political displacement. Following the restoration of cultural kingdoms by President Yoweri Museveni’s government in 1993, Kabuyo briefly resumed his monarchical duties until his passing in 1995. His death paved the way for his three-year-old son, King Oyo Nyimba Kabamba Iguru Rukidi IV, to ascend the throne as the world's youngest reigning monarch. Ultimately, Owana’s visual essay functions as both a crucial preservation of endangered African historical film and a testament to how traditional heritage can survive state abolition to remain a vital pillar of modern Ugandan identity. #fypシ゚viral #archives #creatorsearchinsights #torokingdom #owanapaedia Busoga, Bunyoro and Tooro are one family that grew too big for one house. Their story begins with the Kitara Empire around 1200. The ancestor was Ntonzi, and his grandson Isimbwa, son of Isaza, left Kitara to hunt north of the Nile in Luo land, today Acholi, Alur and Lango. There he met Nyatworo, also called Nyawudi, daughter of Labongo the Luo leader. He married her, she became pregnant, and he returned to Kitara. Nyatworo gave birth to twins who founded two kingdoms. The first, Isingoma Rukidi Mpuga, was light-skinned like his Chwezi father. The second, Kato Kintu, was dark-skinned like his Luo mother and was called Kato because he was small. When grown, Rukidi went south, overthrew the last Chwezi king of Kitara and became Isingoma Mpuga Rukidi I, the first Mubiito Omukama of Bunyoro. All Banyoro and Batooro kings come from him, the Babiito dynasty that rules to this day. Kato Kintu went southeast and became Kintu, the first Kabaka of Buganda. So Bunyoro and Buganda are twin-brother kingdoms. Busoga was born from Bunyoro. Bunyoro was very large, stretching from Lake Albert to Lake Victoria. Around the 1500s to 1600s, a prince left to look for salt and land. In Busoga history he is called Mukama Namutukula, but in Bunyoro he is Prince Kalemera, son of an Omukama. He crossed the Nile into what is now Busoga, found small chiefs called Bataka, married their daughters and had five sons. Those five sons founded the five original royal clans of Busoga: Gabula of Bugabula, Zibondo of Bulamogi, Ngobi of Kigulu, Tabingwa of Luuka, and Menkha or Wakooli.

The King Kaboyo Olimi III, father of King Oyo takes charge of his Kingdom at 24 years old after the passing of King Rukidi. The Enthronment Ceremony of King Olimi in 1966. Mzee Tony Geoffrey Owana’s historical documentary TOORO: FROM KASAGAMA TO OYO chronicles the resilience and continuity of the Tooro Kingdom in western Uganda across more than a century of turbulent geopolitical shifts. The central thesis of the essay highlights how Tooro survived multiple existential threats most notably its late 19th-century annexation by King Kabarega of Bunyoro-Kitara and the subsequent exile of its royal line. Modern Tooro’s resurgence began when young Prince Daudi Kasagama forged a strategic military alliance with Captain Frederick Lugard of the Imperial British East Africa Company in 1891. This pact allowed Kasagama to reclaim the throne, introduce Christianity, and establish Fort Portal as a thriving administrative hub throughout his transformative 37-year reign. This trajectory of stability continued under Omukama George Rukidi III, who mirrored his father’s tenure by ruling for another 37 years while cementing Tooro's national and diplomatic prominence leading up to Uganda's independence in 1962. Utilizing rare, restored archival footage from the Uganda Film Unit, the documentary captures both the grand funeral of Rukidi III in 1965 and the subsequent coronation of his 20-year-old son, Patrick Olimi Kabuyo III. The film details ancient rituals such as the symbolic mock battle defending the throne against an imposter alongside vibrant civic celebrations across Fort Portal. Though Kabuyo’s reign was abruptly halted when President Milton Obote abolished traditional monarchies in 1967, the kingdom's institutional memory endured nearly three decades of political displacement. Following the restoration of cultural kingdoms by President Yoweri Museveni’s government in 1993, Kabuyo briefly resumed his monarchical duties until his passing in 1995. His death paved the way for his three-year-old son, King Oyo Nyimba Kabamba Iguru Rukidi IV, to ascend the throne as the world's youngest reigning monarch. Ultimately, Owana’s visual essay functions as both a crucial preservation of endangered African historical film and a testament to how traditional heritage can survive state abolition to remain a vital pillar of modern Ugandan identity. #fypシ゚viral #archives #creatorsearchinsights #torokingdom #owanapaedia Busoga, Bunyoro and Tooro are one family that grew too big for one house. Their story begins with the Kitara Empire around 1200. The ancestor was Ntonzi, and his grandson Isimbwa, son of Isaza, left Kitara to hunt north of the Nile in Luo land, today Acholi, Alur and Lango. There he met Nyatworo, also called Nyawudi, daughter of Labongo the Luo leader. He married her, she became pregnant, and he returned to Kitara. Nyatworo gave birth to twins who founded two kingdoms. The first, Isingoma Rukidi Mpuga, was light-skinned like his Chwezi father. The second, Kato Kintu, was dark-skinned like his Luo mother and was called Kato because he was small. When grown, Rukidi went south, overthrew the last Chwezi king of Kitara and became Isingoma Mpuga Rukidi I, the first Mubiito Omukama of Bunyoro. All Banyoro and Batooro kings come from him, the Babiito dynasty that rules to this day. Kato Kintu went southeast and became Kintu, the first Kabaka of Buganda. So Bunyoro and Buganda are twin-brother kingdoms. Busoga was born from Bunyoro. Bunyoro was very large, stretching from Lake Albert to Lake Victoria. Around the 1500s to 1600s, a prince left to look for salt and land. In Busoga history he is called Mukama Namutukula, but in Bunyoro he is Prince Kalemera, son of an Omukama. He crossed the Nile into what is now Busoga, found small chiefs called Bataka, married their daughters and had five sons. Those five sons founded the five original royal clans of Busoga: Gabula of Bugabula, Zibondo of Bulamogi, Ngobi of Kigulu, Tabingwa of Luuka, and Menkha or Wakooli.

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