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@kh6wttqwim: #مناسبات_إسلامية #تقاويم #التقويم_الميلادي #التقويم_الهجري #خطوة_تقويم

خطوة تقويم
خطوة تقويم
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Tuesday 14 July 2026 18:03:55 GMT
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aa707s7
محمد :
لاحول ولا قوة الا بالله العلي العظيم وأتوب إليه استغفر الله العظيم وأتوب إليه اللهم صل وسلم على نبينا محمد على آله وصحبه اجمعين اللهم امين يارب
2026-07-15 06:54:45
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if call me by your name was an airbnb 🥺 linked in my bio under “airbnb northern italy” 🤍 #airbnbfinds #airbnbpartner #uniquestays #italiansummer #cmbyn @airbnb
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Harmodius and Aristogeiton (The Tyrannicides) Two Athenian citizens immortalised in stone, Harmodius and Aristogeiton became enduring symbols of resistance to tyranny in classical Greece. In 514 BCE, they assassinated Hipparchus, brother of the tyrant Hippias, during the Panathenaic festival in Athens. Although the tyranny did not immediately collapse, their act was later celebrated as a decisive step toward the democratic system that defined Athens in the fifth century BCE. The original sculptural group stood in the Athenian Agora and was among the first public monuments erected in honour of real historical citizens rather than gods or mythic heroes. The earliest version, created by Antenor around 510 BCE, was carried off by the Persians in 480 BCE. The Athenians replaced it with a new bronze group by the sculptors Kritios and Nesiotes around 477–476 BCE — a work that became a civic emblem of democracy itself. The example preserved today in the National Archaeological Museum of Naples is a Roman marble copy, dating to the Imperial period (likely 1st–2nd century CE). The original Greek statue was cast in bronze and no longer survives. As was common practice, Roman patrons commissioned marble reproductions of celebrated Greek masterpieces, allowing compositions like this one to endure long after the bronze originals were lost. Harmodius, shown youthful and clean-shaven, strides forward with his arm raised to strike. Aristogeiton, older and bearded, advances beside him, cloak wrapped around his arm as if bracing for combat. Their coordinated movement captures a decisive instant — not calm idealisation, but action. The composition marks the transition into the Early Classical style, moving away from the rigid symmetry of the Archaic period toward naturalistic anatomy and expressive motion. For Athenians, the Tyrannicides were more than historical figures. They embodied civic courage and the ideological foundation of democracy itself. #AncientGreece #AthenianDemocracy #ClassicalSculpture #GreekHistory #AncientArt
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buong doi tay nhau roi
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